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Click a column to sort by it. | Star Ratings | | Title | Copies | Reviews | Ratings | Average | Median | Std. dev. | | Homo Sacer: Sovereign Power and Bare Life | 454 | 3 | 48 | 4.17 | 4.25 | 1.07 | | State of Exception | 320 | 2 | 32 | 3.81 | 4.00 | 0.89 | | The Open: Man and Animal | 157 | 1 | 20 | 4.22 | 4.00 | 0.68 | | The Coming Community | 127 | 2 | 16 | 4.13 | 4.00 | 0.72 | | Remnants of Auschwitz: The Witness and the Archive | 157 | 2 | 13 | 4.15 | 4.50 | 0.93 | | Infancy and History: On the Destruction of Experience | 109 | 1 | 12 | 4.25 | 4.50 | 0.83 | | Profanations | 63 | 2 | 9 | 3.50 | 3.50 | 0.82 | | Means Without End: Notes on Politics | 111 | 1 | 9 | 4.17 | 4.00 | 0.75 | | Potentialities: Collected Essays in Philosophy | 83 | | 7 | 4.00 | 4.00 | 1.07 | | The Man Without Content (Meridian: Crossing Aesthetics) | 93 | | 7 | 4.50 | 4.50 | 0.46 | | Language and Death: The Place of Negativity (Theory and History of Literature) | 56 | | 6 | 4.08 | 4.00 | 0.19 | | "What Is an Apparatus?" and Other Essays (Meridian: Crossing Aesthetics) | 41 | 1 | 6 | 3.17 | 3.50 | 1.18 | | Stanzas: Word and Phantasm in Western Culture (Theory and History of Literature) | 53 | | 6 | 4.08 | 4.50 | 1.10 | | The End of the Poem: Studies in Poetics (Meridian: Crossing Aesthetics) | 33 | | 4 | 4.00 | 4.00 | 0.71 | | The Time That Remains: A Commentary on the Letter to the Romans (Meridian: Crossing Aesthetics) | 84 | | 4 | 4.13 | 4.25 | 0.89 | | The Sacrament of Language: An Archaeology of the Oath (Meridian: Crossing Aesthetics) | 28 | 2 | 2 | 3.75 | 3.75 | 0.75 | | Ninfas | 3 | 1 | 2 | 4.50 | 4.50 | 0.50 | | Idea of Prose (Suny Series, Intersections) | 37 | 1 | 2 | 4.50 | 4.50 | 0.50 | | Democracy in What State? (New Directions in Critical Theory) | 23 | 1 | 2 | 2.00 | 2.00 | 1.00 | | Wspólnota, która nadchodzi | 1 | | 1 | 1.00 | 1.00 | | | El sacramento del lenguaje. Arqueología del juramento. Homo sacer, II, 3 | 1 | 1 | 1 | 5.00 | 5.00 | | | IL Regno E LA Gloria | 35 | 1 | 1 | 5.00 | 5.00 | | | Ninfas / Nymphs (Spanish Edition) | 1 | | 1 | 5.00 | 5.00 | | | The Signature of All Things: On Method | 39 | | 1 | 4.00 | 4.00 | | | La potencia del pensamiento | 1 | | 1 | 5.00 | 5.00 | | | Desnudez | 1 | | 1 | 5.00 | 5.00 | | | Was ist ein Dispositiv? | 16 | | 1 | 3.00 | 3.00 | | | Categorie italiane: studi di poetica e di letteratura | 1 | | | | | | | La ragazza indicibile. Mito e mistero di Kore | 2 | | | | | | | Nudities (Meridian: Crossing Aesthetics) | 29 | | | | | | | Categorie italiane: Studi di poetica (Saggi) (Italian Edition) | 1 | | | | | | | Shoah : percorsi della memoria | 1 | | | | | | | L'amico | 2 | | | | | | | Angeli, ebraismo, cristianesimo, islam | 1 | | | | | | | Altissima povertà. Regole monastiche e forme di vita | 1 | | | | | | | A profán dicsérete | 1 | | | | | | | Opus Dei. Archeologia dell'ufficio. Homo sacer, II, 5 | 2 | | | | | | | The Church and Its Reign (Seagull Books - The Italian List) | 2 | | | | | | | SACRAMENTO DEL LENGUAJE, EL (Spanish Edition) | 1 | | | | | | | La fine del pensiero - La fin de la pensée | 1 | | | | | | | Hvad Er Et Dispositiv Og to Andre Essay | 1 | | | | | | | 人権の彼方に―政治哲学ノート | 1 | | | | | | | De la très haute pauvreté | 4 | | | | | | | Agamben. Przewodnik Krytyki Politycznej | 1 | | | | | | | Die Beamten des Himmels : über Engel | 6 | | | | | | | Image et Mémoire : Écrits sur l'image, la danse et le cinéma | 4 | | | | | | | Il giorno del giudizio | 1 | | | | | | | Genius | 2 | | | | | | | L'Ombre de l'amour : Le Concept de l'amour chez Heidegger | 3 | | | | | | | Bartleby ou la Creation | 4 | | | | | | | Cy Twombly: New Sculptures 1992-2005 | 2 | | | | | | | The Ancients and the Moderns | 4 | | | | | | | Gianni Dessì : Galleria Salvatore Ala, Milano, New York | 1 | | | | | | | La potenza del pensiero. Saggi e conferenze | 7 | | | | | | | L'amitié | 2 | | | | | | | Che cos'è il contemporaneo? | 11 | 1 | | | | | | Χρόνος και ιστορία | 1 | | | | | | | Thinking Worlds: The Moscow Conference on Philosophy, Politics, and Art | 4 | | | | | | | Guiseppe Gallo March-April 1986 | 1 | | | | | |
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Improve this authorCombine/separate worksAuthor divisionGiorgio Agamben is currently considered a "single author." If one or more works are by a distinct, homonymous authors, go ahead and split the author. IncludesGiorgio Agamben is composed of 7 names. You can examine and separate out names. Combine with…
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