- Empire of the Sun 2,262 copies, 43 reviews
- Crash 2,186 copies, 40 reviews
- The Drowned World 1,251 copies, 22 reviews
- The Atrocity Exhibition 981 copies, 18 reviews
- High-Rise 905 copies, 18 reviews
- Super-Cannes 851 copies, 19 reviews
- Cocaine Nights 789 copies, 9 reviews
- Concrete Island 704 copies, 10 reviews
- The Crystal World 674 copies, 15 reviews
- The Drought 550 copies, 10 reviews
- Millennium People 532 copies, 16 reviews
- The Kindness of Women 483 copies, 7 reviews
- The Day of Creation 460 copies, 7 reviews
- The Best Short Stories of J. G. Ballard 402 copies, 1 review
- Kingdom Come 395 copies, 9 reviews
- The Terminal Beach 375 copies, 5 reviews
- The Unlimited Dream Company (also Author) (Author) 357 copies, 7 reviews
- The Complete Stories of J. G. Ballard 349 copies, 2 reviews
- Vermilion Sands 321 copies, 2 reviews
- Hello America (also Author) (Author) 318 copies, 1 review
- Running Wild 307 copies, 10 reviews
- Rushing to Paradise 283 copies, 4 reviews
- Miracles of Life 273 copies, 13 reviews
- War Fever 252 copies, 4 reviews
- The Wind from Nowhere 225 copies, 1 review
- The Four-Dimensional Nightmare 198 copies, 2 reviews
- The Disaster Area 175 copies, 1 review
- A User's Guide to the Millennium: Essays and Reviews 175 copies, 3 reviews
- Myths of the Near Future 169 copies, 1 review
- Chronopolis 148 copies, 2 reviews
- Low-flying Aircraft and Other Stories 118 copies
- Naked Lunch (Introduction, some editions) 7,151 copies, 63 reviews
- Dangerous Visions (Contributor) 1,123 copies, 18 reviews
- Shudder Again (Contributor) 164 copies, 1 review
- The Fantasy Hall of Fame (Author, some editions) 159 copies, 3 reviews
- The Penguin Science Fiction Omnibus (Contributor) 154 copies, 3 reviews
- The 1990 Annual World's Best SF (Contributor) 131 copies, 2 reviews
- 10th Annual Edition: The Year's Best S-F (Contributor) 121 copies
- Dangerous Visions 3 (Contributor) 95 copies, 2 reviews
- Connoisseur's Science Fiction (Contributor) 93 copies, 1 review
- 5th Annual Edition: The Year's Best S-F (Contributor) 87 copies, 3 reviews
- SF12 (Contributor) 85 copies, 1 review
- The Best of Interzone (Contributor) 79 copies
- Cyber-killers (Contributor, some editions) 78 copies, 2 reviews
- 8th Annual Edition: The Year's Best S-F (Contributor) 76 copies
Top members (works)
J. G. Ballard has 2 past events. (show)
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Born and brought up in colonial Shanghai comfort, young James Graham Ballard saw his life change forever when, in the aftermath of Pearl Harbour, Japanese forces swept into the city. The three years he spent in an internment camp moulded his view of "a world turned up-side down" and have constantly influenced his fiction.
Back in Britain, he abandoned his medical studies at Cambridge to become a full-time writer, and his first novel, The Drowned World, was published in 1962. As with many of his works, the wanderings of his characters' minds are charted as minutely as the external world they inhabit. The Drought, The Wind from Nowhere and The Crystal World all strengthened his reputation for bleak but beautiful chronicles of a post-Hiroshima age.
After the death of his wife in 1964, Ballard retreated to Shepperton by the River Thames to raise his three children. But if his surroundings were sleepy and suburban, his imagination remained at the cutting edge. When he produced Crash in 1973, legend has it that one publisher marked in her notes, "writer beyond psychiatric help". Crash, dealing with the erotic possibilities of car accidents, was well ahead of its time. Ballard himself called it "the first pornographic book based on technology" and David Cronenberg's film version in 1996 provoked six months' deliberation for the British censor.
Steven Spielberg's lavish production of Empire of the Sun, Ballard's autobiographical account of his childhood, brought the author financial security and public clamour for his earlier works. At this point, Ballard could have easily put down his pen.
Instead, he has continued to chart the struggle of a restless society, one caught between a need for security and a craving for the reckless. His latest novel, Millennium People, once again describes characters drawn to violence through technologically-induced boredom.
He once called himself "an architect of dreams, sometimes nightmares" and his seeming obsession with disaster, depravity and dystopia is not to everyone's taste. But, in this pop-bang throwaway age, JG Ballard remains curious and alert, reminding us, too, that "imagination itself is an endangered species".
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