Click a column to sort by it. | Star Ratings |
| Title | Copies | Reviews | Ratings | Average | Median | Std. dev. |
| How to Read and Why | 1,784 | 22 | 226 | 3.40 | 3.50 | 0.98 |
| Shakespeare: The Invention of the Human | 1,741 | 16 | 185 | 3.92 | 4.00 | 0.88 |
| The Western Canon: The Books and School of the Ages | 1,755 | 9 | 184 | 3.89 | 4.00 | 0.90 |
| Genius : a mosaic of one hundred exemplary creative minds | 914 | 7 | 90 | 3.67 | 4.00 | 0.90 |
| Cat's Cradle (Modern Critical Interpretations Series) | 245 | 4 | 82 | 4.37 | 4.50 | 0.67 |
| William Golding's Lord of the Flies (Bloom's Modern Critical Interpretations) | 344 | 4 | 81 | 3.48 | 4.00 | 1.06 |
| The Book of J | 710 | 7 | 70 | 3.72 | 4.00 | 1.14 |
| Margaret Atwood's the Handmaid's Tale (Bloom's Guides) | 266 | 7 | 69 | 4.28 | 4.50 | 0.83 |
| Samuel Beckett Waiting for Godot (Bloom's Modern Critical Interpretations) | 277 | 2 | 66 | 3.77 | 4.00 | 1.07 |
| The Best Poems of the English Language: From Chaucer Through Frost | 535 | 3 | 59 | 4.08 | 4.00 | 0.96 |
| Shelley's Poetry and Prose [Norton Critical Edition, 2nd ed.] | 304 | | 46 | 3.93 | 4.00 | 0.96 |
| The Anxiety of Influence: A Theory of Poetry | 420 | 1 | 44 | 3.68 | 4.00 | 1.03 |
| Jesus and Yahweh: The Names Divine | 292 | 5 | 34 | 3.19 | 3.50 | 1.14 |
| The Book That Changed My Life: 71 Remarkable Writers Celebrate the Books That Matter Most to Them | 228 | 6 | 32 | 3.58 | 3.75 | 0.78 |
| Stories and Poems for Extremely Intelligent Children of All Ages | 462 | 2 | 32 | 4.06 | 4.00 | 0.89 |
| Hamlet: Poem Unlimited | 306 | 3 | 32 | 3.75 | 4.00 | 0.90 |
| Where Shall Wisdom Be Found? | 455 | 4 | 31 | 3.61 | 3.50 | 0.90 |
| The American Religion: The Emergence of the Post-Christian Nation | 313 | 3 | 30 | 3.85 | 4.00 | 0.73 |
| F. Scott Fitzgerald's the Great Gatsby (Bloom's Modern Critical Interpretations) | 102 | | 27 | 3.76 | 4.00 | 1.17 |
| Erich Maria Remarque's All Quiet on the Western Front (Bloom's Modern Critical Interpretations) | 125 | 1 | 25 | 4.12 | 4.00 | 0.90 |
| Tim O'Brien's The Things They Carried (Bloom's Guides) | 106 | | 24 | 4.33 | 4.75 | 0.81 |
| Albert Camus's The Stranger (Bloom's Guides) | 91 | 2 | 23 | 3.85 | 4.00 | 1.06 |
| Arthur Miller's Death of a Salesman (Bloom's Guides) | 83 | | 20 | 3.53 | 3.75 | 1.19 |
| Blake's Poetry and Designs [Norton Critical Edition, 2nd ed.] | 112 | 1 | 18 | 4.44 | 5.00 | 0.78 |
| The Chosen (Bloom's Guides) | 76 | | 17 | 4.15 | 4.00 | 0.87 |
| Omens of the Millenium | 255 | | 17 | 3.24 | 3.00 | 0.75 |
| The Art of Reading Poetry | 124 | 4 | 12 | 3.29 | 3.00 | 1.18 |
| Ray Bradbury's Fahrenheit 451 | 57 | 1 | 12 | 4.38 | 4.50 | 0.68 |
| Deconstruction And Criticism | 137 | 1 | 10 | 3.30 | 3.50 | 1.17 |
| I Know Why the Caged Bird Sings | 51 | | 9 | 3.56 | 4.00 | 1.07 |
| A Map of Misreading: With a New Preface | 137 | | 9 | 3.56 | 3.00 | 0.96 |
| The Visionary Company: A Reading of English Romantic Poetry | 127 | 1 | 8 | 3.69 | 3.75 | 1.12 |
| Harper Lee's To kill a mockingbird | 70 | | 8 | 4.13 | 4.00 | 0.78 |
| Don Delillo's White Noise (Bloom's Modern Critical Interpretations) | 21 | 1 | 7 | 3.93 | 4.00 | 1.02 |
| Wallace Stevens: The Poems of Our Climate | 72 | | 7 | 3.50 | 3.00 | 0.71 |
| Fallen Angels | 23 | | 6 | 2.83 | 2.75 | 0.75 |
| Ernest Hemingway's The Old Man and the Sea (Bloom's Modern Critical Interpretations) | 32 | | 6 | 3.00 | 3.00 | 0.82 |
| Ernest Hemingway's the Old Man and the Sea (Bloom's Reviews Comprehensive Research & Study Guides) | 28 | | 6 | 3.67 | 3.50 | 0.75 |
| Yeats (A Galaxy Book 378) | 84 | | 6 | 4.17 | 4.50 | 1.07 |
| Jane Austen's Pride and Prejudice (Bloom's Modern Critical Interpretations) | 40 | 2 | 6 | 4.17 | 4.00 | 0.69 |
| Franz Kafka's the Castle (Bloom's Modern Critical Interpretations) | 17 | | 6 | 3.75 | 4.00 | 0.80 |
| The Shadow of a Great Rock: A Literary Appreciation of the King James Bible | 40 | 1 | 6 | 2.92 | 3.25 | 1.10 |
| Kurt Vonnegut's Slaughterhouse-five | 28 | | 6 | 3.67 | 3.75 | 0.55 |
| C.S. Lewis's The chronicles of Narnia | 25 | | 5 | 4.20 | 5.00 | 0.98 |
| Charlotte Brontë's Jane Eyre [Modern Critical Interpretations] | 42 | | 5 | 3.80 | 4.00 | 0.98 |
| Till I End My Song: A Gathering of Last Poems | 48 | | 5 | 4.00 | 4.00 | 1.10 |
| Agon: Towards a Theory of Revisionism (Galaxy Books) | 52 | | 5 | 3.40 | 3.00 | 1.02 |
| Elie Wiesel's Night (Bloom's Modern Critical Interpretations) | 30 | | 5 | 4.10 | 4.00 | 0.66 |
| John Steinbeck's The grapes of wrath | 21 | | 5 | 4.50 | 5.00 | 0.63 |
| Ruin the Sacred Truths: Poetry and Belief from the Bible to the Present (The Charles Eliot Norton Lectures) | 72 | | 5 | 3.90 | 4.00 | 0.66 |
| The Anatomy of Influence: Literature as a Way of Life | 89 | 1 | 4 | 3.63 | 3.25 | 0.82 |
| Sophie's Choice (Modern Critical Interpretations Series) | 27 | | 4 | 3.75 | 4.00 | 1.30 |
| Stephen King | 14 | 1 | 4 | 4.00 | 4.00 | 0.71 |
| Mark Twain's The Adventures of Huckleberry Finn (Bloom's Modern Critical) | 23 | 1 | 4 | 4.63 | 4.75 | 0.41 |
| The flight to Lucifer : a Gnostic fantasy | 55 | | 4 | 2.25 | 2.50 | 1.15 |
| The ringers in the tower;: Studies in romantic tradition | 21 | | 3 | 4.33 | 5.00 | 0.94 |
| Walt Whitman: Selected Poems | 58 | | 3 | 4.67 | 5.00 | 0.47 |
| Robert Musil's The Man Without Qualities [Bloom's Modern Critical Interpretations] | 23 | | 3 | 4.17 | 5.00 | 1.18 |
| Arthur Miller's The Crucible (Bloom's Modern Critical Interpretations) | 27 | | 3 | 3.67 | 4.00 | 1.25 |
| Margaret Atwood's the Handmaid's Tale (Bloom's Modern Critical Interpretations) | 16 | | 3 | 2.83 | 3.00 | 0.62 |
| Shakespeare the Seven Major Tragedies - The Modern Scholar Recorded Books {Unabridged} {Audio} {Cd} | 3 | 1 | 3 | 3.17 | 3.00 | 0.62 |
| Herman Melville's Billy Budd, Benito Cereno, Bartleby the Scrivener, and Other Tales (Modern Critical Interpretations) | 11 | | 3 | 3.00 | 3.00 | 0.82 |
| John Knowles's a Separate Peace (Bloom's Modern Critical Interpretations) | 9 | | 3 | 4.17 | 4.00 | 0.62 |
| Romanticism and Consciousness: Essays in Criticism | 90 | | 3 | 3.50 | 3.00 | 1.08 |
| Amy Tan's The Joy Luck Club (Bloom's Modern Critical Interpretations) | 12 | | 3 | 4.33 | 4.00 | 0.47 |
| Julius Caesar (Bloom's Modern Critical Interpretations) | 26 | | 3 | 3.17 | 3.00 | 0.62 |
| Sylvia Plath's The Bell Jar (Bloom's Guides) | 8 | 1 | 3 | 3.17 | 4.00 | 1.93 |
| Shakespeare's Macbeth | 36 | | 3 | 4.00 | 4.00 | 0.82 |
| Edith Wharton's The age of innocence | 7 | 2 | 3 | 4.33 | 5.00 | 0.94 |
| J.D. Salinger | 20 | | 3 | 3.33 | 4.00 | 0.94 |
| E.L. Doctorow's Ragtime | 10 | | 3 | 4.00 | 4.00 | 0.82 |
| Macbeth (Bloom's Shakespeare Through the Ages) | 19 | | 3 | 3.83 | 3.50 | 0.85 |
| Modern Mystery Writers (Writers of English) | 6 | | 2 | 4.50 | 4.50 | 0.50 |
| J.D. Salinger's The Catcher in the Rye (Bloom's Modern Critical Interpretations) | 16 | | 2 | 4.00 | 4.00 | 1.00 |
| Ernest Hemingway's The Old Man and the Sea (Bloom's Notes) | 9 | | 2 | 4.00 | 4.00 | 1.00 |
| Science Fiction Writers of the Golden Age (Writers of English) | 4 | | 2 | 3.50 | 3.50 | 0.50 |
| Emily Brontë's Wuthering Heights [Bloom's Modern Critical Interpretations] | 19 | 1 | 2 | 4.00 | 4.00 | |
| American Religious Poems: An Anthology by Harold Bloom | 77 | | 2 | 4.50 | 4.50 | 0.50 |
| Novelists and Novels (Bloom's Literary Criticism 20th Anniversary Collection) | 66 | 1 | 2 | 3.75 | 3.75 | 0.75 |
| Alan Paton's Cry, the beloved country | 5 | | 2 | 5.00 | 5.00 | |
| Ken Kesey's One Flew over the Cuckoo's Nest (Modern Critical Interpretations) | 37 | | 2 | 4.50 | 4.50 | 0.50 |
| Toni Morrison's the Bluest Eye (Bloom's Modern Critical Interpretations) | 25 | | 2 | 3.50 | 3.50 | 0.50 |
| Tennessee Williams's A Streetcar Named Desire (Bloom's Modern Critical Interpretations) | 18 | | 2 | 4.50 | 4.50 | 0.50 |
| J.R.R. Tolkien's the Lord of the rings | 27 | | 2 | 4.00 | 4.00 | 1.00 |
| Gabriel Garcias Marquez's Love In The Time Of Cholera (Bloom's Modern Critical Interpretations) | 4 | | 2 | 4.00 | 4.00 | 1.00 |
| Chinua Achebe's Things Fall Apart (Bloom's Modern Critical Interpretations) | 19 | | 2 | 3.50 | 3.50 | 0.50 |
| Nathanael West's Miss Lonelyhearts (Bloom's Modern Critical Interpretations) | 9 | | 2 | 4.00 | 4.00 | |
| Jack Kerouac's On the Road (Bloom's Modern Critical Interpretations) | 6 | | 2 | 4.50 | 4.50 | 0.50 |
| Christopher Marlowe's Doctor Faustus | 4 | | 2 | 4.50 | 4.50 | 0.50 |
| Khaled Hosseini's The Kite Runner (Bloom's Guides) | 22 | | 2 | 4.00 | 4.00 | 1.00 |
| Jane Austen's Persuasion (Bloom's Modern Critical Interpretations) | 19 | | 2 | 4.00 | 4.00 | 1.00 |
| Zora Neale Hurston's Their eyes were watching God | 16 | | 2 | 3.50 | 3.50 | 0.50 |
| Cervantes's Don Quixote (Bloom's Modern Critical Interpretations) | 17 | 1 | 2 | 4.00 | 4.00 | |
| George Orwell's Animal Farm (Bloom's Notes) | 18 | 2 | 2 | 5.00 | 5.00 | |
| T.S. Eliot's the Waste Land | 6 | | 2 | 4.50 | 4.50 | 0.50 |
| Emily Brontë's Wuthering Heights | 5 | | 2 | 2.00 | 2.00 | |
| Huck Finn (Bloom's Major Literary Characters) | 2 | | 2 | 4.00 | 4.00 | 1.00 |
| William Faulkner's Light in August (Bloom's Modern Critical Interpretations) | 7 | | 2 | 4.50 | 4.50 | 0.50 |
| Fyodor Dostoevsky | 13 | | 2 | 3.75 | 3.75 | 0.25 |
| J.R.R. Tolkien | 15 | | 2 | 4.00 | 4.00 | 1.00 |
| Kabbalah & Criticism (Kabbalah & Criticism Paper) | 64 | | 2 | 2.50 | 2.50 | 0.50 |
| Fyodor Dostoevsky's The brothers Karamazov | 15 | | 2 | 5.00 | 5.00 | |
| George Orwell's Animal Farm (Bloom's Modern Critical Interpretations) | 17 | | 2 | 4.00 | 4.00 | |
| Franz Kafka's The Metamorphosis [Bloom's Modern Critical Interpretations] | 25 | | 2 | 4.25 | 4.25 | 0.75 |
| Aldous Huxley's Brave new world | 10 | | 2 | 4.50 | 4.50 | 0.50 |
| Geoffrey Chaucer's The General Prologue to the Canterbury Tales (Bloom's Modern Critical Interpretations) | 7 | | 2 | 3.00 | 3.00 | 2.00 |
| Thomas Hardy's Tess of the D'Urbervilles (Modern Critical Interpretations) | 11 | | 2 | 4.75 | 4.75 | 0.25 |
| Franz Kafka's the Trial (Bloom's Modern Critical Interpretations) | 9 | 1 | 2 | 4.00 | 4.00 | |
| Thomas Pynchon's: Gravity's Rainbow (Modern Critical Interpretations) | 44 | | 2 | 4.50 | 4.50 | 0.50 |
| Relatos y poemas para niños extremadamente inteligentes de todas las edades | 9 | | 2 | 5.00 | 5.00 | |
| Ben Jonson's Volpone, or the Fox (Bloom's Modern Critical Interpretations) | 7 | | 1 | 4.00 | 4.00 | |
| Gabriel GarcÃa Márquez's One hundred years of solitude | 20 | | 1 | 4.00 | 4.00 | |
| The Wind and the Rain | 11 | 1 | 1 | 5.00 | 5.00 | |
| Eudora Welty (Bloom's Modern Critical Views) | 8 | | 1 | 4.00 | 4.00 | |
| Kate Chopin's The awakening | 7 | | 1 | 5.00 | 5.00 | |
| Thomas Hardy's: The Return of the Native (Bloom's Modern Critical Interpretations) | 3 | | 1 | 4.00 | 4.00 | |
| Richard Wright's Black Boy (Bloom's Modern Critical Interpretations) | 5 | | 1 | 4.00 | 4.00 | |
| George Eliot's Middlemarch (Modern Critical Interpretations) | 1 | | 1 | 3.00 | 3.00 | |
| Jane Austen (Bloom's Classic Critical Views) | 5 | | 1 | 3.00 | 3.00 | |
| Classic Mystery Writers (Writers of English) | 4 | | 1 | 5.00 | 5.00 | |
| Christopher Marlowe (Bloom's Modern Critical Views) | 5 | | 1 | 3.50 | 3.50 | |
| Herman Melville's Moby-Dick [Bloom's Modern Critical Interpretations] | 8 | | 1 | 4.00 | 4.00 | |
| William Shakespeare's Romeo and Juliet (Bloom's Notes) | 13 | | 1 | 5.00 | 5.00 | |
| John Steinbeck's of Mice and Men (Bloom's Notes) | 12 | | 1 | 3.00 | 3.00 | |
| Modern Fantasy Writers (Writers of English) | 6 | | 1 | 3.00 | 3.00 | |
| Stendhal's The red and the black | 3 | | 1 | 3.00 | 3.00 | |
| Carson McCullers' The Ballad Of The Sad Cafe (Bloom's Modern Critical Interpretations) | 3 | | 1 | 4.00 | 4.00 | |
| William Makepeace Thackeray (Bloom's Modern Critical Views) | 2 | | 1 | 5.00 | 5.00 | |
| Petrarch Modern Critical View (Modern critical views) | 4 | | 1 | 5.00 | 5.00 | |
| Satan (Bloom's Major Literary Characters) | 5 | | 1 | 5.00 | 5.00 | |
| Sigmund Freud's: The Interpretation of Dreams (Modern Critical Interpretations) | 6 | | 1 | 4.00 | 4.00 | |
| Toni Morrison's Song of Solomon (Bloom's Modern Critical Interpretations) | 7 | | 1 | 3.00 | 3.00 | |
| The Song of songs | 5 | | 1 | 4.00 | 4.00 | |
| The Tempest (Bloom's Modern Critical Interpretations) | 17 | | 1 | 3.50 | 3.50 | |
| 1984 | 6 | | 1 | 5.00 | 5.00 | |
| Samuel Richardson (Bloom's Modern Critical Views) | 3 | | 1 | 5.00 | 5.00 | |
| George Bernard Shaw's Major Barbara (Bloom's Modern Critical Interpretations) | 3 | | 1 | 5.00 | 5.00 | |
| Homer's The Iliad | 23 | | 1 | 3.00 | 3.00 | |
| James Baldwin (Bloom's Modern Critical Views) | 6 | | 1 | 3.50 | 3.50 | |
| Arthur Rimbaud (Bloom's Modern Critical Views) | 12 | | 1 | 4.00 | 4.00 | |
| Stephen Crane's Maggie: A Girl Of The Streets (Bloom's Guides) | 4 | | 1 | 2.00 | 2.00 | |
| Ralph Ellison's Invisible Man (Bloom's Notes) | 3 | | 1 | 3.50 | 3.50 | |
| French Prose and Criticism Through 1789 (The Critical Cosmos: French Literature) | 3 | | 1 | 4.50 | 4.50 | |
| William Shakespeare: The Tragedies (Bloom's Modern Critical Views) | 8 | | 1 | 4.00 | 4.00 | |
| Toni Morrison | 12 | | 1 | 3.00 | 3.00 | |
| Ernest Hemingway's a Farewell to Arms (Bloom's Notes) | 13 | | 1 | 3.00 | 3.00 | |
| Ursula K. Le Guin | 5 | | 1 | 3.50 | 3.50 | |
| Tennessee Williams's Cat on a Hot Tin Roof (Modern Critical Interpretations) | 12 | | 1 | 4.00 | 4.00 | |
| Walt Whitman (Bloom's Classic Critical Views) | 10 | | 1 | 3.00 | 3.00 | |
| Ernest Hemingway | 14 | | 1 | 4.00 | 4.00 | |
| Lewis Carroll's Alice's adventures in wonderland | 10 | 1 | 1 | 2.00 | 2.00 | |
| Henry James's the Ambassador (Bloom's Modern Critical Interpretations) | 4 | | 1 | 4.00 | 4.00 | |
| American Naturalism (Bloom's Period Studies) | 4 | | 1 | 5.00 | 5.00 | |
| Robert Frost (Bloom's Major Poets) | 7 | | 1 | 2.50 | 2.50 | |
| The Glass Menagerie (Bloom's Modern Critical Interpretations) | 14 | | 1 | 4.00 | 4.00 | |
| King Lear | 13 | | 1 | 5.00 | 5.00 | |
| Edgar Allan Poe (Bloom's Modern Critical Views) | 7 | | 1 | 3.00 | 3.00 | |
| Women Writers of Children's Literature (Women Writers of English and Their Works) | 5 | 1 | 1 | 3.50 | 3.50 | |
| Zora Neale Hurston (Bloom's Modern Critical Views) | 6 | | 1 | 4.00 | 4.00 | |
| C. S. Lewis (Bloom's Modern Critical Views) | 9 | | 1 | 1.00 | 1.00 | |
| Hamlet (Major Literary Characters) | 8 | | 1 | 3.00 | 3.00 | |
| Modern Horror Writers (Writers of English) | 3 | | 1 | 3.00 | 3.00 | |
| Alex Haley & Malcolm X's the Autobiography of Malcolm X (Bloom's Notes) | 14 | | 1 | 3.00 | 3.00 | |
| Vladimir Nabokov (Bloom's Modern Critical Views) | 3 | | 1 | 5.00 | 5.00 | |
| Shakespeare som kulturens sentrum : et foredrag i Universitetets gamle festsal 3. oktober 1995 | 1 | | 1 | 4.00 | 4.00 | |
| Classic Science Fiction Writers (Writers of English) | 4 | | 1 | 4.00 | 4.00 | |
| Gabriel Garcia Marquez (Bloom's Biocritiques) | 12 | | 1 | 3.00 | 3.00 | |
| Sinclair Lewis (Bloom's Modern Critical Views) | 5 | | 1 | 3.50 | 3.50 | |
| Iris Murdoch (Bloom's Modern Critical Views) | 6 | | 1 | 1.00 | 1.00 | |
| Anne Frank's The diary of Anne Frank | 5 | 1 | 1 | 5.00 | 5.00 | |
| Fyodor Dostoevsky's Crime and Punishment (Bloom's Modern Critical Interpretations) | 19 | | 1 | 3.00 | 3.00 | |
| George Eliot's Silas Marner (Bloom's Modern Critical Interpretations) | 4 | | 1 | 3.00 | 3.00 | |
| J.D. Salinger's The catcher in the rye | 1 | | 1 | 4.00 | 4.00 | |
| Poetry and Repression: Revisionism from Blake to Stevens | 22 | | 1 | 5.00 | 5.00 | |
| Joseph Heller's Catch-22 | 20 | | 1 | 3.00 | 3.00 | |
| George Orwell | 22 | | 1 | 4.00 | 4.00 | |
| Virginia Woolf's Mrs. Dalloway | 9 | | 1 | 5.00 | 5.00 | |
| Charles Dickens (Bloom's Modern Critical Views) | 18 | | 1 | 5.00 | 5.00 | |
| Poetics of Influence | 6 | | 1 | 4.00 | 4.00 | |
| Dante's Divine comedy | 8 | | 1 | 5.00 | 5.00 | |
| Sylvia Plath (Bloom's Modern Critical Views) | 17 | 1 | 1 | 2.50 | 2.50 | |
| Emily Dickinson [Bloom's Modern Critical Views] | 17 | | 1 | 4.00 | 4.00 | |
| Charles Dickens's Great expectations | 8 | | 1 | 5.00 | 5.00 | |
| Percy Bysshe Shelley (Bloom's Modern Critical Views) | 11 | | 1 | 2.00 | 2.00 | |
| Amy Tan's The Joy Luck Club (Bloom's Guides) | 5 | | 1 | 3.00 | 3.00 | |
| Virginia Woolf's To the lighthouse | 7 | | 1 | 5.00 | 5.00 | |
| Ralph Waldo Emerson | 9 | | 1 | 2.00 | 2.00 | |
| Maya Angelou's I Know Why the Caged Bird Sings (Bloom's Modern Critical Interpretations) | 16 | | 1 | 5.00 | 5.00 | |
| 'The Glories of Yiddish' in NYRB 55/17, 6 Nov 2008 [review of Max Weinreich's 'History of the Yiddish Language' (2 vols)] | 1 | | 1 | 4.00 | 4.00 | |
| Virgil's Aeneid (Modern Critical Interpretations) | 4 | | 1 | 4.00 | 4.00 | |
| William Shakespeare's Hamlet (Bloom's Notes) | 2 | | 1 | 4.00 | 4.00 | |
| George Gordon, Lord Byron (Bloom's Modern Critical Views) | 4 | | 1 | 3.00 | 3.00 | |
| Selected Writings of Walter Pater | 21 | | 1 | 4.00 | 4.00 | |
| Maya Angelou's I Know Why the Caged Bird Sings (Bloom's Notes) | 1 | | 1 | 4.00 | 4.00 | |
| Stephen Crane's The Red Badge of Courage [Bloom's Modern Critical Interpretations] | 17 | | 1 | 4.50 | 4.50 | |
| Marcel Proust (Bloom's Modern Critical Views) | 12 | | 1 | 3.50 | 3.50 | |
| Toni Morrison's Beloved (Bloom's Notes) | 5 | | 1 | 4.00 | 4.00 | |
| Jane Austen (Bloom's Major Novelist) | 2 | | 1 | 5.00 | 5.00 | |
| English Romantic Poetry : An Anthology | 6 | | 1 | 4.00 | 4.00 | |
| AMERICAN RELIGION, THE [POP (BJC) 291.0973 BLOOM]: THE EMERGENCE OF THE POST-CHRISTIAN NATIONL | 1 | 1 | 1 | 1.00 | 1.00 | |
| Bram Stoker's Dracula (Bloom's Modern Critical Interpretations) | 6 | | 1 | 1.50 | 1.50 | |
| Cuentos y cuentistas/ Short Story Writers and Short Stories: El canon del cuento/ The story canon (Voces) (Spanish Edition) | 1 | | 1 | 2.00 | 2.00 | |
| Shakespeare's Henry IV | 23 | | 1 | 4.00 | 4.00 | |
| What a Piece of Work Is Man: The Seven Great Tragedies of Shakespear (Portable Professor Arts And Literature) | 12 | | 1 | 4.50 | 4.50 | |
| A Midsummer Night's Dream | 18 | | 1 | 5.00 | 5.00 | |
| Charles Dickens' A Tale of Two Cities (Bloom's Modern Critical Interpretations) | 3 | | 1 | 5.00 | 5.00 | |
| Joseph Conrad's Heart of darkness | 11 | | 1 | 3.00 | 3.00 | |
| Shelley's Mythmaking | 14 | | 1 | 3.00 | 3.00 | |
| Aeschylus's the Oresteia | 8 | | 1 | 3.00 | 3.00 | |
| John Webster's The Duchess of Malfi | 7 | | 1 | 5.00 | 5.00 | |
| George Orwell's 1984 | 12 | | 1 | 3.00 | 3.00 | |
| Aldous Huxley's Brave New World (Bloom's Guides) | 11 | | 1 | 4.00 | 4.00 | |
| Tennesse Williams's A Streetcar Named Desire (Bloom's Guides) | 8 | | 1 | 3.00 | 3.00 | |
| Ursula K. Le Guin's the Left Hand of Darkness (Modern Critical Interpretations) | 9 | | 1 | 5.00 | 5.00 | |
| Charles Dickens's Great Expectations (Bloom's Modern Critical Interpretations) | 5 | | 1 | 4.00 | 4.00 | |
| Anthony Trollope's Barchester Towers and The warden | 8 | | 1 | 3.00 | 3.00 | |
| Thomas Hardy's Jude the Obscure (Modern Critical Interpretations) | 7 | | 1 | 4.00 | 4.00 | |
| Livro de J, O | 1 | | 1 | 3.50 | 3.50 | |
| William Gaddis (Bloom's Modern Critical Views) | 6 | | 1 | 4.00 | 4.00 | |
| Toni Morrison's Beloved (Bloom's Modern Critical Interpretations) | 10 | | | | | |
| African-American Poets: Robert Hayden Through Rita Dove (Bloom's Modern Critical Views) | 5 | | | | | |
| Aeschylus (Bloom's Modern Critical Views) | 2 | | | | | |
| Anton Chekhov (Bloom's Modern Critical Views) | 4 | | | | | |
| 'The Lost Jewish Culture' in NYRB 54/11, 28 June 2007 [review of Cole's 'Dream of the Poem: Hebrew poetry from Muslim & Christian Spain, 950-1492'] | 1 | | | | | |
| Andrew Marvell (Modern Critical Views) | 3 | | | | | |
| A.B. Yehoshua (Bloom's Modern Critical Views) | 1 | | | | | |
| A.D. Hope (Bloom's Modern Critical Views) | 1 | | | | | |
| Blaise Pascal | 5 | | | | | |
| Aristophanes (Bloom's Major Dramatists) | 3 | | | | | |
| Modern critical essays (Series) | 1 | | | | | |
| Asian-American Writers (Bloom's Modern Critical Views) | 1 | | | | | |
| Beowulf (Bloom's Notes) | 2 | | | | | |
| Beowulf (Bloom's Reviews) | 1 | | | | | |
| Beowulf (Bloom's Modern Critical Interpretations) | 8 | | | | | |
| The Labyrinth (Bloom's Literary Themes) | 7 | | | | | |
| Elizabethan Drama (Bloom's Period Studies) | 3 | | | | | |
| Philip Roth's Portnoy's Complaint (Bloom's Modern Critical Interpretations) | 3 | | | | | |
| Shakespeare : the seven major tragedies | 1 | | | | | |
| Richard III (Bloom's Shakespeare Through the Ages) | 1 | | | | | |
| Beowulf (Bloom's Guides) | 2 | | | | | |
| The Sonnets (Bloom's Shakespeare Through the Ages) | 2 | | | | | |
| Henry IV, Part 1 (Bloom's Shakespeare Through the Ages) | 4 | | | | | |
| Edgar Allan Poe's "The Tell-Tale Heart" and Other Stories (Bloom's Modern Critical Interpretations) | 2 | | | | | |
| William Shakespeare's Henry Iv, Part One (Bloom's Notes) | 2 | | | | | |
| Exploration and Colonization (Bloom's Literary Themes) | 4 | | | | | |
| Romeo and Juliet (Bloom's Shakespeare Through the Ages) | 3 | | | | | |
| A Recent imagining : interviews with Harold Bloom, Geoffrey Hartman, J. Hillis Miller, Paul De Man | 1 | | | | | |
| Upton Sinclair's the Jungle (Bloom's Modern Critical Interpretations) | 8 | | | | | |
| Sublime (Bloom's Literary Themes) | 4 | | | | | |
| Sin and Redemption (Bloom's Literary Themes) | 10 | | | | | |
| The Taboo (Bloom's Literary Themes) | 4 | | | | | |
| Bloom's Reviews: Comprehensive Research Study Guide/Arthur Miller's the Crucible | 1 | | | | | |
| Sophocles (Modern Critical Views) | 2 | | | | | |
| Sandra Cisneros's The House on Mango Street (Bloom's Modern Critical Interpretations) | 5 | | | | | |
| Onde Está a Sabedoria? | 2 | | | | | |
| Christina Rossetti: Comprehensive Research and Study Guide (Bloom's Major Poets) | 1 | | | | | |
| Dark Humor (Bloom's Literary Themes) | 4 | | | | | |
| William Shakespeare's the Merchant of Venice (Modern Critical Interpretations) | 1 | | | | | |
| William Shakespeare Comprehensive Biography and Critical Analysis | 1 | | | | | |
| British women fiction writers, 1900-1960. Volume two | 2 | | | | | |
| Dante's Inferno (Bloom's Notes) | 5 | | | | | |
| William Shakespeare - Comedies (Bloom's Modern Critical Views) | 1 | | | | | |
| Jay Wright (Bloom's Modern Critical Views) | 1 | | | | | |
| Lord Byron's Don Juan (Modern Critical Interpretations) | 2 | | | | | |
| William Shakespeare - Histories (Bloom's Modern Critical Views) | 4 | | | | | |
| Mary Wollstonecraft Shelley's "Frankenstein" (Bloom's Notes) | 1 | | | | | |
| Bloom's Shakespeare Through the Ages | 1 | | | | | |
| Jonathan Swift (Bloom's Modern Critical Views) | 1 | | | | | |
| Rebirth and Renewal (Bloom's Literary Themes) | 10 | | | | | |
| W. S. Merwin (Bloom's Major Poets) | 2 | | | | | |
| Henry Adams (Bloom's Modern Critical Views II) | 2 | | | | | |
| American Fiction Between the Wars | 2 | | | | | |
| Ahab (Major Literary Characters) | 1 | | | | | |
| Alberto Moravia (Bloom's Modern Critical ViewsI) | 1 | | | | | |
| Albert Camus | 7 | | | | | |
| Alienation (Bloom's Literary Themes) | 1 | | | | | |
| The Stranger - Albert Camus: New Edition (Bloom's Modern Critical Interpretations) | 3 | | | | | |
| Thomas Hardy: New Edition (Bloom's Modern Critical Views) | 1 | | | | | |
| Shakespeare's Histories: Comprehensive Research and Study Guide (Bloom's Major Dramatist) | 3 | | | | | |
| Alice Walker (Bloom's Modern Critical Views) | 9 | | | | | |
| Alexander Pushkin (Bloom's Modern Critical Views) | 4 | | | | | |
| Alfred Lord Tennyson (Bloom's Modern Critical Views) | 5 | | | | | |
| Alejo Carpentier (Bloom's Modern Critical Views) | 1 | | | | | |
| Alexander Pope's The Rape of the Lock (Bloom's Modern Critical Interpretations) | 3 | | | | | |
| Alice Munro (Bloom's Modern Critical Views) | 1 | | | | | |
| 'Revisiting Isaac Bashevis Singer' in NYRB 57/16, 28 Oct 2010 [review of Singer's 'The Magician of Lublin', Eng tr by Elaine Gottlieb & Joseph Singer] | 1 | | | | | |
| J.d. Salinger's Short Stories (Bloom's Modern Critical Interpretations) | 1 | | | | | |
| J.D. Salinger's The Catcher in the Rye (Bloom's Notes) | 9 | | | | | |
| L'arte di leggere la poesia | 1 | | | | | |
| Bloom's Reviews: Comprehensive Research Study Guide/Arthur Miller's Death of a Salesman | 1 | | | | | |
| Sandra Cisnero's The House on Mango Street (Bloom's Guides) | 2 | | | | | |
| King Lear (Bloom's Shakespeare Through the Ages) | 4 | | | | | |
| Cormac McCarthy's The road | 1 | | | | | |
| Charles Dickens' David Copperfield (Bloom's Modern Critical Interpretations) | 2 | | | | | |
| Charles Dickens (Bloom's Classic Critical Views) | 3 | | | | | |
| Charles Dickens | 1 | | | | | |
| George Bernard Shaw's Saint Joan (Bloom's Modern Critical Interpretations) | 2 | | | | | |
| William Shakespeare: Romances (Bloom's Modern Critical Views) | 4 | | | | | |
| American Modernist Poets (Bloom's Modern Critical Views) | 2 | | | | | |
| Dante: Comprehensive Research and Study Guide (Bloom's Major Poets) | 1 | | | | | |
| Heathcliff (Major Literary Characters) | 2 | | | | | |
| Twentieth-Century American Literature (Chelsea House Library of Literary Criticism) | 3 | | | | | |
| Twentieth-Century British Literature: A-D (Chelsea House Library of Literary Criticism) | 2 | | | | | |
| Mark Twain's The Adventures of Tom Sawyer (Bloom's Guides) | 1 | | | | | |
| Bloom's Major Novelists Set | 2 | | | | | |
| Robert Penn Warren's All the King's Men (Bloom's Modern Critical Interpretations) | 5 | | | | | |
| Canon occidental, el | 1 | | | | | |
| London (Bloom's Literary Places) | 1 | | | | | |
| William Shakespeare's Hamlet (Bloom's Guides) | 2 | | | | | |
| William Shakespeare's Hamlet (Modern Critical Interpretations) | 6 | | | | | |
| Shakespeare's Julius Caesar (Bloom's Modern Critical Interpretations) | 2 | | | | | |
| Poesia y creencia/ Poetry and Belief (Spanish Edition) | 1 | | | | | |
| The Trickster (Bloom's Literary Themes) | 4 | | | | | |
| Enslavement and Emancipation (Bloom's Literary Themes) | 4 | | | | | |
| As You Like It (Bloom's Shakespeare Through the Ages) | 1 | | | | | |
| Henry V (Bloom's Shakespeare Through the Ages) | 1 | | | | | |
| The Winter's Tale (Bloom's Shakespeare Through the Ages) | 1 | | | | | |
| Twelfth Night (Bloom's Shakespeare Through the Ages) | 1 | | | | | |
| Much Ado About Nothing (Bloom's Shakespeare Through the Ages) | 1 | | | | | |
| Civil Disobedience (Bloom's Literary Themes) | 4 | | | | | |
| Homer: Comprehensive Research and Study Guide (Bloom's Major Poets) | 1 | | | | | |
| The Comedy of Errors (Bloom's Shakespeare Through the Ages) | 2 | | | | | |
| The Bronte Sisters (Bloom's Biocritiques) | 3 | | | | | |
| Antony and Cleopatra (Bloom's Shakespeare Through the Ages) | 1 | | | | | |
| All's Well That Ends Well (Bloom's Shakespeare Through the Ages) | 1 | | | | | |
| T.S. Eliot (Bloom's Modern Critical Views) | 8 | | | | | |
| El futuro de la imaginación | 1 | | | | | |
| Kafka, Freud, Scholem | 1 | | | | | |
| The Glass Menagerie (Bloom's Guides) | 2 | | | | | |
| The eighteenth century English novel | 2 | | | | | |
| A.E. Housman | 1 | | | | | |
| The Romantic Poets (Bloom's Modern Critical Views) | 3 | | | | | |
| Aldous Huxley's Brave New World (Bloom's Reviews) | 5 | | | | | |
| John Steinbeck's Of Mice And Men | 2 | | | | | |
| D.H. Lawrence's the Rainbow (Modern Critical Interpretations) | 5 | | | | | |
| Emily Bronte's Wuthering Heights (Bloom's Reviews) | 2 | | | | | |
| Stephen Crane's The red badge of courage | 3 | | | | | |
| George Orwell's 1984 (Bloom's Guides) | 5 | | | | | |
| Red Bdge O/Courage (Blm's Nts) (Oop) (Bloom's Notes) | 1 | | | | | |
| Emily Bronte's Wuthering Heights (Bloom's Guides) | 4 | | | | | |
| The Gospel of Thomas | 1 | | | | | |
| Edith Wharton (Bloom's Modern Critical Views) | 2 | | | | | |
| 'The Grand Comedian Visits the Bible' in NYRB 59/3, 23 February 2013 [review of Saramago's 'Cain'] | 1 | | | | | |
| I. Shakespeare and the Value of Personality II. Shakespeare and the Value of Love | 1 | | | | | |
| A Christmas Carol (Bloom's Guides) | 1 | | | | | |
| English Romantic Poetry: Volume I - Blake, Wordsworth, Coleridge & Others | 3 | | | | | |
| Bloom's Reviews/ Comprehensive Research & Study Guides: George Orwell's Nineteen Eighty-Four | 3 | | | | | |
| Othello | 23 | | | | | |
| William Shakespeare's Othello (Bloom's Modern Critical Interpretations) | 8 | | | | | |
| Catch-22 (Bloom's Guides) | 3 | | | | | |
| Arthur Miller's Death of a salesman | 3 | | | | | |
| Arthur Miller's Death of a Salesman (Bloom's Modern Critical Interpretations) | 9 | | | | | |
| Shakespeare's Othello | 3 | 1 | | | | |
| William Shakespeare's Othello (Bloom's Notes) | 4 | | | | | |
| John Knowles's a Separate Peace (Bloom's Guides) | 2 | | | | | |
| Maya Angelou's I Know Why the Caged Bird Sings (Bloom's Reviews) | 8 | | | | | |
| Frankenstein (Bloom's Major Literary Characters) | 1 | | | | | |
| Stephen Crane's the Red Badge of Courage (Bloom's Guides) | 1 | | | | | |
| Richard Wright's Native Son (Bloom's Guides) | 3 | | | | | |
| Richard Wright's Native Son (Bloom's Notes) | 4 | | | | | |
| ˆIl ‰libro di J | 1 | | | | | |
| La religión americana | 1 | | | | | |
| THE CRITICAL COSMOS SERIES: AMERICAN FICTION 1914-1945 | 2 | | | | | |
| Herman Melville's Moby-Dick (Bloom's Notes) | 7 | | | | | |
| Mary Shelley's Frankenstein (Bloom's Guides) | 5 | | | | | |
| Herman Melville's Moby-Dick | 2 | | | | | |
| The Art of the Critic: Literary Theory and Criticism From the Greeks to the Present (Vol. 1 Classical and Medieval) | 2 | | | | | |
| Ernest Hemingway's the Sun Also Rises (Bloom's Guides) | 1 | | | | | |
| William Shakespeare's Henry Iv, Part 1 (Modern Critical Interpretations) | 2 | | | | | |
| The Hobbit (Bloom's Guides) | 3 | | | | | |
| New Moulton's Library of Literary Criticism: Edmund Spenser Through William Shakespeare | 1 | | | | | |
| Geoffrey Chaucer (Bloom's Modern Critical Views) | 6 | | | | | |
| Gesù e Yahve: la frattura originaria tra ebraismo e cristianesimo | 1 | 1 | | | | |
| Ernest Hemingway's the Sun Also Rises (Bloom's Modern Critical Interpretations) | 6 | | | | | |
| Euripides: Comprehensive Research and Study Guide (Bloom's Major Dramatists) | 1 | | | | | |
| Ezra Pound (Bloom's Modern Critical Views) | 3 | | | | | |
| James Joyce's Ulysses (Bloom's Modern Critical Interpretations) | 3 | | | | | |
| La kabbalà e la tradizione critica | 1 | | | | | |
| Edward Albee (Bloom's Modern Critical Views) | 3 | | | | | |
| The Heretic Jew: a study of Spinoza, Judaism's eminent outcast (News Article) | 1 | | | | | |
| Angustia de Las Influencias (Spanish Edition) | 1 | | | | | |
| Leo Tolstoy: Comprehensive Research and Study Guide (Bloom's Major Novelists) | 1 | | | | | |
| William Faulkner's The Sound and the Fury (Bloom's Notes) | 6 | | | | | |
| Toni Morrison's The Bluest Eye (Bloom's Guides) | 7 | | | | | |
| ESCUELA DE WALLACE STEVENS,LA | 1 | | | | | |
| William Faulkner's The Sound and the Fury (Bloom's Reviews) | 1 | | | | | |
| Don Quijote: Alrededor Del Mundo | 1 | | | | | |
| The Brontes (Bloom's Classic Critical Views) | 1 | | | | | |
| The Critical Perspective: Medieval--Early Renaissance (Chelsea House Library of Literary Criticism) | 4 | | | | | |
| Jane Austen's Emma - Modern Critical Interpretations | 3 | | | | | |
| William Shakespeare's Henry V (Bloom's Modern Critical Interpretations) | 1 | | | | | |
| Homer (Bloom's Modern Critical Views) | 8 | | | | | |
| Paul Auster (Bloom's Modern Critical Views) | 3 | | | | | |
| Samuel Taylor Coleridge's The Rime of the Ancient Mariner (Bloom's Modern Critical Interpretations) | 6 | | | | | |
| Sophocles' Oedipus Rex (Bloom's Modern Critical Interpretations) | 5 | | | | | |
| G. K. Chesterton (Bloom's Modern Critical Views) | 1 | | | | | |
| Joseph Conrad's Nostromo (Bloom's Modern Critical Interpretations) | 2 | | | | | |
| Robert Hayden (Bloom's Modern Critical Views) | 1 | | | | | |
| Samuel Beckett (Bloom's Modern Critical Views) | 6 | | | | | |
| A.R. Ammons (Bloom's Modern Critical Views) | 4 | | | | | |
| E.L. Doctorow (Bloom's Modern Critical Views) | 1 | | | | | |
| Homer's The Odyssey | 10 | | | | | |
| Carson McCullers (Bloom's Modern Critical Views) | 4 | | | | | |
| Pablo Neruda (Bloom's Modern Critical Views) | 1 | | | | | |
| Nathaniel Hawthorne's Young Goodman Brown (Bloom's Modern Critical Interpretations) | 5 | | | | | |
| John Irving (Bloom's Modern Critical Views) | 3 | | | | | |
| Tom Wolfe (Bloom's Modern Critical Views) | 2 | | | | | |
| William Shakespeare's Sonnets (Bloom's Modern Critical Interpretations) | 1 | | | | | |
| Walter Pater (Bloom's Modern Critical Views) | 2 | | | | | |
| Bernard Malamud (Bloom's Modern Critical Views) | 3 | | | | | |
| Julio Cortazar (Bloom's Modern Critical Views) | 4 | | | | | |
| Geoffrey Chaucer (Bloom's Classic Critical Views) | 2 | | | | | |
| William Wordsworth (Bloom's Modern Critical Views) | 8 | | | | | |
| Walt Whitman's Song of Myself (Bloom's Modern Critical Interpretations) | 1 | | | | | |
| Thomas Hardy's The Mayor of Casterbridge (Bloom's Modern Critical Interpretations) | 1 | | | | | |
| Robert Penn Warren (Bloom's Modern Critical Views) | 3 | | | | | |
| Eugene O'Neill's Long Day's Journey into Night (Modern Critical Interpretations) | 6 | | | | | |
| A Scholarly Look at the Diary of Anne Frank (Bloom's Modern Critical Interpretations) | 1 | | | | | |
| Shakespeare's Poems and Sonnets (Bloom's Major Poets) | 3 | | | | | |
| Modern American Poetry (Bloom's Period Studies) | 3 | | | | | |
| Eugene O'Neill (Bloom's Modern Critical Views) | 1 | | | | | |
| The Revelation of St. John the Divine (Bloom's Modern Critical Interpretations) | 6 | | | | | |
| Mark Twain (Bloom's Modern Critical Views) | 15 | | | | | |
| Eugene Ionesco (Modern Critical Views II) | 1 | | | | | |
| Michel de Montaigne | 5 | | | | | |
| Amy Tan | 7 | | | | | |
| Literature of the Holocaust (Bloom's Period Studies) | 13 | | | | | |
| Agatha Christie (Bloom's Modern Critical Views) | 5 | | | | | |
| Hans Christian Andersen (Bloom's Modern Critical Views) | 3 | | | | | |
| Rudyard Kipling (Bloom's Modern Critical Views) | 2 | | | | | |
| Joseph Conrad (Bloom's Modern Critical Views) | 5 | | | | | |
| John Ruskin (Bloom's Modern Critical Views) | 4 | | | | | |
| Philip Roth (Bloom's Modern Critical Views) | 6 | | | | | |
| Emile Zola (Bloom's Modern Critical Views) | 1 | | | | | |
| Isabel Allende | 7 | | | | | |
| Derek Walcott (Bloom's Modern Critical Views) | 2 | | | | | |
| Robert Browning (Bloom's Modern Critical Views) | 4 | | | | | |
| Andre Malraux's Man's Fate (Bloom's Modern Critical Interpretations) | 4 | | | | | |
| Gershom Scholem | 3 | | | | | |
| Thomas Carlyle (Bloom's Modern Critical Views) | 2 | | | | | |
| William Hazlitt (Bloom's Modern Critical Views) | 4 | | | | | |
| John Donne: Comprehensive Research and Study Guide (Bloom's Major Poets) | 3 | | | | | |
| Stephen Crane (Bloom's Modern Critical Views) | 7 | | | | | |
| Franz Kafka (Bloom's Modern Critical Views) | 13 | | | | | |
| Elizabeth Bowen (Bloom's Modern Critical Views) | 1 | | | | | |
| W.H. Auden (Bloom's Modern Critical Views) | 4 | | | | | |
| Jean Toomer (Bloom's Modern Critical Views) | 1 | | | | | |
| Honore De Balzac (Bloom's Modern Critical Views) | 2 | | | | | |
| Cynthia Ozick (Bloom's Modern Critical Views) | 2 | | | | | |
| Salman Rushdie (Bloom's Modern Critical Views) | 2 | | | | | |
| Theodore Roethke (Bloom's Modern Critical Views) | 3 | | | | | |
| Tony Kushner (Bloom's Modern Critical Views) | 2 | | | | | |
| Jean Racine (Modern Critical Views II) | 1 | | | | | |
| Manuel Puig (Bloom's Modern Critical Views) | 1 | | | | | |
| Harold Pinter (Bloom's Modern Critical Views) | 2 | | | | | |
| The Critical Perspective, Volume 07: Early Victorian (Chelsea House Library of Literary Criticism) | 1 | | | | | |
| Modern Latin American Fiction (The Critical Cosmos) | 2 | | | | | |
| Sean O' Casey (Bloom's Modern Critical Views) | 1 | | | | | |
| American and Canadian Women Poets 1930 - Present (Bloom's Modern Critical Views) | 3 | | | | | |
| Thomas Gray's Elegy Written in a Country Churchyard (Bloom's Modern Critical Interpretations) | 2 | | | | | |
| William Shakespeare's Histories and Poems (Bloom's Modern Critical Views) | 2 | | | | | |
| Gertrude Stein (Bloom's Modern Critical Views) | 2 | | | | | |
| American Prose and Criticism 1865-1944 (Critical Cosmos-American Fiction Series) | 1 | | | | | |
| Friedrich Nietzsche (Bloom's Modern Critical Views) | 3 | | | | | |
| Elizabethan Dramatists (Bloom's Modern Critical Views) | 1 | | | | | |
| Martin Bruber (Modern Critical Views Ser 2) | 1 | | | | | |
| Euripides (Modern Critical Views) | 1 | | | | | |
| Charles Olson (Bloom's Modern Critical Views) | 1 | | | | | |
| Poets of Sensibility and the Sublime (Bloom's Modern Critical Views) | 4 | | | | | |
| Ralph Ellison (Bloom's Modern Critical Views) | 2 | | | | | |
| British Drama 18th and 19th Centuries (Critical Cosmos Series) | 1 | | | | | |
| American Prose and Criticism Through 1864 (Critical Cosmos-American Fiction Series) | 1 | | | | | |
| Plato (Bloom's Modern Critical Views) | 1 | | | | | |
| Leo Tolstoy's Anna Karenina (Bloom's Modern Critical Interpretations) | 3 | | | | | |
| Johann Wolfgang Von Goethe (Bloom's Modern Critical Views) | 1 | | | | | |
| Yasonari Kawabata (Modern Critical Views Series) | 1 | | | | | |
| Charles Baudelaire (Bloom's Modern Critical Views) | 1 | | | | | |
| Pre-Raphaelite Poets (Bloom's Modern Critical Views) | 4 | | | | | |
| Norman Mailer (Bloom's Modern Critical Views) | 2 | | | | | |
| Henrik Ibsen (Bloom's Modern Critical Views) | 4 | | | | | |
| Elizabeth Barrett Browning (Bloom's Modern Critical Views) | 2 | | | | | |
| Theodore Dreiser's An American Tragedy (Bloom's Modern Critical Interpretations) | 1 | | | | | |
| Octavio Paz (Bloom's Modern Critical Views) | 1 | | | | | |
| Oscar Wilde's the Importance of Being Earnest (Bloom's Modern Critical Interpretations) | 3 | | | | | |
| Oscar Wilde (Bloom's Classic Critical Views) | 7 | | | | | |
| Virgil (Bloom's Modern Critical Views) | 2 | | | | | |
| Thomas Hardy (Bloom's Modern Critical Views) | 4 | | | | | |
| Saul Bellow's Herzog (Bloom's Modern Critical Interpretations) | 2 | | | | | |
| William Carlos Williams (Bloom's Modern Critical Views) | 5 | | | | | |
| H.G. Wells (Bloom's Modern Critical Views) | 2 | | | | | |
| William Shakespeare's Richard III (Bloom's Modern Critical Interpretations) | 2 | | | | | |
| The English Romantic Poets (Critical Cosmos) | 1 | | | | | |
| Samuel Taylor Coleridge (Bloom's Modern Critical Views) | 3 | | | | | |
| American Prose and Criticism 1945 to the Present (Critical Cosmos- American Poetry Drama & Prose Series) | 1 | | | | | |
| American Women Novelists and Short Story Writers (Critical Cosmos-American Fiction Series) | 1 | | | | | |
| Pindar (Modern Critical Views, Series 2) | 1 | | | | | |
| Robert Musil (Bloom's Modern Critical Views) | 2 | | | | | |
| Beckett's "Molloy Malone Dies" (Modern critical interpretations) | 4 | | | | | |
| Quevedo (Bloom's Modern Critical Views Series, 2) | 1 | | | | | |
| American Poetry Through 1914 (The Critical Cosmos Series) | 4 | | | | | |
| Robert Graves (Bloom's Modern Critical Views) | 1 | | | | | |
| Robert Browning: A Collection of Critical Essays (Spectrum Book) | 2 | | | | | |
| William Shakespeare's As You Like It (Bloom's Modern Critical Interpretations) | 4 | | | | | |
| William Shakespeare: Comedies and Romances (Bloom's Modern Critical Views) | 4 | | | | | |
| Sinclair Lewis's Arrowsmith (Bloom's Modern Critical Interpretations) | 1 | | | | | |
| Synge's "Playboy of the Western World" (Modern critical interpretations) | 1 | | | | | |
| Laurence Sterne's Tristram Shandy (Modern Critical Interpretations) | 3 | | | | | |
| Black American Women Poets and Dramatists (Writers of English) | 4 | | | | | |
| African-American Poets: Phillis Wheatley Through Melvin B. Tolson (Bloom's Modern Critical Views) (v. I) | 3 | | | | | |
| Short Story Writers And Short Stories (Bloom's Literary Criticism 20th Anniversary Collection) | 23 | | | | | |
| Poets And Poems (Blooms's Literary Criticism 20th Anniversary Collection) | 25 | | | | | |
| Hart Crane (Bloom's Modern Critical Views) | 5 | | | | | |
| William Faulkner (Bloom's Modern Critical Views) | 20 | | | | | |
| Eighteenth-Century British Fiction (The Critical Cosmos Series) | 3 | | | | | |
| H.D. (Bloom's Modern Critical Views) | 5 | | | | | |
| Flannery O'Connor (Bloom's Modern Critical Views) | 6 | | | | | |
| John Steinbeck (Bloom's Modern Critical Views) | 14 | | | | | |
| Cormac McCarthy (Bloom's Modern Critical Views) | 9 | | | | | |
| James Joyce: Comprehensive Research and Study Guide (Bloom's Major Short Story Writers) | 6 | | | | | |
| John Keats (Bloom's Modern Critical Views) | 7 | | | | | |
| Dramatists And Drama (Bloom's Literary Criticism 20th Anniversary Collection) | 25 | | | | | |
| The Epic (Bloom's Literary Criticism, 20th Anniversay Collection) | 24 | | | | | |
| George Bernard Shaw's Pygmalion | 4 | | | | | |
| Geoffrey Hill (Bloom's Modern Critical Views) | 9 | | | | | |
| Rosalind (Major Literary Characters) | 1 | | | | | |
| D.H. Lawrence's Women in love | 2 | | | | | |
| Henry David Thoreau (Bloom's Modern Critical Views) | 7 | | | | | |
| The Victorian Novel (Bloom's Period Studies) | 7 | | | | | |
| Arthur Miller (Bloom's Modern Critical Views) | 10 | | | | | |
| Walt Whitman: Comprehensive Research and Study Guide (Bloom's Major Poets) | 2 | | | | | |
| T.S. Eliot: Comprehensive Research and Study Guide (Bloom's Major Poets) | 3 | | | | | |
| Langston Hughes: Comprehensive Research and Study Guide (Bloom's Major Poets) | 5 | | | | | |
| William Wordsworth: Comprehensive Research and Study Guide (Bloom's Major Poets) | 4 | | | | | |
| David Mamet (Bloom's Modern Critical Views) | 2 | | | | | |
| Walker Percy (Bloom's Modern Critical Views) | 8 | | | | | |
| Willa Cather's My Antonia (Modern Critical Interpretations) | 9 | | | | | |
| Jane Austen (Bloom's Modern Critical Views) | 18 | | | | | |
| John Steinbeck: Comprehensive Research and Study Guide (Bloom's Major Short Story Writers) | 2 | | | | | |
| Flannery O'Connor: Comprehensive Research and Study Guide (Bloom's Major Short Story Writers) | 2 | | | | | |
| Elizabeth Bishop (Bloom's Modern Critical Views) | 9 | | | | | |
| Edgar Allan Poe: Comprehensive Research and Study Guide (Bloom's Major Short Story Writers) | 3 | | | | | |
| John Berryman (Bloom's Modern Critical Views) | 7 | | | | | |
| English romantic poetry: Volume II. Byron, Shelley, Keats and others. An Anthology | 6 | | | | | |
| Rome (Bloom's Literary Places (Paperback)) | 1 | | | | | |
| Eudora Welty: Comprehensive Research and Study Guide (Bloom's Major Short Story Writers) | 2 | | | | | |
| Ernest Hemingway: Comprehensive Research and Study Guide (Bloom's Major Short Story Writers Series) | 3 | | | | | |
| Milan Kundera | 6 | | | | | |
| Native-American Writers | 9 | | | | | |
| Virginia Woolf (Bloom's Modern Critical Views) | 23 | | | | | |
| D.H. Lawrence's Sons and lovers | 5 | | | | | |
| J.D. Salinger's The Catcher in the Rye (Bloom's Guides) | 1 | | | | | |
| John Gay's The Beggar's Opera (Bloom's Modern Critical Interpretations) | 3 | | | | | |
| John Cheever | 3 | | | | | |
| odysseus/ulysses | 3 | | | | | |
| Jonathan Swift's Gulliver's travels | 8 | | | | | |
| Mary Shelley | 12 | | | | | |
| Arthur Koestler's Darkness at noon | 7 | | | | | |
| Edmund Spenser (Bloom's Modern Critical Views) | 6 | | | | | |
| Blake's Apocalypse: A Study in Poetic Argument | 34 | | | | | |
| Geoffrey Chaucer (Bloom's Major Poets) | 8 | | | | | |
| The strong light of the canonical: Kafka, Freud, and Scholem as revisionists of Jewish culture and thought (The City Col | 3 | | | | | |
| William Faulkner's The Sound and the Fury (Bloom's Modern Critical Interpretations) | 21 | | | | | |
| Fanny Burney's Evelina (Bloom's Modern Critical Interpretations) | 5 | | | | | |
| The tale of Genji | 7 | | | | | |
| Marcel Proust's Remembrance of things past | 4 | | | | | |
| Mansfield Park (Bloom's Modern Critical Interpretations) | 9 | | | | | |
| James Joyce's Dubliners (Bloom's Modern Critical Interpretations) | 9 | | | | | |
| Aldous Huxley's Brave new world | 14 | | | | | |
| Thomas Mann's the Magic Mountain (Modern Critical Interpretations) | 14 | | | | | |
| Herman Melville (Bloom's Modern Critical Views) | 11 | | | | | |
| Shirley Jackson | 3 | | | | | |
| Daniel Defoe's Moll Flanders (Bloom's Modern Critical Interpretations) | 5 | | | | | |
| John Milton's Paradise lost | 8 | | | | | |
| Ernest Hemingway's the Sun Also Rises: Edited and With an Introduction by Harold Bloom (Bloom's Notes) | 18 | | | | | |
| James Joyce | 20 | | | | | |
| Poets of World War I: Rupert Brooke and Siegfried Sassoon (Bloom's Major Poets) (Part 2) | 5 | | | | | |
| Henry James's Daisy Miller, the Turn of the Screw, and Other Tales (Bloom's Modern Critical Interpretations) | 9 | | | | | |
| William Faulkner's Absalom, Absalom! | 4 | | | | | |
| John Updike (Bloom's Modern Critical Views) | 6 | | | | | |
| The Breaking of the Vessels (Wellek Library Lectures) | 21 | | | | | |
| Nathaniel Hawthorne's The Scarlet Letter [Bloom's Modern Critical Interpretations] | 20 | | | | | |
| Holden Caulfield | 6 | | | | | |
| Aldous Huxley | 10 | | | | | |
| Caddy Compson | 1 | | | | | |
| Literary Outtakes | 13 | | | | | |
| William Makepeace Thackeray's Vanity fair | 4 | | | | | |
| Gustave Flaubert's Madame Bovary | 7 | | | | | |
| Isaac Babel | 4 | | | | | |
| Edwardian And Georgian Fiction (Bloom's Period Studies) | 4 | | | | | |
| Classic Fantasy Writers (Writers of English) | 4 | | | | | |
| Robert Lowell (Bloom's Modern Critical Views) | 3 | | | | | |
| Ray Bradbury (Bloom's Modern Critical Views) | 3 | | | | | |
| Gerard Manley Hopkins (Bloom's Modern Critical Views) | 3 | | | | | |
| Anton Chekhov (Bloom's Bio-critiques) | 10 | | | | | |
| Jean-Paul Sartre (Bloom's Modern Critical Views) | 5 | | | | | |
| Kate Chopin (Bloom's Modern Critical Views) | 4 | | | | | |
| Mary Shelley's Frankenstein (Modern Critical Interpretations) | 14 | | | | | |
| Anthony Burgess (Bloom's Modern Critical Views) | 5 | | | | | |
| Nathaniel Hawthorne (Bloom's Modern Critical Views) | 7 | | | | | |
| Contos e Poemas para Crianças Extremamente Inteligentes #2 | 1 | | | | | |
| Sophocles' Oedipus Plays: Oedipus the King, Oedipus at Colonus, & Antigone (Bloom's Notes) | 3 | | | | | |
| Thomas Wolfe (Bloom's Modern Critical Views) | 2 | | | | | |
| Contos e Poemas para Crianças Extremamentes Inteligentes... - Vol. 4 | 1 | | | | | |
| Contos e Poemas para Crianças Inteligentes de Todas as Idades - Vol. 3 | 1 | | | | | |
| Jamaica Kincaid (Bloom's Modern Critical Views) | 5 | | | | | |
| Modern Crime and Suspense Writers (Writers of English) | 1 | | | | | |
| Two Worlds of Marcel Proust | 1 | | | | | |
| John Ashbery (Bloom's Modern Critical Views) | 4 | | | | | |
| Dante Alighieri (Bloom's Modern Critical Views) | 11 | | | | | |
| Jack London (Bloom's Modern Critical Views Series) | 3 | | | | | |
| John Milton | 11 | 1 | | | | |
| Classic horror writers | 7 | | | | | |
| Don Delillo (Bloom's Modern Critical Views) | 8 | | | | | |
| Caribbean Women Writers (Women Writers of English and Their Works) | 10 | | | | | |
| Native American Women Writers (Women Writers of English and Their Works) | 1 | | | | | |
| Marianne Moore (Bloom's Modern Critical Views) | 4 | | | | | |
| John Donne and the Seventeenth-Century Metaphysical Poets (Bloom's Modern Critical Views) | 6 | | | | | |
| The Harlem Renaissance (Bloom's Period Studies) | 5 | | | | | |
| Willy Loman (Bloom's Major Literary Characters) | 1 | | | | | |
| Literary Criticism of John Ruskin | 2 | | | | | |
| William Wordsworth's The Prelude (Modern Critical Interpretations) | 2 | | | | | |
| 'An Interview with Harold Bloom' 16 Nov 1985 | 1 | | | | | |
| 'Falstaff' | 1 | | | | | |
| Asian-American Women Writers (Women Writers of English and Their Works) | 6 | | | | | |
| Joyce Carol Oates (Bloom's Modern Critical Views) | 4 | | | | | |
| Graham Greene (Bloom's Modern Critical Views) | 4 | | | | | |
| Eugene O'Neill's the Iceman Cometh (Modern Critical Interpretations, Modern American Literature) | 3 | | | | | |
| Alice Walker's the Color Purple (Bloom's Modern Critical Interpretations) | 23 | | | | | |
| Caliban (Major Literary Characters) | 4 | | | | | |
| The Brontes (Bloom's Modern Critical Views) | 7 | | | | | |
| Hispanic-American Writers (Bloom's Modern Critical Views) | 10 | | | | | |
| Willa Cather (Bloom's Modern Critical Views) | 4 | | | | | |
| Tennessee Williams (Bloom's Modern Critical Views) | 12 | | | | | |
| Classic Crime and Suspense Writers (Writers of English) | 3 | | | | | |
| Robinson Crusoe | 5 | | | | | |
| Emma Bovary (Major Literary Characters) | 3 | | | | | |
| George Bernard Shaw (Bloom's Major Dramatist : Comprehensive Research and Study Guide) | 7 | | | | | |
| Essayists And Prophets (Bloom's Literary Criticism 20th Anniversary Collection) | 26 | | | | | |
| William Blake's Songs of Innocence and of Experience (Bloom's Modern Critical Interpretations) | 4 | | | | | |
| British Women Fiction Writers of the 19th Century (Women Writers of English and Their Work) | 1 | | | | | |
| James Boswell's Life of Samuel Johnson | 5 | | | | | |
| Italo Calvino (Bloom's Modern Critical Views) | 16 | | | | | |
| D.H. Lawrence (Bloom's Modern Critical Views) | 7 | | | | | |
| Homer's Odyssey: Bloom's Notes | 2 | | | | | |
| Shakespeare, 2 Bde., Komödien und Historien | 1 | | | | | |
| Lesbian and Bisexual Fiction Writers | 6 | | | | | |
| Miguel De Cervantes (Bloom's Modern Critical Views) | 4 | | | | | |
| Henry James's The portrait of a lady | 2 | | | | | |
| Hester Prynne | 4 | | | | | |
| Langston Hughes (Bloom's Modern Critical Views) | 8 | | | | | |
| American Women Poets (Critical Cosmos) | 7 | | | | | |
| Women Memoirists (Women Writers of English and Their Works) | 3 | | | | | |
| Jorge Luis Borges (Bloom's Modern Critical Views) | 7 | | | | | |
| The American Renaissance (Bloom's Period Studies) | 2 | | | | | |
| Leo Tolstoy's War and Peace | 12 | | | | | |
| F. Scott Fitzgerald | 12 | 1 | | | | |
| Jose Saramago (Bloom's Modern Critical Views) | 4 | | | | | |
| Maya Angelou | 13 | | | | | |
| Asian-American Writers (Bloom's Modern Critical Views) | 6 | | | | | |
| Henry David Thoreau's Walden (Bloom's Modern Critical Interpretations) | 7 | | | | | |
| Stéphane Mallarmé | 5 | | | | | |
| William Blake (Bloom's Major Poets) | 10 | | | | | |
| Andre Malraux (Bloom's Modern Critical Views) | 4 | | | | | |
| Edmund Spenser's The Faerie Queene (Bloom's Modern Critical Interpretations) | 1 | | | | | |
| Daniel Defoe (Bloom's Modern Critical Views) | 1 | | | | | |
| La saggezza dei libri | 1 | | | | | |
| Michel De Montaigne's Essays (Bloom's Modern Critical Interpretations) | 8 | | | | | |
| Robert Louis Stevenson (Bloom's Modern Critical Views) | 5 | | | | | |
| Henry James (Bloom's Modern Critical Views) | 5 | | | | | |
| Isak Dinesen (Bloom's Modern Critical Views) | 1 | | | | | |
| shakespeare: romances | 1 | | | | | |
| women memoirists: volume one | 1 | | | | | |
| Sigmund Freud (Bloom's Modern Critical Views) | 3 | | | | | |
| Katherine Anne Porter (Bloom's Modern Critical Views) | 2 | | | | | |
| The Chelsea House Library of Literary Criticism: The Critical Perspective, Twentieth Century Criticism of British and American Literature to 1904, COMPLETE SET OF 10 VOLUMES ( INDEX) | 2 | | | | | |
| E.M. Forster's A Passage to India (Bloom's Modern Critical Interpretations) | 1 | | | | | |
| Major Authors Edition of the New Moulton's Library of Literary Criticism multivolume collection | 1 | | | | | |
| Jay Gatsby (Bloom's Major Literary Characters) | 3 | | | | | |
| American Women Poets 1650-1950 (Bloom's Modern Critical Views) | 1 | | | | | |
| Carlos Fuentes' The Death of Artemio Cruz (Bloom's Modern Critical Interpretations) | 6 | | | | | |
| John Keats' The Odes of Keats (Bloom's Modern Critical Interpretation) | 2 | | | | | |
| Ralph Waldo Emerson's Nature (Bloom's Modern Critical Interpretations) | 1 | | | | | |
| american women fiction writers: 1900-1960 | 6 | | | | | |
| Robert Frost (Bloom's Modern Critical Views) | 1 | | | | | |
| William Shakespeare's Winter's Tale (Bloom's Modern Critical Interpretations) | 1 | | | | | |
| William Shakespeare's Romances (Bloom's Modern Critical Views) | 1 | | | | | |
| The Critical Perspective, Volume 02: Spenser and Shakespeare (Chelsea House Library of Literary Criticism) | 1 | | | | | |
| George Bernard Shaw's Man and Superman (Modern Critical Interpretations) | 1 | | | | | |
| Aleksandr Solzhenitsyn (Bloom's Modern Critical Views) | 1 | | | | | |
| Black American Women Fiction Writers (Writers of English) | 3 | | | | | |
| geoffrey chaucer's the pardoner's tale | 4 | | | | | |
| American fiction 1914 to 1945 | 4 | | | | | |
| jewish women fiction writers | 3 | | | | | |
| American Poetry 1915 to 1945 (Critical Cosmos Series) | 5 | | | | | |
| Marlow (Major Literary Characters) | 2 | | | | | |
| british women fiction writers: 1900-1960 | 4 | | | | | |
| brett ashley | 1 | | | | | |
| Doris Lessing (Bloom's Modern Critical Views) | 2 | | | | | |
| Cleopatra (Major Literary Characters) | 2 | | | | | |
| Shylock (Major Literary Characters) | 2 | | | | | |
| Seamus Heaney (Bloom's Modern Critical Views) | 6 | | | | | |
| Anjos CaÃdos | 1 | | | | | |
| Best of the Best American Poetry 1988-1997 (American Poetry Series) | 1 | | | | | |
| Rudyard Kipling's Kim (Bloom's Modern Critical Interpretations) | 4 | | | | | |
| L'angoscia dell'influenza. Una teoria della poesia | 1 | | | | | |
| George Bernard Shaw (Bloom's Modern Critical Views) | 1 | | | | | |
| Donald Barthelme (Bloom's Modern Critical Views) | 1 | | | | | |
| Margaret Atwood (Bloom's Modern Critical Views) | 5 | | | | | |
| The Critical Perspective, Volume 10: Edwardian Literature - John Ruskin to William Dean Howells (Chelsea House Library of Literary Criticism) | 1 | | | | | |
| The Critical Perspective, Volume 09: Late Victorian (Chelsea House Library of Literary Criticism) | 1 | | | | | |
| Charles Dickens's Bleak House (Bloom's Modern Critical Interpretations) | 4 | | | | | |
| Lorraine Hansberry's A Raisin in the Sun | 1 | | | | | |
| Death and Dying (Bloom's Literary Themes) | 7 | | | | | |
| John Le Carre (Bloom's Modern Critical Views) | 2 | | | | | |
| Shakespeare and genius a lecture | 2 | | | | | |
| King Arthur (Bloom's Major Literary Characters) | 2 | | | | | |
| Harriet Beecher Stowe's Uncle Tom's cabin | 3 | | | | | |
| Ralph Ellison's Invisible Man (Bloom's Modern Critical Interpretations) | 6 | | | | | |
| The American Dream (Bloom's Literary Themes) | 14 | | | | | |
| Geoffrey Chaucer's The Canterbury tales | 1 | | | | | |
| Bloom's Literary Themes Human Sexuality | 7 | | | | | |
| The Grotesque | 7 | | | | | |
| Stendhal | 2 | | | | | |
| Paul Valéry | 1 | | | | | |
| Alienation | 8 | | | | | |
| The Hero's Journey | 11 | | | | | |
| MACBETH. A Volume in the Major Literary Characters Series. | 3 | | | | | |
| The Critical Perspective, Volume 05: Georgian (Chelsea House Library of Literary Criticism) | 1 | | | | | |
| The Critical Perspective, Volume 08: Mid-Victorian (Chelsea House Library of Literary Criticism) | 1 | | | | | |
| Vladimir Nabokov's Lolita (Bloom's Modern Critical Interpretations) | 3 | | | | | |
| John Donne and the Metaphysical Poets (Bloom's Classic Critical Views) | 3 | | | | | |
| Gusto | 4 | | | | | |
| Mary Wollstonecraft Shelley (Bloom's Modern Critical Views) | 1 | | | | | |
| Figures of capable imagination (A Continuum book) | 5 | | | | | |
| Toni Morrison's Sula (Bloom's Modern Critical Interpretations) | 5 | | | | | |
| Modern Black American Poets and Dramatists (Writers of English) | 3 | | | | | |
| William Shakespeare's Measure for Measure (Bloom's Modern Critical Interpretations) | 1 | | | | | |
| George Eliot's the Mill on the Floss (Bloom's Modern Critical Interpretations) | 2 | | | | | |
| Major Modern Black American Writers (Writers of English) | 4 | | | | | |
| Black American Poets & Dramatists: Before the Harlem Renaissance (Writers of English) | 1 | | | | | |
| Black American Poets and Dramatists of the Harlem Renaissance (Writers of English) | 4 | | | | | |
| The Critical Perspective, Volume 06: Late Georgian (Chelsea LIbrary of Literary Criticism) | 1 | | | | | |
| The Critical Perspective, Volume 04: Restoration-Early Georgian (Chelsea House Library of Literary Criticism) | 1 | | | | | |
| isabel archer | 1 | | | | | |
| contemporary black american fiction writers | 2 | | | | | |
| major black american writers through the harlem renaissance | 2 | | | | | |
| modern black american fiction writers | 3 | | | | | |
| Black American Prose Writers of the Harlem Renaissance (Writers of English) | 2 | | | | | |
| Contemporary Black American Poets and Dramatists (Writers of English) | 2 | | | | | |
| Antonia | 2 | | | | | |
| clarissa dalloway | 3 | | | | | |
| Black American Prose Writers: Before the Harlem Renaissance (Writers of English) | 4 | | | | | |
| Evelyn Waugh (Bloom's Modern Critical Views) | 1 | | | | | |
| Joe Orton (Modern Critical Views Series) | 1 | | | | | |
| French Prose and Criticism, 1790 to World War II (Critical Cosmos) | 2 | | | | | |
| Leo Tolstoy (Bloom's Modern Critical Views) | 3 | | | | | |
| Raphael Alberti (Modern Critical Views Series, 2) | 1 | | | | | |
| Oliver Goldsmith (Bloom's Modern Critical Views) | 1 | | | | | |
| The Prophets (Bloom's Modern Critical Interpretations) | 1 | | | | | |
| Thomas Mann (Bloom's Modern Critical Views) | 2 | | | | | |
| Canadian Poetry Through E J Pratt (Bloom's Modern Critical Views) | 1 | | | | | |
| French Poetry: the Renaissance Through 1915 (The Critical Cosmos: French Literature) | 2 | | | | | |
| Katherine Mansfield (Modern Critical Views II) | 1 | | | | | |
| John Dryden (Bloom's Modern Critical Views) | 2 | | | | | |
| V. S. Naipaul (Modern Critical Views II) | 1 | | | | | |
| S.Y. Agnon (Modern Critical Views Ser 2) | 1 | | | | | |
| Andre Gide (Bloom's Modern Critical Views) | 1 | | | | | |
| Contemporary Poets (Bloom's Modern Critical Views) | 5 | | | | | |
| Boccaccio (Bloom's Modern Critical Views) | 1 | | | | | |
| Mordecai Richler (Modern Critical Views Ser II) | 1 | | | | | |
| Percy Bysshe Shelley's Major Lyrics (Modern Critical Interpretations Series) | 1 | | | | | |
| Sterling Brown (Bloom's Modern Critical Views) | 1 | | | | | |
| Cesar Vallejo (Bloom's Modern Critical Views) | 1 | | | | | |
| Wole Soyinka (Modern Critical Views Series) | 1 | | | | | |
| Nathanael West (Bloom's Modern Critical Views) | 1 | | | | | |
| British Modernist Fiction 1920 to 1945 (Critical Cosmos Series) | 2 | | | | | |
| The Taming of the Shrew | 6 | | | | | |
| Bertolt Brecht (Bloom's Modern Critical ViewsI) | 1 | | | | | |
| Nikolai Gogol (Bloom's Major Short Story Writers) | 2 | | | | | |
| John Milton's Paradise Regained, Samson Agonistes, and the Minor Poems (Bloom's Modern Critical Interpretations) | 1 | | | | | |
| Jean-Jacques Rousseau (Bloom's Modern Critical Views) | 2 | | | | | |
| Henry Fielding (Bloom's Modern Critical Views) | 1 | | | | | |
| Contemporary British Drama 1946-1986 (Critical Cosmos Modern British An Commonwealth Literatures Series) | 2 | | | | | |
| Edwardian and Georgian Poetry 1880-1914 (Critical Cosmos Modern British and Commonwealth Literature Series) | 1 | | | | | |
| Samuel Beckett's Endgame (Bloom's Modern Critical Interpretations) | 1 | | | | | |
| George Eliot (Bloom's Modern Critical Views) | 2 | | | | | |
| Patrick White (Bloom's Modern Critical Views) | 1 | | | | | |
| Gospels (Bloom's Modern Critical Interpretations) | 2 | | | | | |
| William Blake's The Marriage of Heaven and Hell (Bloom's Modern Critical Interpretations) | 1 | | | | | |
| Thomas Berger (Bloom's Modern Critical Views) | 1 | | | | | |
| Sir Walter Scott (Modern Critical Views Series) | 1 | | | | | |
| Denis Diderot (Bloom's Modern Critical Views) | 1 | | | | | |
| Henry Fielding's Tom Jones (Bloom's Modern Critical Interpretations) | 1 | | | | | |
| The Critical Perspective, Volume 03: Elizabethan-Caroline(The Chelsea House Library of Literary Criticism) | 1 | | | | | |
| Geoffrey Chaucer's The Knight's Tale (Bloom's Modern Critical Interpretations) | 2 | | | | | |
| American Poetry 1946 to 1965 (Critical Cosmos Series, American Poetry, Drama, and Prose) | 6 | | | | | |
| Theodore Dreiser (Modern Critical Views) | 1 | | | | | |
| Gustave Flaubert (Bloom's Modern Critical Views) | 1 | | | | | |
| Carlos Fuentes (Bloom's Modern Critical Views) | 1 | | | | | |
| William Shakespeare's Much Ado About Nothing (Bloom's Modern Critical Interpretations) | 3 | | | | | |
| Frederick Douglass's Narrative of the Life of Frederick Douglass (Bloom's Modern Critical Interpretations) | 2 | | | | | |
| Louis Ferdinand Celine (Bloom's Modern Critical Views) | 1 | | | | | |
| Arthur Miller's All My Sons (Bloom's Modern Critical Interpretations) | 3 | | | | | |
| Heinrich Von Kleist (Bloom's Modern Critical Views) | 1 | | | | | |
| Giacomo Leopardi (Modern Critical Views II) | 1 | | | | | |
| Medieval Literature (Critical Cosmos Series) | 1 | | | | | |
| Rainer Maria Rilke (Bloom's Modern Critical Views) | 1 | | | | | |
| Plautus (Bloom's Modern Critical Views) | 1 | | | | | |
| R.K Narayan (Bloom's Modern Critical Views) | 1 | | | | | |
| William Shakespeare's Coriolanus (Bloom's Modern Critical Interpretations) | 1 | | | | | |
| Heinrich Boll (Bloom's Modern Critical Views) | 1 | | | | | |
| Kenneth Burke (Modern Critical Views Two) | 1 | | | | | |
| James Fenimore Cooper (Bloom's Modern Critical Views) | 1 | | | | | |
| James Dickey (Bloom's Modern Critical Views) | 2 | | | | | |
| James Merrill (Modern Critical Views) | 2 | | | | | |
| The ||Book of Job | 4 | | | | | |
| Exodus (Bloom's Modern Critical Interpretations) | 3 | | | | | |
| Matthew Arnold (Bloom's Modern Critical Views) | 1 | | | | | |
| Shakespeare | 2 | 1 | | | | |
| The Tales of Poe (Modern Critical Interpretations) | 4 | | | | | |
| Dr. Samuel Johnson and James Boswell (Bloom's Modern Critical Views) | 3 | | | | | |
| Truman Capote (Bloom's Modern Critical Views) | 1 | | | | | |
| Elizabeth Bennet (Bloom's Major Literary Characters) | 5 | | | | | |
| Amos Oz (Bloom's Modern Critical Views) | 1 | | | | | |
| Emerson's Essays-Ralph Waldo Emerson (Bloom's Modern Critical Interpretations) | 5 | | | | | |
| The Art of the Literary Critic, Volume 08: Early Twentieth Century (Chelsea House Library of Literary Criticism) | 1 | | | | | |
| Lawrence Sterne (Bloom's Modern Critical Views) | 1 | | | | | |
| The Bible (Bloom's Modern Critical Views) | 9 | | | | | |
| Mary Gordon (Bloom's Modern Critical Views) | 1 | | | | | |
| William Shakespeare's Twelfth Night (Bloom's Modern Critical Interpretations) | 1 | | | | | |
| William Burroughs (Modern Critical Views Series) | 1 | | | | | |
| Tom Stoppard (Bloom's Modern Critical Views) | 2 | | | | | |
| Robertson Davies (Bloom's Modern Critical Views) | 1 | | | | | |
| American Jewish Literature (Critical Cosmos-American Fiction Series) | 1 | | | | | |
| Soren Kierkegaard (Bloom's Modern Critical Views) | 2 | | | | | |
| Melanie Klein (Modern Critical Views Series, 2) | 1 | | | | | |
| Northrop Frye (Bloom's Modern Critical Views) | 1 | | | | | |
| Sherwood Anderson (Bloom's Modern Critical Views) | 4 | | | | | |
| Tobias Smollett (Bloom's Modern Critical Views) | 1 | | | | | |
| Sam Shepard (Modern Critical Views II) | 1 | | | | | |
| Antonin Artaud (Bloom's Modern Critical Views) | 1 | | | | | |
| gwendolyn brooks | 5 | | | | | |
| Luigi Pirandello (Modern Critical Views) | 1 | | | | | |
| Ivan Turgenev (Bloom's Modern Critical Views) | 4 | | | | | |
| Lillian Hellman (Bloom's Modern Critical Views) | 1 | | | | | |
| Friedrich Holderlin (Modern Critical Views Series, 2) | 1 | | | | | |
| Isaac Bashevis Singer (Modern Critical Views Series 2) | 1 | | | | | |
| Carl Gustav Jung (Bloom's Modern Critical ViewsI) | 1 | | | | | |
| Frederick Douglass (Bloom's Modern Critical Views) | 1 | | | | | |
| Benjamin Franklin (Bloom's Classic Critical Views) | 1 | | | | | |
| Hermann Hesse (Modern Critical Views 2) | 1 | | | | | |
| Ben Jonson (Bloom's Modern Critical Views) | 1 | | | | | |
| Percy Bysshe Shelley's The Triumph of Life (Modern Critical Interpretations Series) | 1 | | | | | |
| Simone De Beauvoir (Modern Critical Views II) | 1 | | | | | |
| E.E. Cummings (Bloom's Modern Critical Views) | 3 | | | | | |
| John Stuart Mill (Bloom's Modern Critical Views) | 1 | | | | | |
| Lewis Carroll (Bloom's Modern Critical Views) | 1 | | | | | |
| Grace Paley (Bloom's Modern Critical Views) | 1 | | | | | |
| Critics' choice readings from the favorite poems of Harold Bloom and Helen Vendler | 1 | | | | | |
6
