Picture of author.
52+ Works 188 Members 2 Reviews 1 Favorited

About the Author

Works by A. M. Burrage

Warning Whispers (1988) 26 copies
War is War (1702) 11 copies
Intruders: New Weird Tales (1995) 10 copies
Some Ghost Stories (1927) 7 copies
Un-paying Guests (1989) 3 copies
Seeker to the Dead (2014) 3 copies
Browdean Farm 2 copies
Smee (2012) 2 copies
The Waxwork [short story] (1931) 2 copies
Don't Break the Seal (2014) 2 copies
Footprints 1 copy
Furze Hollow 1 copy
Playmates 1 copy
The Tryst 1 copy
The Soldier 1 copy

Associated Works

Roald Dahl's Book of Ghost Stories (1983) — Contributor, some editions — 1,243 copies
The Oxford Book of English Ghost Stories (1986) — Contributor — 544 copies
Great Ghost Stories (1985) — Contributor — 395 copies
Alfred Hitchcock's Ghostly Gallery (1962) — Contributor — 368 copies
Ghostly: A Collection of Ghost Stories (2015) — Contributor — 340 copies
Ghosts: A Treasury of Chilling Tales Old & New (1981) — Contributor — 334 copies
The Mammoth Book of Haunted House Stories (2000) — Contributor, some editions — 295 copies
Witches & Warlocks: Tales of Black Magic, Old & New (1991) — Contributor — 284 copies
The Omnibus of Crime (1929) — Contributor — 208 copies
Don't Open This Book! (1998) — Contributor — 203 copies
The Penguin Book of Horror Stories (1984) — Contributor — 142 copies
The Penguin Book of Ghost Stories (1984) — Contributor — 122 copies
Tales of Witchcraft (1991) — Contributor — 112 copies
Phantastic Book of Ghost Stories (1990) — Contributor — 110 copies
The History of Piracy (1932) — Contributor — 84 copies
13 More Stories They Wouldn't Let Me Do On TV (1959) — Contributor — 83 copies
Great Short Tales of Mystery and Terror (1982) — Contributor — 79 copies
Spirits of the Season: Christmas Hauntings (2018) — Contributor — 77 copies
Charles Keeping's Book of Classic Ghost Stories (1986) — Contributor — 77 copies
Chill Tidings: Dark Tales of the Christmas Season (2020) — Contributor — 71 copies
65 Great Tales of the Supernatural (1979) — Contributor — 60 copies
Dark: Stories of Madness, Murder and the Supernatural (2000) — Contributor — 58 copies
Ghosts of Christmas Past (2017) 56 copies
The Mammoth Book of Ghost Stories 2 (1656) — Contributor — 50 copies
Some Things Strange and Sinister (1972) — Contributor — 50 copies
Ten Tales Calculated to Give You Shudders (1972) — Contributor — 48 copies
Fighters of Fear: Occult Detective Stories (2020) — Contributor — 48 copies
Ghosts for Christmas (1988) — Contributor — 45 copies
The Third Omnibus of Crime (1935) — Contributor — 45 copies
The Moons at Your Door (2016) — Contributor — 43 copies
The Oxford Book of Historical Stories (1994) — Contributor — 40 copies
The Television Late-night Horror Omnibus (1993) — Contributor — 38 copies
Small Shadows Creep (1974) — Contributor — 33 copies
Great Short Stories of Detection, Mystery, and Horror (1928) — Contributor — 32 copies
Haunters at the Hearth: Eerie Tales for Christmas Nights (2022) — Contributor — 30 copies
Fifty Amazing Stories of the Great War (1936) — Contributor — 25 copies
The Ninth Fontana Book of Great Ghost Stories (1973) — Contributor — 23 copies
And the Darkness Falls (1946) — Contributor — 21 copies
The Tenth Fontana Book of Great Ghost Stories (1974) — Contributor — 20 copies
Dr. Caligari's Black Book (1968) — Contributor — 16 copies
The Fireside Book of Ghost Stories (1947) — Contributor — 16 copies
Bodies and Souls (1963) — Contributor — 15 copies
A Little Night Reading: Twenty Tales of Horror and the Supernatural (1974) — Contributor; Contributor, some editions — 14 copies
Fifty Masterpieces of Mystery (1937) — Contributor — 13 copies
Uncanny Tales 2 (1974) — Contributor — 12 copies
The Eleventh Fontana Book of Great Ghost Stories (1975) — Contributor — 11 copies
The Fourteenth Fontana Book of Great Ghost Stories (1978) — Contributor — 11 copies
Vincent Price Presents The Price of Fear (1976) — Contributor — 9 copies
The Twentieth Fontana Book of Great Ghost Stories (1984) — Contributor — 7 copies
Enter at Your Own Risk: Dreamscapes into Darkness (1605) — Contributor — 7 copies
Haunts, Haunts, Haunts (1977) — Contributor — 7 copies
Armchair Horror Collection (1994) — Contributor — 7 copies
Horror Stories (audiobook) (1995) — Contributor — 4 copies
Flere chok — some editions — 3 copies
Duchy Nocy Świętojańskiej — Contributor — 1 copy

Tagged

Common Knowledge

Legal name
Burrage, Alfred McLelland
Other names
X, Ex-Private
Lelland, Frank
Birthdate
1889-07-01
Date of death
1956-12-18
Gender
male
Nationality
UK
Birthplace
Hillingdon, London, England, UK
Place of death
London, England, UK
Occupations
writer
Relationships
Burrage, E. Harcourt (uncle)

Members

Reviews

WAR IS WAR is a fascinating look inside the trenches of WWI, written by a 28 year-old private, who was quite the exception in the enlisted ranks of the time. A.M. Burrage was a professional writer by trade, who served in the Artists Rifles but failed to earn a commission. So he ended up in the front lines with the rank and file men, and in fact was right in the thick of things in some of the fiercest battles of the war, including Passchendale, made famous by the war poets of the time, and, many years later, by Pat Barker's REGENERATION trilogy of novels.

In fact, Burrage continued to write his stories and submit them to the popular magazines of the day while he was literally in the front-line trenches. Throughout his narrative, even in the most trying of times, Burrage displays a wickedly wry sense of humor and a kind of early wisdom that shines through on nearly every page. He also refuses to resort to commonplace profanity or obscenity in his writings, although he acknowledges using it, knowing that any soldier who doesn't swear cannot be trusted. Remaining true to his literary bent, Burrage took Chaucer's CANTERBURY TALES in his kit and read it through repeatedly. He also read Robert Browning's poetry, noting -

"Browning helped me to believe that memories of the old comfortable life were not merely the memories of dreams. There were still English homes, and beds, and garden chairs, green lawns and clusters of flowers, food which did not look as if it came out of a pig-trough, ripe-lipped dainty girls, people who did not qualify every noun with a filthy adjective. Some of us would win back to these delights. Surely they could not kill us all."

Burrage tells you at the outset what an inept and bad soldier he was, how cowardly and fearful he felt much of the time. Nevertheless he did his best, first as a reluctant rifleman, and later as a stretcher-bearer. He was hospitalized twice, the first time for "trench fever," a disabling flu-like ailment transmitted by lice - and everyone in the trenches was lice-ridden. The second and last time he was shot near the kidney, which turned out to be a minor wound, but at the same time he was crippled by trench foot, which turned out to be his "blighty," sending him back to England.

Ruthlessly frank in his description of war and the commonality of death, Burrage tells us, "When a man is killed, we rush to him to see if he's got any food in his haversack, or, that priceless possession, a safety-razor."

Or, about the realization of what his real job is, and the reality of war -

"... the job of the infantry isn't to kill. It is the artillery and the machine-gun corps who do the killing. We are merely there to be killed. We are the little flags which the General sticks on the war-map to show the position of the front-line … We find for ourselves the truth we have already been told - that there is no romance in the war. It is an inglorious hotchpotch of misery ad dreariness, varied occasionally by short spells of stark dreadfulness."

Years later, he is disdainful, if not angry, at the war 'experts,' who wrote about war from afar, even one of his favorite writers, Sir Arthur Conan Doyle, gets trashed -

"Sir Arthur Conan Doyle, in his HISTORY OF THE WAR, dismissed us with the remark that we 'seemed to find some difficulty in getting forward.' The difficulty consisted mainly of being killed in heaps … he should have left the war to the soldiers. You cannot write about the war by merely reading the newspaper reports and looking at maps."

WAR IS WAR, which was written nearly a hundred years ago is, I think, as a first-hand account, one of the best of the memoirs of the Great War. I was often reminded of a WWI novel I read a few years back, Frederick Manning's HER PRIVATES WE, a caustic, ribald and disturbing account of the horrors of trench warfare. Hemingway praised it as one of the best of its kind. I'm so pleased that the English publisher, Pen & Sword Military Books, has brought Burrage's book back into print. Very highly recommended, especially for historians and war buffs.

- Tim Bazzett, author of the Cold War memoir, SOLDIER BOY: AT PLAY IN THE ASA
… (more)
 
Flagged
TimBazzett | May 18, 2019 |
I was pleasantly surprised by this. I'd read bits of Burrage in numerous Ghost story anthologies, but to be honest was more interested in getting hold of the Equation volume more for completists sake (and it was a bit of a bargain). I wasn't prepared for how good - and versatile - a writer Burrage is. As with a lot of writers from that time, the quality is variable but stuff like "The Garden of Fancy" is particularly good because there's a tangible oddness and novelty to the story whilst also being particularly satisfying as both a conventional short story and as a bit of weird fiction. Am definitely going to try and track down more...… (more)
 
Flagged
irkthepurist | May 23, 2008 |

Lists

You May Also Like

Associated Authors

Statistics

Works
52
Also by
63
Members
188
Popularity
#115,783
Rating
3.8
Reviews
2
ISBNs
26
Favorited
1

Charts & Graphs