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Fernando Prats

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Short biography
Fernando Prats
(Buenos Aires, 1970)
investiga y experimenta
el cruce de la palabra y sus
representaciones desde la
literatura, el diseño, la fotografía,
la música, la interacción y las redes sociales.

Estudió en
la Universidad de Buenos Aires, en la CIBA,
en el CPNL y ahora lo hace desde
su estudio.

Ha colaborado en periodismo cultural, prensa y
eventualmente en teatro, vídeo y radio.

Es autor de los libros de
poesía: Una al día,
Monda Lironda,
Deshielo,
Como volver a
casa, pero
no,
Olores,
palabras,
rincones
y De la risa a la rabia.

Es autor, también, de libros de relatos
{Satori, Mate amargo},
del fototrabajo {El culo y la memoria: uropa
-junto a Enric Leor-}, del de poesía visual
{Corto y afilado}, de relatos
musicalizados {Ene O}, de un
cuadro teatral {Motivo y variación
sobre el fortuito encuentro con
Thomas Bernhard}, de uno de
artículos {Postales de la
era del olvido} y del
ensayo de un
ensayo {La
escuela
frente a
la cultura
digital}.

De momento
ha editado “Shapes and Shapes (formas y formas xl)“, “Motivo y variación sobre el fortuito encuentro con Thomas Bernhard“, “formas
y formas“, “Corto y afilado“, “Una al día“,
“Como volver a casa, pero no“,
“Olores, palabras, rincones”
y “De la risa a la rabia“.

Actualmente trabaja en Barcelona
como director creativo de Estudi Prats,
dirige la experiencia Y SIN EMBARGO
(revista, portal, ramificaciones),
el grupo ‘pictosófico RHIZOME
y otros emprendimientos
a través de redes sociales.

Ha sido incluído en el libro
The Book of the Year Vol. 2 (Design and Design),
Web Design Index by Content (Pepin Press),
y en la muestra Guantánamo No! (Fundació Signes),
ha escrito para el libro The world through my
mechanic eye (Andrea Sozzi), realizado conciertos
y grabaciones con los grupos Oktubre, Quatrocento,
María Luisa y ‘vídeoclops’ para el grupo Papa:Noes.

Algunos de trabajos fotográficos
han sido publicados en diversos medios como FILE magazine, New Internationalist Publications,
And I still miss you, Platform 58 o Artemis, se han expuesto en Tate Liverpool online / colour chart: reinventing colour, 1950 to today, Open Call - Frieze Art Fair 2009, Ambiguities exhibition @ University of Kent, fernando prats at ****contrasted gallery: ways and shapes but no whales, Shadé digital exhibitions, Elements Exhibition (Maregmágnum, Barcelona), Ver y Mirar. El detalle de las letras (Menos uno, Madrid), SoniMag Foto 07, Festival Internacional de Arte Contemporáneo BAC! 07 Babylon o en la guía Schmap Barcelona Fourth Edition, y seleccionados por colectivos artísticos como Getty Images, Artistas de España, Voltants.com o 500×500.

Forma parte de los libros colectivos “Hypo - X - Series” (Cream of Fugu Book) y
“White for MS” (para la lucha contra la esclerosis múltiple).

Su libro formas y formas, ha sido el ganador del primer concurso de fotografía de Lulu.com y Foto DNG.

# # #

Fernando Prats
(1970) has studied
at the Universidad de
Buenos Aires and he’s the
author of different works
of literature, design, photography,
pictosophy, music, video and social networking.

Eventually, he’s collaborated on theatre,
radio, journalism and press.

He’s the author of the poetry
books: Una al día,
Monda Lironda),
Deshielo,
Como volver a
casa, pero no,
Olores,
Palabras,
Rincones,
De la risa a la rabia.

He’s also the author of short stories’ books
{Satori, Mate amargo},
a photowork’s {El culo y la memoria: uropa
-with Enric Leor-}, a visual poetry’s
{Corto y afilado}, a musicalized
stories {Ene O}, a theatrical
short play {Motivo y variación
sobre el fortuito encuentro con
Thomas Bernhard},
an articles compilation {Postales
de la era del olvido} and the rehearsal
of a rehearsal
{La escuela
frente a la
cultura
digital}.

Until now he
has published “Motivo y variación sobre el fortuito
encuentro con Thomas Bernhard“, “formas
y formas“, “Corto y afilado“,
“Una al día“, “Como volver a casa, pero no“,
“Olores, palabras, rincones”
and “De la risa a la rabia“.

He currently works in Barcelona
as creative director of Estudi
Prats, directs the experience
Y SIN EMBARGO
(magazine, web,
ramifications), the
‘pictosophic groups
Rhizome
and the cultural contents
social network
Común Denominador.

Recently
he’s been included
at the Book of the Year Vol. 2 (Design and Design),
Web Design Index by Content book
(Pepin Press), and at the expo Guantánamo No!
(Fundació Signes), has written for the book The world through
my mechanic eye (Andrea Sozzi), directed two ‘vídeoclops’
for the pop-rock group Papa:Noes and co-composed
some songs for Nuevos Pobres.

Some of his photographic works
have been published on media like FILE magazine, New Internationalist Publications,
And I still miss you, Platform 58 or Artemis, and have been exhibited at Tate Liverpool online / colour chart: reinventing colour, 1950 to today, Open Call, Frieze Art Fair 2009, Ambiguities exhibition @ University of Kent, Shadé digital exhibitions,
Elements Exhibition
(Maregmágnum, Barcelona), Ver y Mirar. El detalle de las letras (Menos uno, Madrid), SoniMag Foto 07, Festival Internacional de Arte Contemporáneo BAC! 07 Babylon o en la guía Schmap Barcelona Fourth Edition,
and has been selected by artistic collectives like Artistas de España, Voltants.com or 500×500.

His photos are part of the collective books “White for MS”, an effort to raise
funds for the fight against Multiple Sclerosis, and ”Hypo - X - Series” (Cream of Fugu Book).

His book formas y formas, has won the first Photography Contest of Lulu.com & Foto DNG.

Disambiguation notice

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Fernando Prats is a LibraryThing Author, an author who lists their personal library on LibraryThing.

Fernando Prats / fernandoprats profile

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