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4,646 (5,700)1154,028 (3.73)90
The Magnificent Ambersons 1,370 copies, 40 reviews
Penrod 558 copies, 12 reviews
Seventeen 303 copies, 7 reviews
Penrod and Sam 288 copies, 3 reviews
Monsieur Beaucaire 161 copies, 4 reviews
The Turmoil 88 copies, 1 review
Penrod Jashber 75 copies
The Two Vanrevels 63 copies, 1 review
The Plutocrat 59 copies
The Conquest of Canaan 55 copies, 1 review
Gentle Julia 47 copies
The Flirt 46 copies, 2 reviews
Beasley's Christmas Party 39 copies, 2 reviews
Kate Fennigate 38 copies
Claire Ambler 37 copies
The Guest of Quesnay 37 copies, 1 review
Mary's Neck 35 copies, 1 review
The Midlander 29 copies
Women 28 copies, 1 review
His Own People 25 copies, 2 reviews
Ramsey Milholland 23 copies, 1 review
Rumbin Galleries 22 copies, 1 review
Little Orvie 20 copies, 1 review
The Beautiful Lady 20 copies, 2 reviews
Cherry 19 copies, 1 review
Mirthful Haven 19 copies
Growth 11 copies
Wanton Mally 9 copies, 1 review
Stories 6 copies
Clarence 6 copies
The Wren 2 copies
Turmoil 1 copy
Gipsy 1 copy, 1 review
The Literary Cat (Author) 200 copies
More Stories to Remember, Volume II (Contributor) 78 copies
100 Hilarious Little Howlers (Contributor) 46 copies
The Magnificent Ambersons [1942 film] (Original book) 44 copies, 1 review
An American Omnibus (Contributor) 26 copies
Teen-Age Dog Stories 15 copies, 1 review
The Panorama Of Modern Literature (Contributor) 12 copies, 1 review
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Short biography
Newton Booth Tarkington, an enormously prolific novelist, playwright, and short story writer who chronicled urban middle-class life in the American Midwest during the early twentieth century, was born in Indianapolis on July 29, 1869. He was the son of John Stevenson Tarkington, a lawyer, and Elizabeth Booth Tarkington. His uncle and namesake, Newton Booth, was a governor of California and later a United States senator. In the essay ‘As I Seem to Me,’ published in the Saturday Evening Post in 1941, Tarkington recalled dictating a story to his sister when he was only six. By the age of sixteen he had written a fourteen-act melodrama about Jesse James. Tarkington was educated at Phillips Exeter Academy, Purdue University, and Princeton, where his burlesque musical The Honorable Julius Caesar was staged by the Triangle Club. Upon leaving Princeton in 1893 he returned to Indiana determined to pursue a career as a writer.

After a five-year apprenticeship marked by publishers’ rejection slips, Tarkington enjoyed a huge commercial success with The Gentleman from Indiana (1899), a novel credited with capturing the essence of the American heartland. He consolidated his fame with Monsieur Beaucaire (1900), a historical romance later adapted into a movie starring Rudolph Valentino. ‘Monsieur Beaucaire is ever green,’ remarked Damon Runyon. ‘It is a little literary cameo, and we read it over at least once a year.’ The political knowledge Tarkington acquired while serving one term in the Indiana house of representatives informed In the Arena (1905), a collection of short stories that drew praise from President Theodore Roosevelt for its realism. In collaboration with dramatist Harry Leon Wilson, Tarkington wrote The Man from Home (1907), the first of many successful Broadway plays. His comedy Clarence (1919), which Alexander Woollcott praised for being ‘as American as Huckleberry Finn or pumpkin pie,’ helped launch Alfred Lunt on a distinguished career and provided Helen Hayes with an early successful role.

Following a decade in Europe, Tarkington returned to Indianapolis and won a new readership with the publication of The Flirt (1913). The first of his novels to be serialized in the Saturday Evening Post, the book contained authentic characters and themes that paved the way for Penrod (1914), a group of tales drawn from the author’s boyhood memories of growing up in Indiana. The adventures of Penrod Schofield, which Tarkington also chronicled in the sequels Penrod and Sam (1916) and Penrod Jashber (1929), seized the imagination of young adult readers and invited comparison with Tom Sawyer. Equally successful was Seventeen (1916), a nostalgic comedy of adolescence that subsequently inspired a play, two Broadway musicals, and a pair of film adaptations as well as Tarkington’s sequel novel Gentle Julia (1922).

Tarkington broke new artistic ground with The Turmoil (1915), the first novel in his so-called Growth trilogy documenting the changes in urban life during the era of America’s industrial expansion. William Dean Howells, the father of American realism, praised Tarkington’s vivid depiction of the human misery generated by one man’s worship of bigness and materialism. The Magnificent Ambersons (1918), the second work in the series, earned Tarkington the Pulitzer Prize. ‘The Magnificent Ambersons is perhaps Tarkington’s best novel,’ judged Van Wyck Brooks. ‘[It is] a typical story of an American family and town–the great family that locally ruled the roost and vanished virtually in a day as the town spread and darkened into a city.’ The Midlander (1924) concludes the trilogy with the story of a real estate developer who is both a creator and a victim of the country’s new wealth.

Tarkington won his second Pulitzer Prize for Alice Adams (1921), a novel often seen as an extension of the Growth trilogy. The unforgettable portrayal of a small-town social climber whose outlandish attempts to snare a rich husband are both poignant and hilarious, Alice Adams was later made into a film starring Katharine Hepburn. Tarkington’s other memorable books of the period include Women (1925), a cycle of amusing stories about the flourishing social life of suburban housewives, and The Plutocrat (1927), a satire of an American millionaire abroad. In addition he turned out The World Does Move (1928), a volume of autobiographical essays, and Mirthful Haven (1930), a serious novel of manners inspired by his many summers in Kennebunkport, Maine.

In the late 1920s, Tarkington commenced a prolonged battle with failing eyesight and near blindness. After undergoing more than a dozen eye operations he regained partial vision, but he was forced to dictate his work to a secretary. His joy at being able once more to see colors maintained a lifelong passion for collecting art. The entertaining stories Tarkington wrote for the Saturday Evening Post about the art business were published as Rumbin Galleries (1937). In addition he completed Some Old Portraits (1939), a book of essays about his collection, which included works by Titian, Velázquez, and Goya.

During the final years of his life Tarkington again focused on Indiana. In The Heritage of Hatcher Ide (1941) he updated the family sagas of the Growth trilogy, while in Kate Fennigate (1943) he offered another social comedy in the spirit of Alice Adams. In 1945 Tarkington was awarded the prestigious Howells Medal of the American Academy of Arts and Letters.

Booth Tarkington died at his home in Indianapolis following a short illness on May 19, 1946. The Show Piece (1947), his unfinished last novel, profiles a young egoist reminiscent of the George Minafer of The Magnificent Ambersons.
Disambiguation notice

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