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Self-Editing for Fiction Writers, Second Edition: How to Edit Yourself Into Print by Renni Browne

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Surrender None: The Legacy of Gird by Elizabeth Moon

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Member: ladycato

CollectionsYour library (651)

Reviews488 reviews

Tagsfantasy (125), read in 2009 (103), read in 2012 (99), read in 2011 (92), read in 2010 (88), urban fantasy (83), historical fiction (78), no longer own (68), nonfiction (66), science fiction (61) — see all tags

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About my libraryVery diverse. Books are a weakness. Movers hate packing and loading my belongings. As a child, I was obsessed with horses and read everything possible. As a teen, I was heavily into fantasy books. I was genre-addled for a few years but now I think I've embraced my curiosity in all things. I own a large number of discarded books from my hometown library and I'm constantly buying books on Amazon or in thrift stores.

Groups50 Book Challenge, ARC Junkies, Writer-readers

Favorite authorsJim C. Hines, Richard Lederer, C. E. Murphy, Mary Doria Russell (Shared favorites)

Membership LibraryThing Early Reviewers/Member Giveaway

LocationAZ

Emailladycatohotmail.com

Account typepublic, lifetime

URLs http://www.librarything.com/profile/ladycato (profile)
http://www.librarything.com/catalog/ladycato (library)

Member sinceAug 21, 2007

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This from the Afterword in The Oxford Mark Twain version of Personal Recollections of Joan of Arc. Editor Susan K. Harris recommends these titles For Further Reading.

Readers interested in histories of Joan of Arc Should look at William P. Barrett's The Trial of Jeanne d' Arc: Translated into English from the Original Latin and French Documents (n.p.: Gotham House, 1932) and Vita Sackville-West's Saint Joan of Arc (New York: Literary Guild, 1936). Evaluations of Twain's handling of the story can be found in Roger B. Salomon's Twain and the Image of History (New Haven: Yale University Press, 1981), William Searle's The Saint and the Skeptics: Joan of Arc in the Work of Mark Twain, Anatole France, and Bernard Shaw (Detroit: Wayne State University Press, 1976), Susan K. Harris's Mark Twain's Escape from Time: A Study of Patterns and Images (Columbia: University of Missouri Press, 1982), Rolande Ballorain's "Mark Twain's Capers: A Chameleon in King Carnival's Court," in American Novelists Revisited: Essays in Feminist Criticism, ed. Fritz Fleischmann (Boston: G.K. Hall, 1982), and J.D. Stahl's Mark Twain, Culture and Gender: Envisioning America Through Europe (Athens: University of Georgia Press, 1994). Discussions of the New Woman in history and literature can be found in Lloyd Fernando's "New Women" in the Late Victorian Novel (University Park: Pennsylvania State University Press, 1977), Gail Cunningham's The New Woman and the Victorian Novel (New York: Macmillan, 1978), Patricia Marks's Bicycles, Bangs, and Bloomers: The New Woman in the Popular Press (Lexington: University Press of Kentucky, 1990), and Adele Heller and Lois Rudnick, eds., 1915, The Cultural Moment: The New Politics, the New Woman, the New Psychology, the New Art and the New Theatre in America (New Brunswick, N.J.: Rutgers University Press, 1991).

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