Series: Cambridge Studies in French

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1–8 of 53 ( next | show all )

Works (53)

Freud, Proust and Lacan: Theory as Fiction by Malcolm Bowie
Proust: Collected Essays on the Writer and his Art (Cambridge Studies in French) by J. M. Cocking1
The Death of Stephane Mallarme by Leo Bersani2
The Object of Art: The Theory of Illusion in Eighteenth-Century France by Marian Hobson3
Tradition and Desire: From David to Delacroix by Norman Bryson5
Poetry and Fable: Studies in Mythological Narrative in Sixteenth-Century France by Ann Moss6
The Knowledge of Ignorance: From Genesis to Jules Verne by Andrew Martin9
Mallarmé, Manet and Redon: Visual and Aural Signs and the Generation of Meaning by Penny Florence11
The Order of Mimesis: Balzac, Stendhal, Nerval and Flaubert by Christopher Prendergast12
The Unintended Reader: Feminism and Manon Lescaut by Naomi Segal13
Flaubert and the Gift of Speech: Dialogue and Discourse in Four "Modern" Novels by Stirling Haig15
The Limits of Narrative: Essays on Baudelaire, Flaubert, Rimbaud and Mallarme by nathaniel wing16
Sartre and 'Les Temps Modernes' by Howard Davies18
Claude Simon: Writing the Visible by Celia Britton20
Pictorialist Poetics: Poetry and the Visual Arts in Nineteenth-Century France by David H. T. Scott21
Subjectivity and Representation in Descartes: The Origins of Modernity by Dalia Judovitz23
Taste and Ideology in Seventeenth-Century France by Michael Moriarty25
The Seductions of Psychoanalysis: Freud, Lacan and Derrida by John Forrester26
Beckett's Fiction: In Different Words by Leslie Hill29
Baudelaire: Collected Essays, 1953-1988 by F. W. Leakey30
Subjectivity in Troubadour Poetry by Sarah Kay31
French Renaissance Tragedy: The Dramatic Word by Gillian Jondorf32
The Rhetoric of Sexuality and the Literature of the French Renaissance (Cambridge Studies in French) by Lawrence D. Kritzman33
Love Aesthetics of Maurice Scève: Poetry and Struggle34
Politeness and its Discontents: Problems in French Classical Culture by Peter France35
Subjectivity and Subjugation in Seventeenth-Century Drama and Prose by Mitchell Greenberg36
The Graphic Unconscious in Early Modern French Writing by Tom Conley37
Justice and Difference in the Works of Rousseau: Bienfaisance and Pudeur by Judith Still39
System and Writing in the Philosophy of Jacques Derrida by Christopher Johnson40
Politics and Narratives of Birth: Gynocolonization from Rousseau to Zola by Carol A. Mossman41
The Discourse of Enlightenment in Eighteenth-Century France: Diderot and the Art of Philosophizing by Daniel Brewer42
Women Readers and the Ideology of Gender in Old French Verse Romance by Roberta L. Krueger43
Baudelaire and Schizoanalysis: The Socio-Poetics of Modernism by Eugene W. Holland45
Pascal and the Arts of the Mind by Hugh M. Davidson46
Sentimental narrative and the social order in France, 1760-1820 by David Denby47
The Birth of European Romanticism by John Claiborne Isbell49
History and Ideology in Proust by Michael Sprinker50
Symbolist Aesthetics and Early Abstract Art: Sites of Imaginary Space by Dee Reynolds51
Sade and the Narrative of Transgression by David B. Allison52
Gender and Genre in Medieval French Literature by Simon Gaunt53
Fairy Tales, Sexuality, and Gender in France, 1690-1715: Nostalgic Utopias by Lewis C. Seifert55
Surrealist Collage in Text and Image: Dissecting the Exquisite Corpse by Elza Adamowicz56
The Family in Crisis in Late Nineteenth-Century French Fiction (Cambridge Studies in French) by Nicholas White57
Reading Paul Valéry: Universe in Mind by Paul Gifford58
Proust, the Body and Literary Form by Michael R. Finn59
Reading the French Enlightenment: System and Subversion by Julie Candler Hayes60
Simone de Beauvoir, Gender and Testimony by Ursula Tidd61
Literature and Material Culture from Balzac to Proust by Janell Watson62
Gender, Rhetoric, and Print Culture in French Renaissance Writing by Floyd Gray63
Nathalie Sarraute, Fiction and Theory: Questions of Difference by Ann Jefferson64
Writing Marginality in Modern French Literature: From Loti to Genet by Edward J. Hughes67
The Poetry of François Villon: Text and Context by Jane H. M. Taylor68
Michel Leiris: Writing the Self by Seán Hand70

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How do series work?

To create a series or add a work to it, go to a "work" page. The "Common Knowledge" section now includes a "Series" field. Enter the name of the series to add the book to it.

Works can belong to more than one series. In some cases, as with Chronicles of Narnia, disagreements about order necessitate the creation of more than one series.

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What isn't a series?

Series was designed to cover groups of books generally understood as such (see Wikipedia: Book series). Like many concepts in the book world, "series" is a somewhat fluid and contested notion. A good rule of thumb is that series have a conventional name and are intentional creations, on the part of the author or publisher. For now, avoid forcing the issue with mere "lists" of works possessing an arbitrary shared characteristic, such as relating to a particular place. Avoid series that cross authors, unless the authors were or became aware of the series identification (eg., avoid lumping Jane Austen with her continuators).

Also avoid publisher series, unless the publisher has a true monopoly over the "works" in question. So, the Dummies guides are a series of works. But the Loeb Classical Library is a series of editions, not of works.


cinaedus (82), Collectorator (18), drsabs (1)
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