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Series: Case Studies in Contemporary Criticism

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Works (22)

TitlesOrder
The Awakening [Case Studies in Contemporary Criticism] by Kate Chopin
Case Studies in Contemporary Criticism: Wuthering Heights by Emily Brontë
A Companion to James Joyce's Ulysses [Case Studies in Contemporary Criticism] by Margot Norris
The Dead [Case Studies in Contemporary Criticism] by James Joyce
Death in Venice [Case Studies in Contemporary Criticism] by Thomas Mann
Dracula [Case Studies in Contemporary Criticism] by Bram Stoker
Emma [Case Studies in Contemporary Criticism] by Jane Austen
Frankenstein [Case Studies in Contemporary Criticism] by Mary Shelley
Great Expectations [Case Studies in Contemporary Criticism] by Charles Dickens
Gulliver's Travels [Case Studies in Contemporary Criticism] by Jonathan Swift
Hamlet [Case Studies in Contemporary Criticism] by William Shakespeare
Heart of Darkness [Case Studies in Contemporary Criticism] by Joseph Conrad
The House of Mirth [Case Studies in Contemporary Criticism] by Edith Wharton
Howards End [Case Studies in Contemporary Criticism] by E. M. Forster
Jane Eyre [Case Studies in Contemporary Criticism] by Charlotte Brontë
A Portrait of the Artist as a Young Man [Case Studies in Contemporary Criticism] by James Joyce
The Rime of the Ancient Mariner [Case Studies in Contemporary Criticism] by Samuel Taylor Coleridge
The Scarlet Letter [Case Studies in Contemporary Criticism] by Nathaniel Hawthorne
The Secret Sharer [Case Studies in Contemporary Criticism] by Joseph Conrad
The Tempest [Case Studies in Contemporary Criticism] by William Shakespeare
Tess of the D'Urbervilles [Case Studies in Contemporary Criticism] by Thomas Hardy
The Turn of the Screw [Case Studies in Contemporary Criticism] by Henry James

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How do series work?

To create a series or add a work to it, go to a "work" page. The "Common Knowledge" section now includes a "Series" field. Enter the name of the series to add the book to it.

Works can belong to more than one series. In some cases, as with Chronicles of Narnia, disagreements about order necessitate the creation of more than one series.

Tip: If the series has an order, add a number or other descriptor in parenthesis after the series title (eg., "Chronicles of Prydain (book 1)"). By default, it sorts by the number, or alphabetically if there is no number. If you want to force a particular order, use the | character to divide the number and the descriptor. So, "(0|prequel)" sorts by 0 under the label "prequel."

What isn't a series?

Series was designed to cover groups of books generally understood as such (see Wikipedia: Book series). Like many concepts in the book world, "series" is a somewhat fluid and contested notion. A good rule of thumb is that series have a conventional name and are intentional creations, on the part of the author or publisher. For now, avoid forcing the issue with mere "lists" of works possessing an arbitrary shared characteristic, such as relating to a particular place. Avoid series that cross authors, unless the authors were or became aware of the series identification (eg., avoid lumping Jane Austen with her continuators).

Also avoid publisher series, unless the publisher has a true monopoly over the "works" in question. So, the Dummies guides are a series of works. But the Loeb Classical Library is a series of editions, not of works.

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