Series: Los premios Nebula

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Nebula Awards 22: Sfwa's Choices for the Best Science Fiction and Fantasy 1986 (Nebula Awards Showcase (Paperback)) by George Zebrowski1986
Nebula Awards 23 by Michael Bishop1987

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  1. Nebula Awards 24: Sfwa's Choices for the Best Science Fiction and Fantasy, 1988 (Nebula Awards Showcase) by Michael Bishop (1990)
  2. The 1985 Annual World's Best SF by Donald A. Wollheim (1985)
  3. The New Hugo Winners: Award Winning Science Fiction Stories by Isaac Asimov (1989)
  4. The Year's Best Science Fiction: Sixth Annual Collection by Gardner Dozois (1989)
  5. The Best of the Best: 20 Years of the Year's Best Science Fiction by Gardner Dozois (2005)
  6. The Hugo Winners: Volume Three (1971-1975) by Isaac Asimov (1977)
  7. The Science Fiction Hall of Fame, Volume Two B: The Greatest Science Fiction Novellas of All Time by Ben Bova (1973)
  8. The Locus Awards: Thirty Years of the Best in Science Fiction and Fantasy by Charles N. Brown (2004)
  9. Wandering Stars: An Anthology of Jewish Fantasy and Science Fiction by Jack Dann (1974)
  10. Year's Best SF 2 by David G. Hartwell (1997)
  11. The Ascent of Wonder: The Evolution of Hard SF by David G. Hartwell (1994)
  12. Songs of the Dying Earth: Stories in Honor of Jack Vance by George R. R. Martin (2009)
  13. Sagrada by Elia Barceló (1989)
  14. Foundation's Friends: Stories in Honor of Isaac Asimov by Martin H. Greenburg (1989)
  15. The Oxford Book of Science Fiction Stories by Tom Shippey (1992)

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How do series work?

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Works can belong to more than one series. In some cases, as with Chronicles of Narnia, disagreements about order necessitate the creation of more than one series.

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What isn't a series?

Series was designed to cover groups of books generally understood as such (see Wikipedia: Book series). Like many concepts in the book world, "series" is a somewhat fluid and contested notion. A good rule of thumb is that series have a conventional name and are intentional creations, on the part of the author or publisher. For now, avoid forcing the issue with mere "lists" of works possessing an arbitrary shared characteristic, such as relating to a particular place. Avoid series that cross authors, unless the authors were or became aware of the series identification (eg., avoid lumping Jane Austen with her continuators).

Also avoid publisher series, unless the publisher has a true monopoly over the "works" in question. So, the Dummies guides are a series of works. But the Loeb Classical Library is a series of editions, not of works.


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