Series: Philosophy And Literary Theory

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1–8 of 11 ( next | show all )

Works (11)

Autoaesthetics: Strategies of the Self After Nietzsche (Philosophy and Literary Theory) by Stephen Barker
Filming and Judgment: Between Heidegger and Adorno (Philosophy and Literary Theory) by Wilhelm S. Wurzer
The Gravity of Thought (Philosophy and Literary Theory) by Jean-Luc Nancy
Heidegger & the Poets (Philosophy and Literary Theory) by Véronique M. Fóti
Heidegger in Question: The Art of Existing by Robert Bernasconi
How to Read a Myth (Philosophy and Literacy Theory) by William Marderness
The Hyphen : Between Judaism and Christianity (Philosophy and Literary Theory) by Jean-François Lyotard
Kierkegaard and the Art of Irony (Philosophy and Literary Theory) by Roy Martinez
Poetics of Modernity: Toward a Hermeneutic Imagination (Philosophy and Literary Theory) by Richard Kearney
The Split Scene of Reading: Nietzsche/Derrida/Kafka/Bachmann (Control of Nature) by Sabine I. Golz
Toward the Postmodern by Jean-François Lyotard

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Series description


How do series work?

To create a series or add a work to it, go to a "work" page. The "Common Knowledge" section now includes a "Series" field. Enter the name of the series to add the book to it.

Works can belong to more than one series. In some cases, as with Chronicles of Narnia, disagreements about order necessitate the creation of more than one series.

Tip: If the series has an order, add a number or other descriptor in parenthesis after the series title (eg., "Chronicles of Prydain (book 1)"). By default, it sorts by the number, or alphabetically if there is no number. If you want to force a particular order, use the | character to divide the number and the descriptor. So, "(0|prequel)" sorts by 0 under the label "prequel."

What isn't a series?

Series was designed to cover groups of books generally understood as such (see Wikipedia: Book series). Like many concepts in the book world, "series" is a somewhat fluid and contested notion. A good rule of thumb is that series have a conventional name and are intentional creations, on the part of the author or publisher. For now, avoid forcing the issue with mere "lists" of works possessing an arbitrary shared characteristic, such as relating to a particular place. Avoid series that cross authors, unless the authors were or became aware of the series identification (eg., avoid lumping Jane Austen with her continuators).

Also avoid publisher series, unless the publisher has a true monopoly over the "works" in question. So, the Dummies guides are a series of works. But the Loeb Classical Library is a series of editions, not of works.


BogAl (11)
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