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Series: SUNY Series in Postmodern Culture

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Works (33)

TitlesOrder
After the Orgy: Toward a Politics of Exhaustion by Dominic Pettman
Beautiful Chaos: Chaos Theory and Metachaotics in Recent American Fiction by Gordon E. Slethaug
Bodies at Risk: Unsafe Limits in Romanticism and Postmodernism by Robert Burns Neveldine
Bookend: Anatomies of a Virtual Self by Joe Amato
Counterpleasures by Karmen MacKendrick
Critifiction: Postmodern Essays by Raymond Federman
The Culture of Citizenship: Inventing Postmodern Civic Culture by Thomas Bridges
Feast and Folly: Cuisine, Intoxication, and the Poetics of the Sublime by Allen S. Weiss
Fire and Roses: Postmodernity and the Thought of the Body by Carl A. Raschke
From Hegel to Madonna: Towards a General Economy of "Commodity Fetishism" by Robert Miklitsch
Hauntings: Popular Film and American Culture 1990-1992 by Joseph Natoli
High Culture: Reflections on Addiction and Modernity by Anna Alexander
It Looks at You: The Returned Gaze of Cinema by Wheeler Winston Dixon
Kurt Vonnegut's crusade; or, How a postmodern harlequin preached a new kind of humanism by Todd F. Davis
Labyrinths of the Mind: The Self in the Postmodern Age by Daniel R. White
Mail-Orders: The Fiction of Letters in Postmodern Culture by Sunka Simon
Masocriticism by Paul Mann
Memory's Orbit: Film and Culture, 1999-2000 by Joseph P. Natoli
Modernity's Pretenses: Making Reality Fit Reason from Candide to the Gulag by Karlis Racevskis
The Passing of Postmodernism: A Spectroanalysis of the Contemporary by Josh Toth
Passport to Hollywood: Hollywood Films, European Directors by James Morrison
Performing Whiteness: Postmodern Re/Construction in the Cinema by Gwendolyn Audrey Foster
Post-Marxist Theory: An Introduction by Philip Goldstein
Postcolonial Whiteness: A Critical Reader On Race And Empire by Alfred J. Lopez
Postmodernism: Local Effects, Global Flows by Vincent B. Leitch
Productive Postmodernism: Consuming Histories and Cultural Studies by John N. Duvall
Rewriting: Postmodern Narrative and Cultural Critique in the Age of Cloning by Christian Moraru
Spectacular Vernaculars: Hip-Hop and the Politics of Postmodernism by Russell A. Potter
Technologics: Ghosts, the Incalculable, and the Suspension of Animation by Gray Kochhar-Lindgren
Transforming Human Culture: Social Evolution and the Planetary Crisis by Jay Earley
The Transparency of Spectacle: Meditations on the Moving Image by Wheeler Winston Dixon
The Visionary Moment: A Postmodern Critique by Paul Maltby
What We Want Is Free: Generosity and Exchange in Recent Art by Ted Purves

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Series?!

How do series work?

To create a series or add a work to it, go to a "work" page. The "Common Knowledge" section now includes a "Series" field. Enter the name of the series to add the book to it.

Works can belong to more than one series. In some cases, as with Chronicles of Narnia, disagreements about order necessitate the creation of more than one series.

Tip: If the series has an order, add a number or other descriptor in parenthesis after the series title (eg., "Chronicles of Prydain (book 1)"). By default, it sorts by the number, or alphabetically if there is no number. If you want to force a particular order, use the | character to divide the number and the descriptor. So, "(0|prequel)" sorts by 0 under the label "prequel."

What isn't a series?

Series was designed to cover groups of books generally understood as such (see Wikipedia: Book series). Like many concepts in the book world, "series" is a somewhat fluid and contested notion. A good rule of thumb is that series have a conventional name and are intentional creations, on the part of the author or publisher. For now, avoid forcing the issue with mere "lists" of works possessing an arbitrary shared characteristic, such as relating to a particular place. Avoid series that cross authors, unless the authors were or became aware of the series identification (eg., avoid lumping Jane Austen with her continuators).

Also avoid publisher series, unless the publisher has a true monopoly over the "works" in question. So, the Dummies guides are a series of works. But the Loeb Classical Library is a series of editions, not of works.

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