Series: Short Cuts

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Works (54)

Action Movies: The Cinema of Striking Back (Short Cuts (Wallflower)) by Harvey O'Brien
Animation – Genre and Authorship (Short Cuts) by Paul Wells
Avant-Garde Film: Forms, Themes and Passions (Short Cuts) by Michael O'Pray
Bio-pics : a life in pictures by Ellen Cheshire
British Social Realism – From Documentary to Brit Grit (Short Cuts) by Samantha Lay
Cinema and History: Screening the Past (Short Cuts) by Michael Chopra-Gant
Contemporary British Cinema: From Heritage to Horror (Short Cuts) by James Leggott
Costume and Cinema - Dress Codes in Popular Film (Short Cuts) by Sarah Street
Crime Films: Investigating the Scene (Short Cuts) by Kirstin Thompson
Disaster Movies: The Cinema of Catastrophe (Short Cuts) by Stephen Keane
Documentary: The Margins of Reality (Short Cuts) by Paul Ward
Early Cinema: From Factory Gate to Dream Factory (Short Cuts) by Simon Popple
Early Soviet Cinema- Innovation, Ideology and Propaganda (Short Cuts) by David Gillespie
Fantasy Cinema: Impossible Worlds on Screen (Short Cuts) by David Butler
Feminist Film Studies: Writing the Woman into Cinema (Short Cuts) by Janet McCabe
Film and Philosophy: Images of Wisdom (Short Cuts) by Adrian Page
Film and Philosophy: Taking Movies Seriously (Short Cuts) by Daniel C. Shaw
Film Editing: The Art of the Expressive (Short Cuts) by Valerie Orpen
Film Genre: From Iconography to Ideology by Barry Keith Grant
Film Noir: From Berlin to Sin City (Short Cuts) by Mark Bould
Film Programming: Curating for Cinemas, Festivals, Archives (Short Cuts) by Peter Bosma
Film Theory: Creating a Cinematic Grammar (Short Cuts) by Felicity Colman
Film Violence: History, Ideology, Genre (Short Cuts) by James Kendrick
The French New Wave: A New Look (Short Cuts) by Naomi Greene
German expressionist cinema : the world of light and shadow by Ian Roberts
Heritage Film: Nation, Genre and Representation (Short Cuts) by Belén Vidal
The Horror Genre: From Beelzebub to Blair Witch (Short Cuts) by Paul Wells
International Politics and Film: Space, Vision, Power (Short Cuts) by Sean Carter
Melodrama: Genre, Style and Sensibility (Short Cuts) by John Mercer
Mise-en-scene: Film Style and Interpretation (Short Cuts) by John Gibbs
Music in Film: Soundtracks and Synergy (Short Cuts) by Pauline Reay
The Musical: Race, Gender and Performance (Short Cuts) by Susan Smith
New Chinese Cinema – Challenging Representation (Short Cuts) by Sheila Cornelius
New Digital Cinema: Reinventing the Moving Image (Short Cuts) by Holly Willis
New German Cinema: The Images of a Generation (Short Cuts) by Julia Knight
The New Hollywood: From Bonnie and Clyde to Star Wars (Short Cuts) by Peter Kramer
New Korean Cinema: Breaking the Waves (Short Cuts) by Darcy Paquet
New Queer Cinema: Beyond the Celluloid Closet (Short Cuts) by Robin Griffiths
Production Design - Architects of the Screen (Short Cuts) by Jane Barnwell
Psychoanalysis and Cinema: The Play of Shadows (Short Cuts) by Vicky Lebeau
Queer Cinema: Schoolgirls, Vampires, and Gay Cowboys (Short Cuts) by Barbara Mennel
Reading Hollywood: Spaces and Meanings in American Film (Short Cuts) by Deborah Thomas
Religion and Film: Cinema and the Re-Creation of the World (Short Cuts) by S. Brent Plate
Romantic Comedy: Boy Meets Girl Meets Genre (Short Cuts) by Tamar Jeffers McDonald
Scenario : the craft of screenwriting by Tudor Gates
Science Fiction Cinema: From Outerspace to Cyberspace (Short Cuts) by Geoff King
Shakespeare on Film: Such Things as Dreams are Made of (Short Cuts) by Carolyn Jess-Cooke
The Star System: Hollywood's Production of Popular Identities (Short Cuts) by Paul McDonald
Teen Movies: American Youth on Screen (Short Cuts) by Timothy Shary
The Vampire Film: Undead Cinema (Short Cuts) by Jeffrey Weinstock
War Cinema: Hollywood on the Front Line (Short Cuts) by Guy Westwell
The Western Genre: From Lordsburg to Big Whiskey (Short Cuts) by John Saunders
Women's Cinema – The Contested Screen (Short Cuts) by Alison Butler
Italian Neorealism: Rebuilding the Cinematic City (Short Cuts) by Mark Shiel31

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How do series work?

To create a series or add a work to it, go to a "work" page. The "Common Knowledge" section now includes a "Series" field. Enter the name of the series to add the book to it.

Works can belong to more than one series. In some cases, as with Chronicles of Narnia, disagreements about order necessitate the creation of more than one series.

Tip: If the series has an order, add a number or other descriptor in parenthesis after the series title (eg., "Chronicles of Prydain (book 1)"). By default, it sorts by the number, or alphabetically if there is no number. If you want to force a particular order, use the | character to divide the number and the descriptor. So, "(0|prequel)" sorts by 0 under the label "prequel."

What isn't a series?

Series was designed to cover groups of books generally understood as such (see Wikipedia: Book series). Like many concepts in the book world, "series" is a somewhat fluid and contested notion. A good rule of thumb is that series have a conventional name and are intentional creations, on the part of the author or publisher. For now, avoid forcing the issue with mere "lists" of works possessing an arbitrary shared characteristic, such as relating to a particular place. Avoid series that cross authors, unless the authors were or became aware of the series identification (eg., avoid lumping Jane Austen with her continuators).

Also avoid publisher series, unless the publisher has a true monopoly over the "works" in question. So, the Dummies guides are a series of works. But the Loeb Classical Library is a series of editions, not of works.


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