"Modern" Historical Fiction
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I joined the group only today and went poring through the forum for threads about historical fiction set in the current century. As an author who tends to focus on the period from the First World War through the Second and its immediate aftermath, I often feel marginalized within the historical fiction community, where works set in earlier centuries seem to predominate.
I was heartened, therefore, to find books like Night and Rain Falling on Cedars mentioned on some older threads. Is it time to begin fresh on this topic and share some newer or less-known titles? For example, I have not seen Ethan Canin's WWII novel, Carry Me Across the Water, mentioned. I am just beginning to read another novel from this era that came highly recommended, The Glass Room.
Have you others to recommend?
I recently read and thoroughly enjoyed Captain Corelli's Mandolin which is set in Greece during the second World War.
Alan Furst writes excellent espionage novels set in Europe from 1937 to 1945.
The Flavia de Luce mysteries by Alan Bradley are set in the middle of the 20th century in England. For novels set in the US, Loving Frank is the story of Frank Lloyd Wright's affair with Mameh Cheney and takes place in the first 2 decades of the 20th century while Doctorow's wonderful Ragtime is set at the start of the century. Although technically children's books, there are some wonderful WWII books by modern authors such as Once, Then and 'Now' by Morris Gleitzman, The Book Thief by Markus Zusak and The Boy in the Striped Pyjamas by John Boyne. More WWII books aimed at the adult market include The Reader, The Night Watch and anything by Nevil Shute while WWI is covered pretty comprehensively (though not to my taste) by Sebastian Faulks. Those are just the first ones off the top of my head.
Jacqueline Winspear's excellent historical mysteries are set between the wars.
The OP said: I often feel marginalized within the historical fiction community, where works set in earlier centuries seem to predominate
Leaving aside the interesting question of whether there is really such a thing as an historical fiction community (do they all go around in ripped bodices?), I think there might be two reasons for this:
(i) labelling - If you're publishing Sebastian Faulks, Ian McEwan, or someone, you're probably going to label the books "general fiction", even if they have historical settings, because general literary fiction has more chance of getting reviews and media attention than HF
(ii) added value - A modern writer of novels set (say) in the 1930s has to convince me, as a reader, that she can bring something new to the period that I can't get from reading novels written by someone who actually experienced that period - Angela Thirkell, John Steinbeck, Dorothy L. Sayers, Muriel Spark, Evelyn Waugh, Graham Greene, ... - the competition from primary sources is pretty stiff at every level of the market. The way people thought then is close enough to the way we think now for us not to need an interpreter, most of the time: what the HF writer can add might be to highlight an area of life contemporaries weren't aware of, or didn't want to discuss, but there's a limit to how many of those there are.
Herman Wouk's WWII books The Winds of War and War and Remembrance I would recomend to you.The first book the winds of war is one of my favorite books war and remembrance I havent read yet I feel like I am saving it because I dont want the story to end I loved the first one that much lol they both have a special place on my book shelf.I hope you enjoy them if you havent read them yet.
Noho, a crime thriller set in 1930's London: http://www.librarything.com/work/11826110/book/78892171
About the period of ww ii (also pre- and post-) in (Central) Europe: the night soldiers series by Alan Furst:
Night Soldiers (1988)
Dark Star (1991)
The Polish Officer (1995)
The World at Night (1996)
Red Gold (1999)
Kingdom of Shadows (2000)
Blood of Victory (2003)
Dark Voyage (2004)
The Foreign Correspondent (2006)
The Spies of Warsaw (2008)
Spies of the Balkans (2010)
I want to read them all (read sofar only the first five and the last one). They are very atmospheric books, in my opinion even more so than Philip Kerr’s Bernie Gunther series, in which I still have three novels to go. Alan Furst in his series also gives Central-/Eastern Europe its rightful place.
Winter in wartime and the The assault are very good novels about ww ii in Holland, the first one written for YA.
My ‘top’ ww ii novels are History by Elsa Morante and Every Man Dies Alone by Hans Fallada, the first one situated in Rome, the other one in Berlin. Great, great books by authors who lived in the midst of the wreckage of this war themselves.
I concur with the recommendation of Alan Furst. As well as being entertained I found I learned so much from his books.
#19 jnwelch > I agree that Matterhorn is an outstanding book. I hadn't thought of it as "historical fiction" however, although that is perhaps the best category. Having read it, I was under the impression that the book was largely an account of the author's personal experiences in Viet Nam with the names changed. Perhaps not, but no one who was not there could have written such an account of a Marine platoon. And I guess, having served in 'Nam, I don't think of it, yet, as history, although I guess it is, isn't it? It is a raw, nasty look at the war as it was on the tip of the spear, a medley of language, chaos, horror, fear, frustrations and incompetence. It is also a book that, probably, couldn't have been written in its own time due to the need to maintain "political correctness" regarding senior officers and military leaders. It is an outstanding book that Marlantes tried to have published in the early 1970's and was turned down. He worked on it for the next 35 years, fighting PTSD himself during that time, and was finally awarded a publication. It should become a classic unless people are too thin-skinned to read it.
#21 jnwelch > I don't normally care for war novels. Most writers try to tell how it was, and there is really no way. It's not the details, the flash-images, the written descriptions, it's the environment and the weight of it all that simply cannot be transferred in text. I don't like to go back there ...
Having said that, I also just finished Ernie Pyle's War by James Tobin, a biography of the famous news correspondent in WWII that was also excellent. I would normally not read a book like that except that it was a chosen book for a local book discussion group. Pyle kept away from battlefield descriptions for the most part and talked about what he saw and the G.I.s he talked to, a "down-home" type of reporting that he used in his columns. Tobin uses a lot of quotations from Pyle and you can see that, although censorship was tight during WWII, the essence of war was perhaps more easily seen in its effect on Pyle than in the content of his writings. There were numerous quotations from personal correspondence with his editors that are very revealing of the tremendous effect it had on him.
Yes, I am waiting for What It's Like to Go to War to turn up in paperback or I may download it for the Kindle. That would be continuing to violate my avoidance of war novels, but Matterhorn was so good and so defining that I hope Marlantes can come up with a sequel of sorts that isn't just a piggy-back on the success of Matterhorn. I haven't bothered to look at reviews of it yet - far too many books in the hopper to get to it.
#1: Were you talking about Night by Elie Wiesel? I thought that was an autobiography.
I just finished Sarah Waters's The Little Stranger. Set in the 1940's in a crumbling old manor house. Really interesting look at society in the post-war years, particularly how things had changed so quickly for the upper classes. Very good book and rather frightening at times (it may or may not be a supernatural book, like The Turn of the Scew it is ambigious about that), definatly one to read with Halloween coming up!
If you'll include children/YA fiction, there's Rita Williams-Garcia's recent award-winning One Crazy Summer, which I personally prefer, as a coming-of-age story, even above To Kill a Mockingbird (which I find somewhat condescending racially). There's also Mildred Taylor's Roll of Thunder, Hear My Cry (which is in one of my TBR mountains).
And for "biographical fiction" (in case you see that as different from "historical fiction"), there's Victoria Bond's Zora and Me. I do have some reservations about this one, though, as I've noted in an LT review, because I think it tends to "prettify" separate-but-equal.
I suspect you might in fact find a fair bit of African-American historical fiction for children/YA set in the twentieth century.
Reading The Betrayal by Helen Dunmore, a fiction novel set in 1950's Russia.
Another recommendation I would give is A.S. Byatt's The Children's Book which is set in the very early 20th century through to the first world war. It is a wonderful, at times beautiful, at times chilling look at the artistic borgiouse lifestyle of the artists, craftspeople and writers of the period, centring around a female children's book writer and her family. Very good.
I am another one who loves Alan Furst, he captures the Noir feel of late 1930's to early 1940's Europe perfectly.
I also read and loved Matterhorn, it was my top read of last year.
I would recommend both Fatelessness by Imre Kertesz and The Invisible Bridge as excellent novels set during World War II.
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