Our man in Paris: Vincent O'Sullivan
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hello. yes, i have - they constitute pretty much all i have by o'sullivan. thank god gaslight and project gutenberg. nice moniker, by the way - i've enjoyed everything i've read by beerbohm.
As soon as I get a moment (plagued with boredom), I will enter some poems from O'Sullivan's Houses of Sin. It is regretable all his books are still out of print.
I am toying with the idea of making public some his fiction, which I have gathered, here and there.
A taste, from the Gaslight page:
THE BARGAIN OF RUPERT ORANGE
by Vincent O'Sullivan
from A BOOK OF BARGAINS
Leonard Smithers. (1896)
The marvel is, that the memory of Rupert Orange, whose name was a signal for chatter amongst people both in Europe and America not many years ago, has now almost died out. Even in New York where he was born, and where the facts of his secret and mysterious life were most discussed, he is quite forgotten. At times, indeed, some old lady will whisper to you at dinner , that a certain young man reminds her of Rupert Orange, only he is not so handsome; but she is one of those who keep the mere incidents of their past much more brightly polished than the important things of their present. The men who worshipped him, who copied his clothes, his walk, his mode of pronouncing words, and his manner of saying things, stare vaguely when he is mentioned. And the other day at a well-known club I was having some general talk with a man whose black hair is shot with white, when he exclaimed somewhat suddenly: "How little one hears about Rupert Orange now!" and then added: "I wonder what became of him?" As to the first part of this speech I kept my mouth resolutely shut; for how could I deny his saying, since I had lately seen a weed-covered grave with the early moss growing into the letters on the headstone? As to the second part, it is now my business to set forth the answer to that: and I think when the fire begins to blaze it will lighten certain recollections which have become dark. Of course, there are numberless people who never heard the story of Rupert Orange; but there are also crowds of men and women who followed his brilliant life with intense interest, while his shameful death will be in many a one's remembrance.
The knowledge of this case I got over a year ago; and I would have written then, had my hands been free. But there has recently died at Vienna the Countess de Volnay, whose notorious connection with Orange was at one time the subject of every man's bruit. Her I met two years since in Paris, where she was living like a work-woman. I learned that she had sold her house, and her goods she had given to the poor. She was still a remarkable woman, though her great beauty had faded, and despite a restless, terrified manner, which gave one the monstrous idea that she always felt the devil looking over her shoulder. Her hair was white as paper, and yet she was far from the age when women cease to grin in ball-rooms. A great fear seemed to have sprung to her face and been paralyzed there: a fear which could be detected in her shaking voice. It was from her that I learned certain primary facts of this narration; and she cried to me not to publish them till I heard of her death — as a man on the gallows sometimes asks the hangman not to adjust the noose too tight round his neck. I am altogether sure that what Orange himself told her, he never told any one else. I wish I had her running tongue instead of my slow pen, and then I would not be writing slovenly and clumsily, doubtless, for the relation; vainly, I am afraid, for the moral.
Now Rupert Orange lived with his aunt in New York till he was twenty-four years old, and when she died, leaving her entire estate to him, a furious contest arose over the will. Principal in the contest was Mrs. Annice, the wife of a discarded nephew; and she prosecuted the cause with the pertinacity and virulence which we often find in women of thirty. So good a pursuivant did she prove, that she and her husband leaped suddenly from indigence to great wealth: for the Court declared that the old lady had died lunatic; that she had been unduly influenced; and, that consequently her testament was void. But this decision, which raised them up, brought Rupert to the ground. There is no worse fall than the fall of a man from opulence to poverty; and Rupert, after his luxurious rearing, had to undergo this fall. Yet he had the vigour and confidence of the young. His little verses and sonnets had been praised when he was an amateur; now he undertook to make his pen a breadwinner — with the direst results. At first, nothing would do him but the great magazines; and from these, week after week, he received back his really clever articles, accompanied by cold refusals. Then for months he hung about the offices of every outcast paper, waiting for the editor. When at length the editor did come, he generally told Rupert that he had promised all his outlying work to some bar-room acquaintance. So push by push he was brought to his knees; and finally he dared not walk out till nightfall, for fear some of those who knew him in prosperity might witness his destitution.
One night early in December, about six o'clock, he left the mean flat-house on the west side of the city in which he occupied one room, and started (as they say in New York) "up town." The snow had frozen in lumps, and the gas lamps gleamed warmly on it for the man who had not seen a fire in months. When he reached Fifty-ninth Street, he turned east and skirted Central Park till he came to the Fifth Avenue. And here a sudden fancy seized him to walk this street, which shame and pride had kept him off since his downfall. He had not proceeded far, when he was stopped by an old man.
"Can you tell me, sir," says the old man, politely," if this street runs on further than Central Park?"
"Oh, yes," answered Rupert, scraping at his throat; for he had not spoken to a soul for five days, and the phlegm had gathered. "It goes up a considerable distance from here."
"You'll forgive me asking you," went on the ancient. "I am only passing through the city, and I want to find out all I can."
"You're quite welcome," said Orange. "That," he added, pointing, "is St. Luke's Hospital."
They spoke a few more sentences, then as the stranger turned "down town," Rupert fell in with his walk. He did this partly because he was craving for fellowship; partly, too, from that feeling which certain men have — men who have never done anything for themselves in this world, and never will do anything — that distant relations, and even total strangers, are apt at any moment to fling fortunes into their hands. As they proceeded along the avenue, Orange turned to survey his companion. A shrewd wind was blowing, and it tossed the old gentleman's long beard over his shoulder, and ruffled the white hair under his soft hat. His clothes were plain, even shabby; and he had an odd trick of planting his feet on the ground without bending his knees, as though his legs were broomsticks. Orange thought, bitterly enough! how short a time had passed since the days when he would have taken poison as an alternative to walking down the Fifth Avenue with such an associate. Now, they were equal: or indeed the old man was the better off of the two: for if he wore impossible broad-toed boots, Orange had to stamp his feet to keep the cold from striking through his worn-out shoes. What cared he for the criticism of the smart, well-fed "Society" now, when numbers of that far greater society, of which he was one, were starving in garrets! As he thought these things a late afternoon reception began to pour out its crowds, and a young man and a girl, who had known Rupert in the days of his prosperity, came forth and glared with contempt at the two mean passengers. Not a muscle in Rupert's face quivered: he even afforded those two the tribute of a sneer.
When the pair of walkers reached Thirty-fourth Street they switched into Broadway. A silence had fallen between them, and it was in silence they paraded the thoroughfare. Here all was garish light and glare: carriages darted to and fro, restaurants were thronged, theatres ablaze, women smiling: everything told of a great city starting a night of pleasure. Besides the love of pleasure which was his main characteristic, Orange was distinctly gregarious; and the sight of all this joy, which he had once revelled in himself, struck like a knife into his hungry, lonely heart. At that moment he thought he would give his very soul to get some money.
"All these people seem happy," says the old man, suddenly.
"Yes," replied Orange. "They are happy enough!"
The old man caught the reply, and noticed the sour twang in it. He looked up quickly and saw that Rupert's eyes watered. "Why, man," he exclaimed, "I believe you're crying! or perhaps you're cold! Come in here, come right in to the, Hoffman House!" he went on, tugging at Rupert's coat.
Rupert hesitated. The sensitiveness of one who had never taken a favour which he could not repay, held him back. But the desire for warmth and sympathy prevailed, so he entered. The usual crowd of loafers was about the bar, and those who composed it looked scoffingly at Orange's shiny overcoat and time-eaten trousers. Believe me, the man in rags is not half so pitiable as the poor creature who tries to maintain the appearance of a gentleman the man who inks scams by night which grow all white by day who keeps his fingers close pressed to his palm lest the rents in his glove be seen; who walks with his arm across his breast for fear his coat should fly open and proclaim its lack of buttons. Even the waiters looked disparagingly at Orange; and a waiter's jibes, or any flunkey's, are, perhaps, the sorest of all. But the old man, without noticing, sat down at a table and ordered a bottle of champagne. When the wine was brought, the two sat together some time in a muse. Then, of a sudden, the greybeard broke out.
"Wealth!" he cried, staring into Rupert's eyes, "wealth is the only thing worth striving for in this world! Your tub-philosophers may laugh at it, but they only laugh to keep away from themselves a cankering envy and desire which would be more bitter than their present lack. Let any man whom you call a genius arrive at this hotel to-night, and let a millionaire arrive at the same moment, and I'll bet you the millionaire gets the attention every time! A millionaire travels round the earth, and he gets respect everywhere he goes — why? Because he buys it. That's the way to get respect in the nineteenth century — buy it! Do the fine works of art which are sold each year go to the pauper student who worships them? No, sir, they go to the man who has the money) and who shells out the biggest price. I repeat, my young friend, that what's there" (and he slapped his pocket) "is what counts in the struggle of life."
"I agree with you," answered Orange, "that money counts for a great deal."
"A great deal repeated the other, scornfully, being now, perhaps, somewhat warmed with wine. "A great deal! what have you to offer instead? Religion? Ministers are the parasites of rich men. Art? Go into the studio of any friend of yours to-morrow, and see whom he'll speak to first — you, or the man with a cheque in his hand. Why, if a poor man had the brains of Shakespeare, or our Emerson, and was mud-splashed by the carriage wheels of a wealthy woman, the only answer to his protests would be a policeman's 'move on!'"
"I know it! I know it!" cried Orange, in anguish. "I know it fifty times better than you do! I tell you I would sell my whole life now, for one year's perfect enjoyment of riches."
Not one year," said the greybeard, leaning over the table and speaking so intensely that Rupert could hardly follow him. His old face had become ghastly and looked livid in contrast to the white hair. "Not one year, my boy, but five years! Think, only think, of the gloriousness of it all! This evening a despised pauper, to-morrow a rich man! Take courage, make up your mind to yield your life at the end of five years, and in return I will promise you, pledge you, that to-morrow morning you shall be in as sound a financial position as any man in New York."
Now it is strange that this outrageous proposal, made in the, bar-room of an hotel situate in one of the most prosaic cities in the world, did not strike Rupert Orange as at all preposterous. Probably on account of his mystical, dreaming mind, he never took thought to doubt the speaker's sincereness, but at once fell to balancing the advantages and drawbacks of the scheme.
Five years! Before his young eyes they stretched out like fifty years. It did not occur to him (it rarely occurs to any young man) to hark back to the five preceding years and note how few and, swift were the strides which brought him over them to this very day he was living. Five years! They lay before him all silver with, sunshine, as he looked out from his present want and darkness. This was his point of view; and let us never forget this point of', view when we are passing judgment on him. No doubt, if the matter had been placed before a man of wealth, he would have denied it even momentary consideration: but the smell of cooking, is only disgusting to one who has dined; it is the vagrant who sniffs eagerly the air of the kitchen through the iron grating on, the street. For Rupert, at this moment, money meant all the world. He was a man who hated to face the bitter things of life and money included release from insolent creditors, from snubs and flouts, from a small, cold, dark room, and, chief of all! release from that horror which he saw drawing nearer and nearer: the gaol.
"There is one more word to be said," observed the old man, smoothly." Leaving aside the contingency of your starving to death — which, by the way, I think very likely — there is a chance of your being run over by a cart when you leave this hotel. There is an even chance of your contracting some disease during the winter. How would you like to die in a pauper hospital, where the nurses sing as they close a dead man's eyes? Now, what I propose is, that you shall be free from any physical pain for five years."
"If I should accept," said Orange, swirling the wine round in his glass till it creamed and foamed, "I'd desire some slight ills to take the very sweetness out of life." Probably he meant, for fear that when his time came he should hate to die.
He thought again. He was like to a man who arrives suddenly at a mountain village on the feast of the Blessed Sacrament, and loitering in the street with his eyes enchanted by the tawdry decorations and festoons of the houses, forgets to look beyond at the awful mountain standing against the sky, with menacing thunder clouds about its breast. Before Orange's mind a gay and tempting pageant defiled. He thought of the travels he would be able to make, of luxurious palaces, of exquisite banquets, of priceless wines, of laughing, rapturous women. He thought, too, for he was far from being a merely sensuous man, of the first editions he could buy, of the rare gems, of dainty bindings. Sweetest of all were the thoughts, that he would be at his ease to do the best work that it was in him to do, and that he would be powerful enough to wreak his vengeance on his enemies very slowly, inch by inch. With that, like the crack of a rifle shot, came the thought of Mrs. Annice.
He sprang to his feet. "Listen!" he cried, in such a voice that the idlers at the bar turned round for a moment; but observing that no row was in progress to divert them, they fell once more to their drinking. "Listen!" cried Rupert Orange again, gripping the side of the table with one hand and pointing a shaking finger at the old man. "There is one woman alive in this city to-night who has brought me to the degradation which you witness now. She flung me to the ground, she covered me with dust, she crushed me beneath her merciless heel! Give her to me that I may lower her pride! let me see her as abject and despised as the poorest trull that walks the streets, and I swear by God Most High to make the bargain!"
The old man grasped Rupert's cold hand, and pressed it between his own feverishly hot palms. "It is an unusual taste," he murmured, glancing into Rupert's eyes, and smiling faintly.
Orange started, "up town" with a song in his heart. Curiously enough, he had not the slightest doubt about the genuineness of the contract, nor had he the least sorrow for what he had done. It mattered little about snubs and side looks to-night: to-morrow men and women would joyfully begin pawing him and fawning. So happy was he, his blood danced through his veins so merrily, that he ran for three or four blocks; and once he laughed a loud laugh, which caused a policeman to menace him with a club. But this Only brought him more merriment; to-morrow, if he liked, he could laugh from Central Park to Madison Square without molestation.
When he reached the mean flat-house on the west side, there was, as usual, no light in the entrance, and he saw a postman groping among the bells.
"Say, young feller!" began the postman, "do you know if any one by the name of Orange is kickin' around this blamed house?"
"I am he," said Rupert Orange, and held out his hand for the letter.
"Yes, you are answered the postman, derisively. "Now then, come off the roof and shew us the bell."
Rupert indicated the place, and, as soon as the postman had dropped the letter, he whipped out his key, and to the postman's surprise unlocked the box and put the letter in his pocket.
"Well! you see my business is to deliver letters, not to give them away," said the postman, making an official distinction. "When you said you was the man, how was I to know you wasn't givin' me a steer?"
"Oh, that's all right!" replied Rupert. "Good night, my friend."
He went upstairs to his freezing little room, and sat down to think. He would not open the letter yet: his mind was too crowded to admit any new emotion. So for two hours he remained dreaming brilliant and fantastic dreams. Then he tore open the envelope. He was so poor that the gas had been turned off from his room, but by the light of a match he read a communication from Messrs. Daroll and Kettel, the lawyers, setting forth that a distant relative of his had recently died in a town in one of the Southern States, and had left him a fortune of nearly a million dollars. But Rupert knew that this million dollars was only nominal, that money would remain with him as long as he could call life his own.
The charwoman who came into his room next morning, found him asleep in the chair, with the letter open on his knee, and a smile lighting his face. But he was only a pauper, in arrears for his rent, so she struck him smartly between the shoulders with her broom.
"I believe I've been asleep," said Rupert, starting and rubbing his eyes. The woman looked at him sourly, thinking that he would have to take his next sleep in one of the parks. She began to sweep the dust in his direction till he coughed violently.
"You have been very good to me since I've been here, Mrs. Spill," Rupert continued; and, I think, without irony: he had not much idea of irony. He took from his pocket the last five-dollar bill he had in the world and gave it to her. "Please take that for your trouble."
The woman stared at him, as she would have stared had he cut his throat before her eyes. But Orange clapped on his hat and rushed out. He had not even the five cents necessary to travel down town in a horse-car, so he walked the distance to the office of Messrs. Daroll and Kettel, in Pine Street. He approached a fat clerk (who, decked as he was with doubtful jewellery, looked as if he were honouring the office by being in it at all), and asked if Mr. Kettel was within. Now it is something worthy of note, that I have often called on men occupied with difficult texts; or painting pictures; or writing novels; and each one had been able to let go his work at once: while, on the other hand, it is your part to await the pleasure of a clerk, till he has finished his enthralling occupation. True to his breed, the fat man kept Rupert standing before him for about three minutes, till he had elaborately finished a copy of a bill of details; and then looking up, and seeing only a shabby fellow, he asked sharply:—
"Eh? What do you say?"
Rupert repeated his question.
"Yes, I guess he's in, but this is his busy day. You just sit right down there, young man, and he'll see you when he gets good and ready."
The hard knocks which Rupert had received in his contest with the world had taken out of him the self-assertion that goes with wealth: so he sat for half an hour, knowing well, meanwhile, that his clothes were a cause for laughter to the underbred and badly trained clerks. At length he somewhat timidly went over to the desk again
Perhaps if you would be kind enough to take my name into Mr. Kettel ——"
"Oh, look here, make me tired!" exclaimed the fat clerk, irritably. "Didn't I tell you that he you was busy? Now, I don't want to see you monkeying round this desk any more! If you don't want to wait, why the walking's pretty good! —— This young man says he wants to see you," he added, as Mr. Kettel came out of his private room.
"Well, sir, what do you want to-day?" asked Mr. Kettel, with that most offensive tone and air which some misguided men imagine will impress the spectator as a manner for the man of great affairs. "You had better call round some other time; we're not able to attend ——" he was going on, when he happened to look narrowly into Rupert's face, and his manner changed in a second. "Why, my dear boy, how are you! it's so long since I've seen you, that I didnt know at first. And, how you've changed!" he went on, and could not help a glance at Rupert's shabby dress; for he was quite ignoble. Then this remark seeming of questionable taste even to him, he cried heartily: "But come into my private room, and we can have a good long chat!" And in he went, with Rupert at his heels, leaving the fat clerk at gaze.
In a week Rupert was once more dawdling about clubs, and at tending those social functions which go to make up what is called a Season." Above all, he was listening to an appalling variety of apologetic lies. To the average man who said: "We didn't know when on earth you were coming back from Europe, my dear fellow; how did you like it over there?" he could answer with a grave face; but the women were different. One particular afternoon he was at a reception, when he heard a lady near him remark in clear accents to her friend: "You can't think how we missed that dear Mr. Orange while he was away in Africa!" and this struck Rupert as so grotesque that he apparently laughed. Amid this social intercourse, however, he avoided sedulously a meeting with Mrs. Annice; he had decided not to see her for a while. Indeed, it was not till an evening late in February, after dinner, that he took a cab to her house near Washington Square. He found her at home, and had not waited a minute before she came into the room. She was a tall woman, and wonderfully handsome by gaslight; but she had that tiresome habit, which many women have, of talking intensely — in italics, as it were: a habit found generally in women ill brought up-women without control of their feelings, or command of the expression of them.
"My dear, dear Rupert, how glad I am to see you," she exclaimed, throwing a white fluffy cloak off her bare shoulders, and holding out both hands as she glided towards him. "It is so long, that I really thought we were never going to see you again. But I am so glad. And how very fortunate that legacy was for you — just when I suppose you were working fearfully hard. I was quite delighted when I heard of it, and my husband too. He would have been so pleased to have seen you, but he is dining out to-night."
There was a tone of too much hypocrisy about all this, and Rupert made full allowance for it. He chatted in his easy way about his good fortune, and recited some details.
"I suppose there is not the slightest possibility of a flaw in the will?" says Mrs. Annice, regarding him keenly. The lines round her mouth had become hard, but she kept on smiling: she had some traits like Macbeth's wife.
Orange laughed his bright, merry laugh which so few could resist. "Oh no, I think it's all right this time he said, and looked at her steadfastly with his fine eyes.
Mrs. Annice suddenly flushed, and then shuddered. Her heart began to throb, her head to whirl. What was the matter with her? What was this cursed sensation which was mastering her? She, with her self-poise, her deliberateness, her calculation, was, in the flash of an eye, brought to feel towards this man, whom but a moment ago she had hated more than any one in the world, as she had never felt towards man before. It was not love, this wretched thraldom, it was not even admiration; it was a wild desire to abnegate herself, annihilate herself, in this man's personality; to become his bond-woman, the slave of his controlling will. She drove the nails into her palms, and crushed her lips between her teeth, as she rose to her feet and made one desperate try for victory.
"I was just going to the opera when you came in, Rupert," she said; "won't you come in my box?" — and her voice had so changed, there was such a note of tenderness and desire in it, that it seemed as if she had exposed her soul. But even in her disorganised state she was conscious that there would be a certain distinction in appearing at the opera with the re-edified Rupert Orange.
Rupert murmured something about the opera being such a bore, and at that moment the footman announced the carriage.
"Won't you come?" asked Mrs. Annice, standing with her white hand resting on the back of a chair.
"I think not," answered Rupert, with a smile.
She dismissed the carriage. As soon as the servant had gone she tried to make some trivial remark, and, half turning, looked at Orange, who rose. For an instant those two stood gazing into each other's eyes with God knows what hell in their hearts, and then, with a little cry, that was half a sob, she flung her arms about his neck, and pressed her kisses on his lips.
Yesterday afternoon I took from amongst my books a novel of Rupert Orange, and as I turned over the leaves, I fell to pondering how difficult it is to obtain any of his works to-day, while but a few years ago all the world was reading them; and to lose myself in amaze at our former rapturous and enthusiastic admiration of his literary art, his wit, his pathos. For in truth his art is a very tawdry art to my present liking; his wit is rather stale, his pathos a little vulgar. And the charm has likewise gone out of his poetry: even his Chaunt of the Storm-Witch, which we were used to think so melodious and sonorous, now fails to please. To explain the precise effect which his poetry has upon me now, I am forced to resort to a somewhat unhappy figure; I am forced to say that his poetry has an effect on me like sifted ashes! I cannot in the least explain this figure; and if it fails to convey any idea to the reader, I am afraid the failure must be set down to my clumsy writing. And yet what praise we all bestowed on these works of Rupert Orange! How eagerly we watched for them to appear; how we prized them; with what zeal we studied the newspapers for details of his interesting and successful life!
A particular account of that brilliant and successful life it would ill become me to chronicle, even if I were so minded: it was with no purpose of relating his social and literary triumphs, his continual victories during five years in the two fields he had chosen to conquer, that I started to write. But in dwelling on his life, we must not forget to take account of these triumphs. They were very rare, very proud, very precious triumphs, both in Europe and in the United States; triumphs that few men ever enjoy; triumphs which were potent enough to deaden the pallid thought of the curious limits of his life, except on three sombre occasions.
It was on the first night of a new opera at Covent Garden, Orange was in a box with a notable company, and was on the point of leaning over to whisper something amusing to the beautiful Countess of Heston, when of a sudden he shot white, and the smile left his face as if he had received a blow. On the stage a chorus had commenced in a very low tone of passionate entreaty; by degrees it swelled louder and louder, till it burst forth into a tremendous agonised prayer for pity and pardon. As Orange listened, such a dreary sense of the littleness of life, such an awful fear of death, sang through his brain, that he grew sick, and shivered in a cold sweat.
"Why, I'm afraid Mr. Orange is ill exclaimed the Countess.
"No, no!" muttered Orange, groping for his hat. "Only a little faint; want some air! — I tell you I want some air!" he broke out in a voice that was like a frightened cry, as he fumbled with the door of the box.
A certain man with a kind heart followed him into the foyer.
"Can I do anything for you, old chap?"
"Yes; in the name of God leave me alone!" replied Orange and he said it in such a tone, and with a face so frightfully contorted, that those standing about fell back feeling queer, and the questioner returned to the box very gravely, and thought on his soul for the rest of the evening.
But Orange rushed out, and he hailed a hansom, and he drove till the cabman refused to drive any more; and then he walked; and it was not till he found himself on Putney Heath in his evening dress, at half-past twelve the next day, that the devil left him.
About two years after this occurrence he was wandering one Sunday evening in Chelsea, and hearing a church bell ring for the usual service, he decided to enter. As he sat waiting a little girl of four or five, with her mother, came in and sat by him: and Rupert talked to the child in his quaint, winning way, and so won her, that when the service began she continued to cling to his hand. After a while the sermon commenced, and the preacher, taking for his text the words: "And he died," from the fifth chapter of Genesis, tried to set forth the suddenness and unwelcomeness of death, even to the long-lived patriarchs, and its increased suddenness and unwelcomeness to most of us. The sermon I suppose, was dull and commonplace enough, but if the speaker had verily seen into the mind of one of his listeners, the effect could not have been more disastrous. Orange waited till the torture became unbearable, till he could actually feel the horrid, stifling weight of earth pressing him down in his coffin, and keeping him there for ages and ages: then with a heavy groan he started up, and rushed forth with such vehemence, that he knocked down and trampled on the little girl, in his haste to get out of sight of the white faces of people scared at his face, and the child's sad cry was borne to him out in the dark street.
The third occasion on which this sense of despair and loss oppressed him, was at a time when he was near a rugged coast. One stormy day he rode to a certain promontory, and came sudenly in sight of the great sea. As he stood watching a lonely gull, that strained, and swooped, and dipped in the surge, while the rain drizzled, and the wind whined through the long grass, the futility of his life stung him, and he hid his face in his horse's mane and wept.
But sorest of all was the thought that he might really have won a certain fame, an easy fortune, without taking on his back the fardel which, as the months went by, became so heavy. He knew that he had done some work which would have surely gained him distinction, had he but waited. Why did you not have patience his outraged spirit and maimed life seemed to moan; a little more patience!
I must not let you think, however, that he was unhappy. In every detail the promise of the old man was punctiliously carried out. The very maladies which Orange had desired, were twisted to his advantage. Thus, when he was laid up with a sprained ankle at an hotel at Aix-les-Bains, he formed his notorious connection with Gabrielle de Volnay. It was when he was kept for a day in the house by a cold that he wrote his little comedy, Her Ladyship's Dinner — a comedy which at one time, we were all so forward to praise. And on the night upon which his cab was overturned in the Sixth Avenue, New York, and he was badly cut about the head, did he not recognise in the drunken prostitute who cursed him, the erstwhile brilliant Mrs. Annice? Did he not forget his pain in the exquisite knowledge that her curses were of no avail, and flout her jeeringly, brutally? Nay! when an epidemic disease broke out in a certain part of the Riviera, and the foreign population presently fled, he used his immunity from death to hold his ground and tend the sick, and so gave cause to the newspapers to proclaim the courage and devotion of Mr. Orange. And all these fortunate incidents were suddenly brought to completeness by one singular event.
It was on a winter morning, about three o'clock, that he found himself in the district of Kilburn, and noticed a crimson stain on the sky. More from indolence than from anything else he went towards the fire; but when he came in sight of it, he was startled by a somewhat strange thing. For there at a window high up in the blazing house, stood a woman with a baby in her arms, who had clearly been left to a hideous fate on account of the fierceness of the flames. With an abrupt gesture Orange flung off his cloak.
"Where can I find the chief?" he asked a man standing near, "because I'm going up?"
The fellow turned, and seeing Rupert in his evening suit, laughed derisively.
"I say Bill!" he sings out to his mate, "this 'ere bloke says as how he's goin' up!" and the other's scoffing reply struck Rupert's ears as he pushed through the crowd.
By a letter which he carried with him, or some such authority, Orange gained his request; and the next thing that the people saw was a ladder rigged, and the figure of a man ascending through clouds of smoke. Higher and higher he went, while the flames lick and sizzled around him and scared his flesh: higher and higher till he had almost reached the window, and a wild cheer burst from the crowd for such a deed of heroism. But at that moment a long tongue of flame leaped into the sky, the building tottered and then crashed down, and Orange was safely caught by some strong arms, while the woman and child met death within the ruins. Of course this affair was noised abroad the next day; for some weeks Orange, with his hand in a sling, was a picturesque figure in several London drawing-rooms.
Now, which one of us shall say that Orange, with the tested knowledge of his exemption from death, and strong in that knowledge, deliberately did this heroic act to improve his fame, to exalt his honour? I have stated before that we must be cautious in passing judgment on him, and I must again insist on this caution. As for myself, I should be sorry to think that there is no beautiful merciful Spirit to note an unselfish impulse, which took no thought of glory or advertisement, and count it to the man for honesty.
But the time ran, and the years sped, until was come the last month of that fifth year, which meant the end of years for Orange. When in the days of his happiness and strength, he had dwelt on this time at all, he had planned to seek out, on the last day of the year, some mountain crag in Switzerland, and there meet death, coming in the train of the rising sun, with calm and steady eyes. Alas! now to his anguish he felt a desire, which was stronger than his will, tearing at his heart to visit once more the scene of his hardships, to look again on the place where his bargain was concluded. I make certain, from a letter of his which I have seen, that in taking passage for New York, Rupert had no idea of turning aside his doom. The Cambria, on which he sailed, was due to arrive at New York a full week before the end of the year; but she encountered baffling winds and seas, and it was not till the evening of the thirty-first of December that she sighted the light on Fire Island.
As the steamer went at speed towards Sandy Hook, Orange stood alone on the deck, watching the smoke from her funnel rolling seaward: of a sudden he saw rise out of the cloud, the presentment, grim and menacing, of God the Father.
As the Cambria moved up towards the city, on the morning of New Year's Day, a certain frenzy which was half insane, and a fierce loathing of familiar sights — Castle Garden, the spire of Trinity Church — took hold of Orange. He passionately cursed himself for not staying in Europe; he cursed the hour he was born; he cursed, above all! the hour in which he had made that fatal bargain. As soon as the vessel was made fast to the dock, he hastened ashore; and leaving his servant to look after his luggage, he sprang into a hack, and directed the driver to go "up town."
"Where to, boss?" inquired the man, looking at him curiously.
"The Hoffman House," replied Orange, before he thought. Then he cursed himself again, but he did not change the order.
I have said that the driver looked at Orange curiously; and in truth he was a strange sight. All the dignity of his demeanour was gone: his eyes were bloodshot, and his complexion a dirty yellow: he was unshorn, his tic was loose, and his collar open. His terror grew as he passed along the well-known streets: he screamed out hateful, obscene things, rolling about in the vehicle, while moam came from his mouth; and as he arrived at the hotel, in his distraction he drove his hand through the window glass, which cut him into the bone.
"An accident," he panted hoarsely to the porter who opened the door: "a slight accident! God damn you!" he yelled, "can't you see it was an accident?" and he went up the hall to the office, leaving behind him a trail of blood. The clerk at the desk, seeing his disorder, was on the point of refusing him a room; but when Orange wrote his name in the visitor's book, he smirked, and ordered the best set of apartments in the house to be made ready. To these apartments Orange retired, and sat all day in a sort of dull horror. For a sudden death he had in a measure prepared himself: he had made his bargain, he had bought his freedom from the cares which are the burthen of all men and he knew that he must pay the debt: but for some uncertain, treacherous calamity he had not prepared. He was not fool enough to dream that the one to whom the debt was owed would relent: but before his creditor's method of exacting payment he was at a stand. He thought and thought, rubbing his face in his hands, till his head was near bursting: in a sudden spasm he fell off the chair to the floor; and that night he was lying stricken by typhoid fever.
And for weeks he lay with a fiery forehead and blazing eyes, finding the lightest covering too heavy and ice too hot. Even when the known disease seemed to have been subdued, certain strange complications arose which puzzled the physicians: amongst these a painful vomiting which racked the man's frame and left an exhaustion akin to death, and a curious loathly decay of the flesh. This last was so venomous an evil, that one of the nurses having touched the sick man in her ministrations, and neglected to immediately purify herself, within a few hours incontinently deceased. After a while, to assist these enemies of Orange, there came pneumonia. It would seem as though he were experiencing all the maladies from which he had been free during the past five years; for besides his corporal ills he had become lunatic, and he was raving. Those who tended him, used as they were to outrageous scenes, shuddered and held each other's hands when they heard him shriek his curses, and realised his abject fear of death. At times, too, they would hear him weeping softly, and whispering the broken little prayers he had learned in childhood: praying God to save him in this dark hour from the wiles of the devil.
At length, one evening towards the end of March, the mental clearness of Orange somewhat revived, and he felt himself compelled to get up and put on his clothes. The nurse, thinking that the patient was resting quietly, and fearing the shine of the lamp might distress him, had turned it low and gone away for a little: so it was without interruption, although reeling from giddiness, and scorched with fever, that Rupert groped about till he found some garments, and his evening suit. Clad in these, and throwing a cloak over his shoulders, he went downstairs. Those whom he met, that recognised him, looked at him wonderingly and with a vague dread; but he appeared to have his understanding as well as they, and so he passed through the hall without being stopped; and going into the bar, he called for brandy. The bar-tender, to whom he was known, exclaimed in astonishment; but he got no reply from Orange, who, pouring himself out a large quantity of the fiery liquor found it colder than the coldest iced water in his burning frame. When he had taken the brandy, he went into the street. It was a bleak seasonable night, and a bitter frost-rain was falling: but Orange went through it, as if the bitter weather was a not unwelcome coolness, although he shuddered in an ague-fit. As he stood on the corner of Twenty-third Street, his cloak thrown open, the sleet sowing down on his shirt, and the slush which covered his ankles soaking through his thin shoes, a member of his club came by and spoke to him.
"Why, good God! Orange, you don't mean to say you're out on a night like this! You must be much better — eh?" he broke off, for Orange had given him a grey look, with eyes in which there was no speculation; and the man hurried away scared and rather aghast. "These poet chaps are always queer fishes," he muttered uneasily, as he turned into the Fifth Avenue Hotel.
Of the events of terror and horror which happened on that awful night, when a human soul was paying the price of an astonishing violation of the order of the universe, no man shall ever tell. Blurred, hideous, and enormous visions of dives, of hells where the worst scum of the town consorted, of a man who spat on him, of a woman who struck him across the face with her umbrella, calling him the foulest of names — visions such as these, and more hateful than these, presented themselves to Orange, when he found himself, at three o'clock in the morning, standing under a lamp-post in that strange district of New York called" The Village."
The rain had given way to a steady fall of snow: and as he stood there, a squalid harlot, an outcast amongst outcasts, approached, and solicited him in the usual manner.
"Come along — do!" she said, shivering: "We can get a drink at my place."
Receiving no answer. she peered into his face, and gave a cry of loathing and fear.
"Oh, look here!" she said, roughly, coughing down her disgust: "You've been drinking too much, and you've got a load. Come ahead with me and you can have a good sleep."
At that word Orange turned, and gazed at her with a vacant, dreary, silly smile. He raised his hand, and when she shrank away — "Are you afraid of me?" he said, not coarsely, but quietly, even gently, like a man talking in his sleep. Then they went on together, till they came to a dilapidated house close by the river. They entered, and turned into a dirty room lit by a flaring jet of gas.
"Now, dear; let's have some money," says the woman, "and I'll get you a nice drink."
Still no answer from Orange: only that same vacant smile, which was beginning to be horrible.
Give me some money: do you hear!" cried the woman stridently. Then she seized him, and went through his pockets in an accustomed style, and found three cents.
"What the hell do you mean by coming here with only this!" bellowed the woman, holding out the mean coins to Orange. She struck him; but she was very frightened, and went to the stairs.
"Say! Tom — Tommy," she called; "you'd better come down and put this loafer out!"
A great hulking man came down the stairs, and gazed for an instant at Rupert — standing under the gas-jet, with the woman plucking the studs from his shirt. For an instant the man stood, feeling sick and in a sweat; and then, by a great effort, he approached Orange, and seized him by the collar.
"Here, out you go!" he said. "We don't want none of your sort around here!" The man dragged Orange to the street door, and gave the wretch such a powerful shove, that he fell on the pavement, and rolled into the gutter.
And later in the morning, one who passed by the way found him there: dead before the squalid harlot's door.
I would not normally recommend anyone to Kessinger Press reprints (ask and you will receive the rant), but, as Vincent O'Sullivan's books appear to be horribly rare (and expensive) I would recommend picking up a copy of The Green Window, a collection of O'Sullivan's decadent prose poems. I think they are pricing it at $15 or so.
Just finished "Will" by Vincent O'Sullivan. I'm going to have to find some more. Incidentally,
"Will" is in "Great Irish Tales of Horror" by
Haining. Thanks to whoever recommended it.
There's also interesting stories by LeFanu and Hearn that I haven't read.
O’SULLIVAN, VINCENT; pseudonym of Sean O’Suilleabhain, (1872-1940) :
* The Burned House, (ss) The Century Oct 1916
The Mammoth Book of Ghost Stories 2, ed. Richard Dalby, Carroll & Graf 1991
100 Ghastly Little Ghost Stories, ed. Stefan R. Dziemianowicz, Robert Weinberg & Martin H. Greenberg, Barnes & Noble 1993
100 Fiendish Little Frightmares, ed. Stefan Dziemianowicz, Robert Weinberg & Martin H. Greenberg, Barnes & Noble 1997
* The Business of Madame Jahn, (ss) A Book of Bargains, London: Smithers 1896
Ghost and Horror Stories, ed. Anon., Tynron Press 1990
Cenotaph #1 1997
100 Twisted Little Tales of Torment, ed. Stefan Dziemianowicz, Robert Weinberg & Martin H. Greenberg, Barnes & Noble 1998
* A Cold Night, (pm) Poems 1896
Nocturne #2 1989
* The Full Moon, (pm)
Borderland #4 1986
* The Next Room, (ss) The Dublin Magazine Oct 1928 (+2)
The Mammoth Book of Ghost Stories, ed. Richard Dalby, Robinson 1990
The Anthology of Ghost Stories, ed. Richard Dalby, Tiger Books 1994
* When I Was Dead, (ss) A Book of Bargains, London: Smithers 1896
Ghost and Horror Stories, ed. Anon., Tynron Press 1990
Twelve Victorian Ghost Stories, ed. Michael Cox, Oxford Paperbacks 1997
* Will, (ss) The Green Window, Leonard Smithers 1899; Originally in French, “Le Scarabée Funèbre” in the Mercure de France.
Dracula’s Brood, ed. Richard Dalby, Crucible 1987
Great Irish Tales of Horror, ed. Peter Haining, Souvenir Press 1995
100 Tiny Tales of Terror, ed. Robert Weinberg, Stefan R. Dziemianowicz & Martin H. Greenberg, Barnes & Noble 1996
Here are links to more of O'Sullivan's stories and novels:
Anna Vaddock's Fame:
The Green Window:
The Good Girl:
A biographical link:
Just noticed The Supernatural Omnibus by Summers.
I've searched but can't find a TOC. Worth getting?
(I believe the contents of the UK and US editions vary).
Any preference between editions?
The contents between the UK and US editions do vary - check the "Book Details" on my copies":
UK: Contents - with some links to online stories: http://gaslight.mtroyal.ca/omniintr.htm
Here is a link to a "Google Books" scan of Ashley and Contento's The Supernatural Index which compares the contents of the Gollancz and Doubleday editions: http: http://books.google.com/books?id=RPrvLFYwm30C&pg=PA354&lpg=PA354&dq=...
Gracias. The Supernatural Omnibus by Summers looks interesting. Quite a few stories I haven't read.
I think I'll pass on the ebook of SI for only $231.16!
I have been after Bleiler's index for ages, but honestly, if I had the money to afford it, I'd put it toward another title.
16. Me too.
15. 231.16 for an ebook! Indecent!
14. I have the 1974 US reprint of The Supernatural Omnibus. Do I need the UK edition?
Speaking of ebooks. I am currently reading A Pleasing Terror: The Complete Supernatural Writings of M.R. James. This was published in 2001 in a limited edition, which is now very expensive. The kindle download was only 10 bucks. I am very excited to have an opportunity to read all the stories I have not yet read in previous collections. This collection is truly complete with the entire texts of all M.R. James supernatural fiction and other supernatural writings. Best of all I can save my money for a first edition of Ghost Stories of an Antiquary I have my eye on.
Montague Summers and M.R. James were both very interesting fellows and Summers had a very interesting hairstyle.
17: Although there is quite a bit of overlap, there are different stories in each. I prefered the UK edition (I can't remember why now... but there must have been some very good reason ;). Pair up the two ToCs and see if there is anything critical the US edition is lacking.
Yes - the coiffure of a Bavarian alewife. Summers was a fun guy - he claimed to be an ordained priest and had a little cat or dog or something that he said was his "familiar". His gravestone, I think, is inscribed: "Tell me strange things". His own writings are curious enough that I have tried to gather them all.
I checked my toc and couldn't find the difference. I'll try again.
Summers sounds like great company. I'll definitely look him up when I get to the netherworld.
David - I checked my Gollancz reprint (Causeway): the preface mentions that the US edition omits eight stories from the UK edition and introduces six others, one of them, I believe, by Arthur Machen.
Hmmm. Many thanks. I have the Gollancz reprint (Causeway 1974) as well. I'm going to look for a copy of that US edition. On abe it looks like the first US edition was Doubleday 1932. It has a nice skull and crossbones on the spine.
Doubleday is it. For whatever reason, all the various reprintings seem to be the UK edition. Other - and to me preferable - anthologies to look out for are the ones edited by John Gawsworth in the 1930s. I can't recall all the titles, but, if you are interested, just run a search on Gawsworth in my library.
Thanks yet again. I am certainly interested and will search your library, as I have often done in the past, for more information.
The best thing about those anthologies is that they include authors seldom found elsewhere, among others Visiak, and Gawsworth himself (and the many "collaborations" between himself and his regal predecessor M. P. Shiel.
I've already run across some very nice anthologies of fiction and poetry. Interestingly, he inherited the title King of Redonda(styling himself King Juan I) from Sheil, whose father had purchased the title from Queen Victoria. Redonda was once a caribbean island kingdom, but had ceased to exist by that time. Gawsworth granted lesser titles to his friends and had meetings of the Court of Redonda at his home and a local pub.
There is an association copy of his first book of poems, Confessions, with a letter and inscription to Lady Ottoline Morrell, up for sale. It's in sad shape with a detached cover. But I'm seriouly considering picking it up to have rebound as I already own an association copy of Philostratus' Life of Apollonius of Tyana given to Lady Ottoline Morrell by Robert Ross(Oscar's pal).
I had only heard passingly of Gawsworth in connection to Sheil up until now. Thanks for sparking my interest.
That made my day. May he and his god awful paintings burn in hell forever.
I can't believe people are snapping up his crappy art now that he's dead, or, maybe I can.
I have an idea for Damien Hirst when he goes. He could make his last art statement by embalming himself and be displayed in a transparent coffin! ;-)
31: Don't forget the formaldehyde, so he can look like his famous shark.
I've been saying that Kinkade is like Jeff Koons minus the talent. I'm all for "Art for ordinary people" (although that sounds, by turns, condescending and insulting), who knew "ordinary people" have absolutely no taste? Oh wait, these are the same people that re-elected Reagan and bully homosexuals into suicide. Rot in Hell, Kinkade, and glory be to Swinburne and Baron Corvo
A tv news item yesterday estimated that 1 in 20 American homes have a Kinkade painting hanging on the wall. Ordinary people with no taste indeed.
In less-reported news, he apparently had gone bankrupt in 2010 because of being overextended in his storefront galleries, and two independent galleries had successfully sued him for fraud.
Ruben Kinkade? He drove the bus! I did not know he painted, too.
Kinkade is to aesthetics what syphilis is to interpersonal relationships.
36: So, not only good but inevitable that I don't have any Kinkades.
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