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Popol Vuh: The Definitive Edition Of The…
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Popol Vuh: The Definitive Edition Of The Mayan Book Of The Dawn Of Life… (edition 1996)

by Dennis Tedlock

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1,116127,391 (3.78)14
Member:suttonhoo
Title:Popol Vuh: The Definitive Edition Of The Mayan Book Of The Dawn Of Life And The Glories Of
Authors:Dennis Tedlock
Info:Touchstone (1996), Paperback, 384 pages
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Popol Vuh by Quiché Maya

  1. 00
    The Prose Edda by Snorri Sturluson (CGlanovsky)
    CGlanovsky: Creation myths and pantheons
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» See also 14 mentions

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Highly recommended for anyone with an interest in mythology or Mesoamerican literature. ( )
  erinfanning | Mar 24, 2015 |
This was a wonderful read. Not only are these tales deeply allegorical, insightful and truthful but amusing and facinating. I read this three time and then transcribed the entire work. ( )
  jasonsteven1212 | Feb 1, 2015 |
Popol Vuh-
The Mayan creation myths are not just entertaining to read, but provide a fascinating look at Mayan culture and history as well, through the dimly remembered prehistory of the people up until their conquest by the Spanish. Popol Vuh doesn’t merely sketch out a story of creation that occurred in the distant past, it links that creation all the way through the time of the European invasion of the Americas and the effective end of Mayan supremacy; it’s as if the Prose and Poetic Eddas were written while Ragnarok was happening, or if the Greek/Roman myth cycle lasted until the Pantheon was overthrown by the next generation of gods. These mythologies had a story to explain their end, but Popol Vuh is a mythology that lived to see its end.

Popol Vuh is especially interesting as a mythological text because it presents us with gods who are fallible from the beginning. It takes numerous attempts before they successfully make humanity, their failures sometimes surviving in other forms (animals) and other times just falling apart into dirt and mud (nicely illustrating the life lesson that sometimes mistakes can actually be productive, but sometimes they’re just a waste of your time and effort. Too many texts emphasize the first part while failing to grasp the second). If there’s a story where one of the Greek pantheon goes up to Hephaestus and says “please make me this thing” and Hephaestus answers “sorry, I have no idea how to do that” I’m not familiar with it. The Mayan gods are not all powerful either, and much of the first three parts of the text concern the efforts of the gods to outsmart the brutal lords of the underworld using their wits instead of overwhelming force. There is no Zeus equivalent here to thrash the enemies of the pantheon, instead creation and existence are a struggle even for the gods, who can lose contests and die when things don’t go their way. Man is presented as far closer to the divine in the Mayan myths than in most other myth systems, as man serves as the “knower” as well as the “recorder.” It is through man that the acts of the divine can be transcribed and the world understood.

There are numerous parallels in the Popol Vuh to other myths and religions- there’s a great flood, for instance, there’s a point where the divine saviors die and are reborn (though after five days, not three) and are more powerful than ever after death, there is a Babel-like segment where the gods fear the power of man and so they handicap them (though by reducing their sight, not by confusing their language), there’s even a Prometheus character here. The Mayan myths aren’t just lesser shadows of the Western myths, however, as throughout the text the Mayan myths feel alive and visceral in a way that I haven’t seen in a very long time. I read Ovid’s Metamorphoses earlier in the year, and though that is a masterfully constructed and excellently written text, it felt more like a literary endeavor than a work of passionate belief. Perhaps Ovid believed in the Roman gods, perhaps he believed in them quite strongly, but it is clear to me that he doesn’t see them in every sunrise, beneath every rock, living in every shadow and animal and house and ear of corn like the author of the Popol Vuh did. If you like reading mythology there are few if any books I would recommend more highly than the Popol Vuh, which is why I’m giving it five stars (only the second 5-star ranking I’ve given out of the 70 books I’ve read so far this year).

The Dennis Tedlock edition is wonderful. The extensive introduction summarizes the events of the main text, so you never have trouble understanding what’s going on. The extensive notes and glossary mean that not only will you be able to look up anything that you don’t understand or don’t remember, but you can also read about the linguistic nuances of the translation and see an analysis of how the Popol Vuh relates to the Mayan calendar. Finally the book is embellished by many pictures and images taken from Mayan artifacts and art, which help to make the story more vivid and the text feel more vital. I could not name a single way in which the text could be made better.

P.S. I have a theory that Tohil is a death god that somehow survived the earlier age and escaped the underworld slaughter done by Hunahpu and Xbalanque, given that Tohil is first introduced by a Xibalban messenger. Just an idea, but fun to think about.
( )
1 vote BayardUS | Dec 10, 2014 |
The introduction and notes in the edition I read (ISBN 0671617710 ) were an excellent guide to a culture I am fairly ignorant of. Translator Dennis Tedlock did an great job at explaining the nuances of the cultural significance of the myths.

I found it particularly interesting that most of the stories in the Popol Vuh can be linked to specific astronomical/calendrical events. An incredibly complex and sophisticated world-view.

The journeys of the hero-gods into the underworld realm of Xibalba were both funny and horrifyingly grotesque at the same time. Though probably not as horrifying as the semi-historical section towards the end in which the mythic origins of human sacrifice are explained.

Tedlock very generously acknowledges the help he received from contemporary Quiché Maya practitioners, particularly Andrés Xiloj who initiated him as Daykeeper, one who is able to perform divinations using the 260-day ritual calendar of the Maya. ( )
  Michael.Rimmer | Apr 21, 2014 |
Guatemala.

An engrossing religious and historical document, well-contextualized and commented upon by Christenson. Lots of linguistic and explanatory notes, as well as anthropological material. I confess to skimming the lists at the end, but I got the gist.

People are almost Soylent Green, in that they were created from maize. ( )
2 vote OshoOsho | Mar 30, 2013 |
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» Add other authors (15 possible)

Author nameRoleType of authorWork?Status
Quiché Mayaprimary authorall editionsconfirmed
Goetz, DeliaTranslatormain authorall editionsconfirmed
Morley, Sylvanus G.Translatormain authorall editionsconfirmed
Amberni, AnnyTraductionsecondary authorsome editionsconfirmed
Asturias, Miguel ÁngelTranslatorsecondary authorsome editionsconfirmed
Böckler, Carlos GuzmanPréfacesecondary authorsome editionsconfirmed
Baracs, Rodrigo Martínezsecondary authorsome editionsconfirmed
Castledine, David B.Translatorsecondary authorsome editionsconfirmed
Chávez, Adrián I.Translatorsecondary authorsome editionsconfirmed
Christenson, Allen J.Translatorsecondary authorsome editionsconfirmed
Garrote, J.Translatorsecondary authorsome editionsconfirmed
Goetz, DeliaTranslatorsecondary authorsome editionsconfirmed
González de Mendoza, J. M.Translatorsecondary authorsome editionsconfirmed
Karttunen, Helinä.Translatorsecondary authorsome editionsconfirmed
Michael, IbTranslatorsecondary authorsome editionsconfirmed
Morley, Sylvanus G.Translatorsecondary authorsome editionsconfirmed
Morley, Sylvanus G.Forewordsecondary authorsome editionsconfirmed
Nelson, RalphIntroductionsecondary authorsome editionsconfirmed
Nelson, RalphTranslatorsecondary authorsome editionsconfirmed
Ranta, UllaTranslatorsecondary authorsome editionsconfirmed
Recinos, AdriánTranslatorsecondary authorsome editionsconfirmed
Recinos, AdriánIntroductionsecondary authorsome editionsconfirmed
Rugstad, ChristianTranslatorsecondary authorsome editionsconfirmed
Saravia E., AlbertinaTranslatorsecondary authorsome editionsconfirmed
Tedlock, DennisTranslatorsecondary authorsome editionsconfirmed
Tentori, TullioEditorsecondary authorsome editionsconfirmed
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Epigraph
Are 4u ua nuta4alibal, nupresenta
chiquiuach ri nantat, comon chuchkajauib
mu4hulic uleu, mu4hulic poklaj, mu4hulic bak.
Dedication
First words
The first four humans, the first four earthly beings who were truly articulate when they moved their feet and hands, their faces and mouths, and who could speak the very language of the gods, could also see everything under the sky and on the earth.
Quotations
He who makes an enemy of the Earth makes an enemy of his own body.
- (Preface: P.14)
Now it still ripples, now it still murmurs, ripples, it still sighs, still hums, and it is empty under the sky.
- (P.72)
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(Click to show. Warning: May contain spoilers.)
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Haiku summary
The calabash fruit
Is not what it appears to be -
Hunaphu's skull-bone.
- (Michael.Rimmer)

Amazon.com Product Description (ISBN 0684818450, Paperback)

Popol Vuh, the Quiché Mayan book of creation, is not only the most important text in the native languages of the Americas, it is also an extraordinary document of the human imagination. It begins with the deeds of Mayan gods in the darkness of a primeval sea and ends with the radiant splendor of the Mayan lords who founded the Quiché kingdom in the Guatemalan highlands. Originally written in Mayan hieroglyphs, it was transcribed into the Roman alphabet in the sixteenth century.

This new edition of Dennis Tedlock's unabridged, widely praised translation includes new notes and commentary, newly translated passages, newly deciphered hieroglyphs, and over forty new illustrations.

(retrieved from Amazon Thu, 12 Mar 2015 18:13:36 -0400)

(see all 5 descriptions)

Popol Vuh, the Quiche Mayan book of creation, is not only the most important text in the native languages of the Americas, it is also an extraordinary document of the human imagination. It begins with the deeds of Mayan gods in the darkness of a primeval sea and ends with the radiant splendor of the Mayan lords who founded the Quiche kingdom in the Guatemalan highlands. Originally written in Mayan hieroglyphs, it was transcribed into the Roman alphabet in the sixteenth century. This new edition of Dennis Tedlock's unabridged, widely praised translation includes new notes and commentary, newly translated passages, newly deciphered hieroglyphs, and over forty new illustrations.… (more)

(summary from another edition)

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