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Luka and the Fire of Life by Salman Rushdie
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Luka and the Fire of Life

by Salman Rushdie

Other authors: See the other authors section.

Series: Haroun (2)

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5031818,539 (3.72)31
Recently added byljhliesl, jen.e.moore, MMariaSmith, private library, shikha23m, alcottacre
  1. 40
    Haroun and the Sea of Stories by Salman Rushdie (weeksj10)
  2. 21
    Alice's Adventures in Wonderland by Lewis Carroll (weeksj10)
    weeksj10: Rushdie's books focused around the Khalifa family are like a modern day Alice in Wonderland with a spicy bight from its Indian setting. The wordplay, characters, and plot all mirror those of Alice and like Carroll's book Rushdie's can and will be enjoyed by magic lovers of all ages.… (more)
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    The Phantom Tollbooth by Norton Juster (wandering_star)
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English (17)  Dutch (1)  All languages (18)
Showing 1-5 of 17 (next | show all)
The follow-up to Haroun and the Sea of Stories, written for Rushdie’s own younger son, requires Rashid Khalifa’s younger son to undertake his own quest into the Magic World for the Fire of Life, which is all that will save Rashid’s life. Great adventure ensues.
  EverettWiggins | Apr 9, 2013 |
I won a copy of this book off of the First Reads program.

It mixes the typical fairy tale quest elements with video game elements, such as levels and save points. It was an interesting combination, and I'm not sure I've ever seen such a thing done before.

It's also quite punny. It's full of dozens of jokes and the book is lighthearted despite the serious nature of the quest.

Overall, the book was cute and lighthearted. I think that it would really appeal to a pre-teen interested in video games, though they'll need a dictionary for a few of the words. ( )
  Melanti | Mar 30, 2013 |
Salman Rushdie has a reputation for prose that tends to be dense to the point of un-readability. I believe this view has developed solely from The Satanic Verses, which is, admittedly, a difficult read. But lately, Rushdie has published a number of books that are not only eminently readable, but interesting and thoroughly entertaining. His 2010 novel, Luka and the Fire of Life proves this point.

Luka’s father, Rashid, has an unparalleled talent for telling stories. He has created whole worlds full of interesting characters, places, and ideas, which become real for Luca, when he actually travels to “The World of Magic.” One day, Rashid falls into a deep sleep, which puzzles the doctors. Luka, concerned for his father, takes an errant step, and slips into the world his father created. The wraith, Nobodaddy, slowly absorbs Rashid’s life forces, and, should he absorb all of them, he will die. Luka decides if his father dies, his stories, and the world he created, will die with him. The young boy embarks on a classic hero’s journey to steal the fire of life, restore his father to health, and save the World of Magic.

Rushdie has bathed this novel in the art of storytelling. In fact, the entire story is about stories and the lessons they teach us. Luka also fits nicely into Joseph Campbell’s keys to his theory of myth. Luka reluctantly answers the call to adventure, he has helpers and supernatural assistance, he must cross the threshold of The River of Time, he must complete the last leg of his journey alone, and he returns to his home. But will he make it in time to save his father?

Another interesting and fun aspect of this work includes the numerous embedded cultural references that seem way out of time and place in the World of Magic. For example, while looking at “The River of Time,” Luka sees,

“Running along the bank was a white rabbit wearing a waistcoat and looking worriedly at a clock. Appearing and disappearing at various points on both banks was a dark blue British police telephone booth, out of which a perplexed-looking man holding a screw driver would periodically emerge. A group of dwarf bandits could be seen disappearing into a hole in the sky. ‘Time travelers,’ said, Nobodaddy in a voice of gentle disgust. ‘They’re everywhere these days’” (60-61). Alice in Wonderland, Doctor Who, and Monty Python all in one breath. This story can be shared by the whole family.

In fact, this novel is about storytelling, and the importance of myth and imagination. Rushdie does it with style, grace, and a prose so spectacular, he never ceases to amaze me. I have read eight of his eleven novels, and I have the other three which I am eagerly waiting to devour. If you have never read Rushdie, Luka and the Fire of Life is a grand place to start. 5 stars.

--Jim, 1/5/13 ( )
  rmckeown | Jan 27, 2013 |
Luka is a twelve year old boy who loves playing video games. He is worried about his left-handedness in an essentially familiar right-handed world and secretly envies his older brother Haroun, whose adventures have turned into family legend. Stop here. Because now you need to shift yourself from the land of ordinary and adjust in a minutely imagined landscape of the extraordinary packed with riddling demons and benevolent wonderland styled creatures. Welcome to the sequel of Haroun and the Sea of Stories.

Read the complete review at http://www.thebookoutline.com/2013/01/book-review-luka-and-fire-of-life.html ( )
  theBookOutline | Jan 27, 2013 |
This is a deliciously written book with a story you can sink into and drift along on. It is rich with mythological figures and tales, as well as many original characters directly from the author's imagination. Luka and the Fire of Life is whimsical and dreamy, even recalling Alice in Wonderland at certain points. I loved it when a little "white rabbit wearing a waistcoat and looking worriedly at a clock" popped up on the bank of the River of Time, for instance.
There are lots of issues broached that have a universal appeal as well, the main issue being the nature of time. In this book time is represented as a river flowing away from the mists of the past and toward the mists of the future. Luka wrestles with the idea of predestination: does the future already exist so that the course of the river follows a predetermined path? Or can our actions shape, even change, the river's flow? Luka is also told that "...if you want to travel up the River, Memory is the fuel you need." This is a very important concept to plant in the mind of a young reader to help him or her realize that memories are much more than the static remains of the past. Rather, they are the seeds of the future and memories are absolutely vital if a person is to grow and reap knowledge from prior experiences. Towards the end of Luka's journey he begins to reflect on something his father had said that before sounded like nonsense: time is not a constant marching forward, one precise second after another. Rather, it speeds up and slows down depending on what you are doing, and it does not mean the same thing to everybody as each person experiences life differently. There are several other issues presented to the reader for consideration, including whether tyranny is excusable or not if created and maintained in the name of respect, if exemption from consequences when following orders is acceptable or not, and how justifiable the sacrifice of innocents is, even if perceived as benefiting the greater good.
I love how thought-provoking this novel is, particularly for young readers, and that the author brings issues to the forefront that are not usually discussed in Young Adult literature. I also appreciate that he does not neatly resolve each issue, allowing the reader to come to his or her own conclusions.
The only problem a reader may run into is the fact that the story does move a little slowly. It is definitely a book you need to fully immerse yourself in and forget about the page numbers. Simply read it to enjoy the experience and the journey.
Ah yes, one more thing I'd like to share: my favorite passage... "Man is the Storytelling Animal, and...in Stories are his identity, his meaning, and his lifeblood. Do rats tell tales? Do porpoises have narrative purposes? Do elephants ele-phantasize? You know as well as I do that they do not. Man alone burns with books." ( )
  bibliophyte | Jan 17, 2012 |
Showing 1-5 of 17 (next | show all)
To save the day, Luka must enter the World of Magic and bring back the Fire of Life. But, Rushdie seems to be wondering, how caught up can a kid get in Promethean questing when his sense of adventure is increasingly guided by virtual derring-do?
 

» Add other authors (5 possible)

Author nameRoleType of authorWork?Status
Salman Rushdieprimary authorall editionsconfirmed
Bauer, AnnaCover designersecondary authorsome editionsconfirmed
Cunningham, CarolineDesignersecondary authorsome editionsconfirmed
Proksa, RobertIllustratorsecondary authorsome editionsconfirmed
Puttapipat, NirootCover artistsecondary authorsome editionsconfirmed
Schiff, RobbinCover designersecondary authorsome editionsconfirmed
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There was once, in the city of Kahani, in the land of Alilfbay, a boy named Luka who had two pets, a bear named Dog and a dog named Bear, which meant that whenever he called out, "Dog!" the bear waddled up amiably on his hind legs, and when he shouted, "Bear!" the dog bounded toward him, wagging his tail.
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Amazon.com Amazon.com Review (ISBN 0679463364, Hardcover)

Salman Rushdie on Luka and the Fire of Life

There’s a line in Paul Simon’s song St. Judy’s Comet, a sort of lullaby, about his reason for writing it. "If I can’t sing my boy to sleep," he sings, "it makes your famous daddy look so dumb." More than twenty years ago, when my older son Zafar said to me that I should write a book he could read, I thought about that line. Haroun and the Sea of Stories, written in 1989-90, a dark time for me, was the result. I tried to fill it with light and even to give it a happy ending. Happy endings were things I had become very interested in at the time.

When my younger son Milan read Haroun he immediately began to insist that he, too, merited a book. Luka and the Fire of Life is born of that insistence. It is not exactly a sequel to the earlier book, but it is a companion. The same family is at the heart of both books, and in both books a son must rescue a father. Beyond those similarities, however, the two books inhabit very different imaginative milieux.

Haroun and the Sea of Stories was born at a time of crisis in its author’s life and the fictional Haroun’s quest to rescue his father’s lost storytelling skills in a world in which stories themselves are being poisoned was a fable that responded to that crisis.

Luka and the Fire of Life is a response to a different, but equally great, danger: that an older father may not live to see his son grow up. In the earlier book, it was storytelling that was being threatened; in the new one, it is the storyteller who is at risk. Once again, the book grows out of the reality of my own life, and my relationship with a very particular child. Luka is my son Milan’s middle name, just as Haroun is Zafar’s.

As well as the central theme of life and death, Luka explores in, I hope, suitably fabulous and antic fashion, things I have thought about all my life: the relationships between the world of imagination and the "real" world, between authoritarianism and liberty, between what is true and what is phony, and between ourselves and the gods that we create. Younger readers do not need to dwell on these matters. Older readers may, however, find them satisfying.

It has been my aim, in Luka as in Haroun, to write a story that demolishes the boundary between "adult" and "children’s" literature. One way I have thought about Luka and Haroun is that each of them is a message in a bottle. A child may read these books and, I hope, derive from them the pleasures and satisfactions that children seek from books. The same child may read them again when he or she is grown, and see a different book, with adult satisfactions instead of (or as well as) the earlier ones.

I don’t want to end without thanking the boys for whom these books were written and who helped me in their creation with a number of invaluable editorial suggestions. Luka and the Fire of Life has been the most enjoyable writing experience I’ve had since I wrote Haroun and the Sea of Stories. I hope it may prove as enjoyable to read as it was to write.

(Photo © Alberto Conti)

(retrieved from Amazon Fri, 04 Jan 2013 12:26:49 -0500)

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Young Luka travels to the Magic World to steal the Fire of Life needed to bring his storytelling father out of a deep trance.

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