This is a FREAKIN MASTERPIECE. I was expecting a very Jane Austen-ish sort of thing, but it's very different. She has kind of the same wry, ironic, witty voice, but this is no romantic fairy tale. It's realism- it's what happens after the wedding, it's hardships and relationships and some happy endings and some not. It's life. Five stars. Bravo. Standing ovation. ( )

Now THIS is what a novel is supposed to be like...the first 100 pages led me to believe it would be a more intellectually rigorous Jane Austen, focused around the life of Dorothea Brooke and her ill-advised betrothal to the ancient scholar Casaubon. Then George Eliot widened her lens to explore dozens of people in Dorothea's 19th century English village, and although for a while I cried "Stop introducing new characters already!" by page 400 I was wishing the book would never end. The author explores marriage, the life of the mind, the workings of society, the meaning of real virtue, the absurdity of vanity...human character generally. She doesn't spare her characters, but she's compassionate toward them, sees their limitations but does not (quite) condemn them. Thus she is able to create Dorothea as a modern saint, a second St. Theresa, and make her convincing. Read this -- it will teach you what a novel can accomplish...

First thing’s first – I’m a Jane Austen girl. Her timeless novels form the backbone of my reading experiences. Those of you who are familiar with Austen and Eliot’s work will understand that being an Austen girl, it took me a little while to crave the taste for Eliot’s writing. Actually it took me about 5 false starts, but on the 6th attempt to read this classic novel, I was well and truly hooked.

The book is set in the provincial English town of Middlemarch in the early 1800s and it is here that we meet the two central characters, the first being Dorothea Brooke. Dorothea is a beautiful, virtuous young lady whose seeming purity of soul is admired by all those who know her. Dorothea dreams of leading a heroic life and feels she will best attain this by marrying Mr Casaubon - an elderly, stodgy scholar who Dorothea believes is destined for greatness. Dorothea does indeed marry Mr Casaubon, but she soon becomes stifled by his constant study and lack of use for her.

I have to say that I initially disliked Dorothea. I found her almost manic desire to marry Casaubon quite irritating. However, the book soon shows us that despite Dorothea's best laid plans, she is just as misguided and flawed as the rest of us. As a consequence, by the end of the book Dorothea had found her way under my skin and I found myself cheering her on and championing her transformation.

The second dominant character of the book is Tertius Lydgate, a young and ambitious doctor whose affliction for the heroic matches Dorothea's in strength. Lydgate comes to Middlemarch with big plans to change the way medicine is practiced in the region, and early on is very successful. But like Dorothea, Tertius' hasty marriage begins to backfire and his vision soon begins to crumble, as does his life, around him.

Though the book centres around these two characters, it is the support cast that makes this novel so addictive - it has a true sense of community. Whereas Jane Austen is primarily focused on a small number of central characters, Eliot manages to interest us in a whole community of people. We see how the lives of seemingly unimportant characters impact upon the lives of the ones we love, and we see how a community has the uncanny ability to shape people. The narrative is rich, filled with both suspense and drama. It's so delicious, it's almost edible. This is trully one of the best books I have ever read and deserves its' place among the classics. ( )

I had my doubts at several points, just because this book got a little long sometimes, but once I sat down and really READ Middlemarch, it absolutely claimed my heart. (I tore through the final 300 pages in one afternoon!) Eliot speaks so poignantly and truly to human nature that I couldn't help but be taken in by it. The character of Dorothea especially inspired me--and I don't mean that to sound as predictable and trite as it does. Of course such a "good" person would inspire readers... but what I mean is that I admire Eliot's skill in writing her. Not only that, but I admire her skill in creating *less* admirable characters so successfully too: Bulstrode, the Vincy family (in general), and Rosamonde (specifically) among them. I also appreciated Eliot's analysis of marriage, subtly throughout but then more bluntly at the end. Few authors treat the subject as realistically, and yet as hopefully, as she.

The ending was satisfyingly cheerful to me, though I am glad Eliot still included a bit of tragedy to make it seem realistic. (I hate unrealistic stories almost as much as I hate thoroughly tragic ones.) All in all, Middlemarch was as true a story as fiction, I feel, can ever get. ( )

Harold Bloom is right: this is the only novel to rise to the status of wisdom literature! ( )