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Snow by Orhan Pamuk
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by Orhan Pamuk

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3,28962791 (3.59)92
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Amsterdam [etc.] : De Arbeiderspers; 471 p, 23 cm; http://picarta.pica.nl/DB=2.4/PPN?PPN=255907923

Member:wannabook08
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Tags:Turkse literatuur
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English (54)  German (3)  Dutch (2)  Swedish (1)  Italian (1)  Norwegian (1)  All languages (62)
Showing 1-5 of 54 (next | show all)
This is an interesting, highly detailed novel that not only explores a poet's relationships but presents it in the wider view of critical issues in Turkey's history. The backdrop of a play that turns into a coup d'etat attempt in a small Turkish town is facinating and allows diversions to all sorts of characters and situations.
I can't say that I liked this novel as much as Istanbul or My Name is Red but it is still an interesting perspective on Turkey. ( )
  kcaroth1 | Dec 15, 2009 |
A slow, peculiar, and oddly emotional book. Following a Turkish poet as he visits a regional town in eastern Anatolia nominally to do a newspaper article about girls committing suicide, the book takes the reader on a journey through Turkish secular politics, Islamist discontent and the emotional struggles of one atheist Turk rediscovering his conflicted desire to return to the Muslim faith. This is of interest to anyone curious about modern Turkey but, more broadly, to anyone who has felt the conflict between atheism and a longing to believe. Pamuk is a thoughtful, inventive, disconcerting and at times quite funny writer. He writes as if uninterested in human emotion and yet nails those emotions perfectly. ( )
  gregorymose | Nov 27, 2009 |
Orhan Pamuk' s novel is set in the winter of 1992 in the city of Kars in the north-eastern part of Turkey. The story is narrated by Pamuk himself as he tells of the poet journalist Kerim Alakusoglu, known as Ka, who has traveled to this remote town to write about the events surrounding a group of young women who are committing suicide rather than give up their headscarves. This is a very contemporary story of the clash between devout Islamists and the secular state that controls Turkey. Isolating the action in the snowbound town of Kars we learn of the tensions through Ka's interviews with various citizens. Pamuk's narrative style presents a pastiche of events that blend together to form the story with both love and politics coming to the fore. The many surprises and shocks of the story kept me interested and I found new fascination for the contemporary history of Turkey. The translation by Maureen Freely, who has translated several of Pamuk's novels, is excellent. ( )
  jwhenderson | Nov 9, 2009 |
I found this book very challenging and it took me a long time to read it (and even longer to write about it) so this review may not do the novel justice. Snow is about an expatriate poet name Ka who returns to Turkey from Germany ostensibly to write about young Islamic women in the provincial city of Kars who are committing suicide in protest of the secular state's rules against wearing the veil. His ulterior motive is to reunite with Ipek, a beautiful woman he's longed for over many years who is recently divorced. In his time in Kars, the city is isolated by a snow storm and a military coup is staged to round up political Islamists. Ka finds himself in the midst of much political maneuvering and finds himself inspired to write a cycle of poems ending a long dry spell.

There are flashes of humor in the book such as a newspaper publisher who writes stories before they happen (and is often correct) and the the theatricality of political movements is satirized by having an acting company stage the coup during a theater performance. Much of this book though is fairly bleak, with a lot of emptiness, misunderstanding, intrigue, violence, and torture. The symbol of the snow is exploited to make the reader feel trapped as well in the claustrophobic microcosm of Turkish politics and religion. People in this book never really speak or act like people would in real life but instead are often symbolic representations of particular point of view, probably one of the factors the made this a book to read slowly.

Pamuk also kicks the reader in the gut. SPOILER ALERT: Midway through the book Ka finally realizes happiness by making love with Ipek. The very next chapter flashes forward four years to Ka - alone and miserable - being murdered in Frankfurt. Reading the rest of the book knowing that there's not a shred of hope for Ka is all the more challenging. END SPOILER

I found this book an interesting means of learning about the complex nature of modern Turkey. I appreciate Pamuk's literary style, but I can't say I "enjoyed" the book as much as I was unsettled by it.

Favorite Passages:

"The issue is the same for all real poets. If you've been happy too long, you become banal. By the same token, if you've been unhappy for a long time, you lose your poetic powers. . . . Happiness and poetry can only coexist for the briefest time. Afterward either happiness coarsens the poet or the poem is so true it destroys his happiness." - p. 127 ( )
  Othemts | Nov 4, 2009 |
I've been reading this over the last couple of days, a great book. On the surface it is about the author searching out his friend Ka and his lost poems. The author follows Ka from Germany to Kars, where the poet seems to find his muse.

The book also talks of the problems facing Turkey today, on the crossroads of Europe and Asia, not knowing which way to go. Nationalists, Islamists, Modernists, Separatists, Europhobes and Europhiles, an explosive combination together in one small town. ( )
  soffitta1 | Oct 3, 2009 |
Showing 1-5 of 54 (next | show all)
This seventh novel from the Turkish writer Orhan Pamuk is not only an engrossing feat of tale-spinning, but essential reading for our times.
 
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Epigraph
Our interest's on the dangerous edge of things.
The honest thief, the tender murderer,
The superstitious atheist.
- Robert Browning, 'Bishop Blougram's Apology'
Politics in a literary work are a pistol-shot in the middle of a concert, a crude affair though one impossible to ignore. We are about to speak of very ugly matters.
- Stendhal, The Charterhouse of Parma
Well, then, eliminate the people, curtain them, force them to be silent. Because the European Enlightenment is more important than people.
- Feyodor Dostoevsky, Notebooks for The Brothers Karamazov
The Westerner in me was discomposed.
- Joseph Conrad, Under Western Eyes
Dedication
To Ruya
First words
The silence of the snow, thought the man sitting just behind the bus driver. If this were the beginning of a poem, he would have called the thing he felt inside him the silence of the snow.
Quotations
...Heaven was the place where you kept alive the dreams of your memories. (p. 296)
Last words
(Click to show. Warning: May contain spoilers.)
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Wikipedia in English (1)

Snow (novel)

Book description

Amazon.com Product Description (ISBN 0375406972, Hardcover)

From the acclaimed author of My Name Is Red (“a sumptuous thriller”–John Updike; “chockful of sublimity and sin”–New York Times Book Review), comes a spellbinding tale of disparate yearnings–for love, art, power, and God–set in a remote Turkish town, where stirrings of political Islamism threaten to unravel the secular order.

Following years of lonely political exile in Western Europe, Ka, a middle-aged poet, returns to Istanbul to attend his mother’s funeral. Only partly recognizing this place of his cultured, middle-class youth, he is even more disoriented by news of strange events in the wider country: a wave of suicides among girls forbidden to wear their head scarves at school. An apparent thaw of his writer’s curiosity–a frozen sea these many years–leads him to Kars, a far-off town near the Russian border and the epicenter of the suicides.

No sooner has he arrived, however, than we discover that Ka’s motivations are not purely journalistic; for in Kars, once a province of Ottoman and then Russian glory, now a cultural gray-zone of poverty and paralysis, there is also Ipek, a radiant friend of Ka’s youth, lately divorced, whom he has never forgotten. As a snowstorm, the fiercest in memory, descends on the town and seals it off from the modern, westernized world that has always been Ka’s frame of reference, he finds himself drawn in unexpected directions: not only headlong toward the unknowable Ipek and the desperate hope for love–or at least a wife–that she embodies, but also into the maelstrom of a military coup staged to restrain the local Islamist radicals, and even toward God, whose existence Ka has never before allowed himself to contemplate. In this surreal confluence of emotion and spectacle, Ka begins to tap his dormant creative powers, producing poem after poem in untimely, irresistible bursts of inspiration. But not until the snows have melted and the political violence has run its bloody course will Ka discover the fate of his bid to seize a last chance for happiness.

Blending profound sympathy and mischievous wit, Snow illuminates the contradictions gripping the individual and collective heart in many parts of the Muslim world. But even more, by its narrative brilliance and comprehension of the needs and duties

(retrieved from Amazon Fri, 24 Apr 2009 07:58:02 -0400)

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