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The Prague cemetery by Umberto Eco
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The Prague cemetery (original 2010; edition 2011)

by Umberto Eco, Richard Dixon

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2,8161172,067 (3.27)141
Member:jxn
Title:The Prague cemetery
Authors:Umberto Eco
Other authors:Richard Dixon
Info:Boston : Houghton Mifflin Harcourt, 2011.
Collections:Your library, printbooks
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The Prague Cemetery by Umberto Eco (2010)

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» See also 141 mentions

English (75)  Spanish (13)  Dutch (9)  French (6)  Italian (5)  German (3)  Catalan (2)  Swedish (2)  Norwegian (1)  Danish (1)  All (117)
Showing 1-5 of 75 (next | show all)
While i love Eco's writing style this book has just a bit too much italian history for me ( )
  kakadoo202 | May 7, 2017 |
Yes, I have a problem. I know this is my fourth Eco novel in the space of a year. (What did Cecilie begin when she recommended me [b:The Name of the Rose|119073|The Name of the Rose|Umberto Eco|https://d.gr-assets.com/books/1415375471s/119073.jpg|3138328]?) And I already have a copy of [b:Baudolino|10507|Baudolino|Umberto Eco|https://d.gr-assets.com/books/1442271099s/10507.jpg|234717] lined up and ready to go.

This is a great book about forgery and story-telling and the expansion of myth. It feels wrong to call Simonini an author when we know he is a forger, that he is a propagandist more than anything, and yet his obsession with the "scene of the Prague Cemetery" is such a writerly obsession. He is aware of consumption and distortion once a story is released to the world, and he anticipates that. He looks forward to his scene becoming impossible to source because it has been replicated in too many different places. He looks forward to the additions that readers and other propagandists will make as they adjust the story to their frame of reference or their needs. The mention of the Magi, unnamed and unnumbered in the Bible but given widely-accepted names and histories in the centuries after, tells everything about Simonini's mission.

And I wondered if Eco is thinking of his own writing as well. Especially given how Simonini is telling this story over and over, repeating it to reach not just perfection, but also dissemination and popularity. With all of the conspiracies, not to mention the Masons and the sparse mentions of Rosicrucians, one has to think of [b:Foucault's Pendulum|17841|Foucault's Pendulum|Umberto Eco|https://d.gr-assets.com/books/1396645125s/17841.jpg|11221066]. Does Eco fear that he is repeating himself and reusing material? Perhaps that thread of insecurity is coming from me alone, but I think it is a valid writer's worry--especially when they've been accused of already achieving greatness--that every work is merely Variations on a Theme. I think The Prague Cemetery is that, and yet obviously with my endless seeking out of Eco's works, it's not something that I mind. ( )
  likecymbeline | Apr 1, 2017 |
“Revelations have to be out of the ordinary, shocking and fantastical. Only then do they become credible and arouse indignation.” (Chapter 12)
“For my grandfather it was the Jews, for the Jesuits it was the Masons, for my Garibaldian uncle it was the Jesuits, for the kings of half of Europe it was the Carbonari, for my Mazzinian companions it was the king backed by the clergy, for the police throughout half the world it was the Bavarian Illuminati, and so forth.” (Chapter 4)
Complex historical novel; covers 19th century European history. Something like Dan Brown for highbrows. Fictional biography of the author of Protocols of the Elders of Zion, an actual document purportedly about the world wide Jewish conspiracy to control the world that had considerable malign influence in the 20th century, e.g. Nazis and, outside of Europe, reactionaries in the Middle East, Japan and elsewhere. Timely, due to current politico-cultural obsession with conspiracy theories and “false news,” e.g. the satanic Clinton pedophile pizza house ring, anti-vax, etc. Occurs to me it might be easier to follow as a graphic novel. In any case, the book is profusely illustrated with period reproductions.
The first half is summarized handily in chapter 18; bookmark it for reference if you get confused. However, read chapter 4 for the “original” master narrative.
Meta aspects. Fictional story about the origin of an actual document of fabricated history. In the novel, the Prague Cemetery document (the earlier version of the Protocols) is derived from actual novels by Eugene Sue and Alexander Dumas. The fictional author tries to authenticate the fabrication which he is trying to pass off as true by having it vetted by a conspiracy theory novelist, who incorporates the fictional “authentic” document into his conspiracy novel. When the author of the Prague document later offers the document to a representative of the Jesuits, the representative interprets the document as derived from the fictional novel that plagiarized it, and attempts to blackmail the author by threatening to expose it as a plagiarism of the novel that was of course a plagiarism of the original fabrication. Or something like that. Eventually all’s well that ends well, the plagiarist and the blackmailer are eliminated, and the revised document ends up with the Russian secret service for distribution as authentic to the credulous. Eco does not go into the catastrophic results except in a brief entry in the timeline appendix.
A parallel with the metafictional aspect on the political level involves conspiracies within conspiracies: double agents, disinformation, terrorist acts initiated by the government to validate government security measures, the Dreyfus forgery. The source of conspiracies is what structuralists like Eco call a floating signifier: Jews are really Freemasons are really Jesuits are really capitalists are really Satanists are really Protestants are really government agents. The conspiracy merry-go-round can stop anywhere. Although the signifiers can be ridiculous, there is no question that some of conspiracies are authentic, although it is unclear whether the conspiracies come from the top or are initiated by the intelligence agencies independently. ( )
  featherbear | Feb 15, 2017 |
At times it had the feel of an evil Forrest Gump character (He's everywhere!) but I generally enjoyed it. ( )
  heggiep | Jan 4, 2017 |
Umberto Eco says about this book that only the narrator is a fiction and all the other characters from the second half of the 19th century are real people. The events correspond to historical facts. The whole thing reads like a thriller. It tells of Garibaldi's campaign in Sicily, the Dreyfus Afaire, anti-Semitism, the fear of the Masonic lodges and the psychiatric 'mode' of Dr. Freud and his contemporaries.
It starts with the amnesia of the narrator, who decided, therefore, what he has experienced and done to bring in the form of a diary on paper. He suddenly discovered that a second I, which appears in the form of a priest, writes down his memories in this diary, too. This is made great because of the font in the book changes, according as who writes down his thoughts.
It is not only the fears at the time, about Eco writes but also the rapid technological and political changes. ( )
1 vote Ameise1 | May 4, 2016 |
Showing 1-5 of 75 (next | show all)
Eco's mastery of the milieu is evident on every page of "The Prague Cemetery."
 
If the creation of Simone Simonini is meant to suggest that behind the credibility-straining history lurks a sick spirit compounded of equal parts self-serving cynicism and irrational malice, who can argue? And even if the best parts of “The Prague Cemetery” are those he did not invent, Eco is to be applauded for bringing this stranger-than-fiction truth vividly to life.
 
The real story, then, is one that “The Prague Cemetery” hints at but does not for all its polymath erudition manage to capture: our impotence in the face of an obvious forgery, an absurd pastiche against which the ramparts of reason afford astonishingly feeble protection.
added by rab1953 | editHa'Aretz, Benjamin Balint (Nov 17, 2011)
 
Eco’s 19th century shocker has an Italian, Captain Simonini, as the man responsible, the only fictional character in the book. The story involves Freemasons against Catholics, Garibaldi against the Bourbons, Russian spies, German double agents, murky murders, plotting prelates, black masses and orgies. If all this sounds like a richly sensational read, you couldn’t be more wrong.
added by Shortride | editDaily Mail, John Harding (Nov 17, 2011)
 
Simonini’s as disgraceful as they come, and those who feel the need to bond with a narrator will be instantly put off by this novel. But “The Prague Cemetery” isn’t trying to make us feel better about ourselves. It’s meant to remind us of the dangers of complacency and credulousness. It’s meant to be unsettling. And by that measure, it’s a huge success.
 

» Add other authors (20 possible)

Author nameRoleType of authorWork?Status
Eco, Umbertoprimary authorall editionsconfirmed
Arenas Noguera, CarmeTranslatorsecondary authorsome editionsconfirmed
Boeke, YondTranslatorsecondary authorsome editionsconfirmed
Dixon, RichardTranslatorsecondary authorsome editionsconfirmed
Juul Madsen, LorensTranslatorsecondary authorsome editionsconfirmed
Kangas, HelinäTranslatorsecondary authorsome editionsconfirmed
Kroeber, BurkhartTranslatorsecondary authorsome editionsconfirmed
Krone, PattyTranslatorsecondary authorsome editionsconfirmed
Madsen, Lorens JuulTranslatorsecondary authorsome editionsconfirmed
Nordang, AstridTranslatorsecondary authorsome editionsconfirmed
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Epigraph
Since these episodes are necessary, indeed form a central part of any historical account, we have included the execution of one hundred citizens hanged in the public square, two friars burned alive, and the appearance of a comet—all descriptions that are worth a hundred tournaments and have the merit of diverting the reader's mind as much as possible from the principal action.

—Carlo Tenca, La ca' dei cani, 1840
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A passerby on that gray morning in March 1897, crossing, at his own risk and peril, place Maubert, or the Maub, as it was known in criminal circles (formerly a center of university life in the Middle Ages, when students flocked there from the Faculty of Arts in Vicus Stramineus, or rue du Fouarre, and later a place of execution for apostles of free thought such as Étienne Dolet), would have found himself in one of the few spots in Paris spared from Baron Haussmann's devastations, amid a tangle of malodorous alleys, sliced in two by the course of the Bièvre, which still emerged here, flowing out from the bowels of the metropolis, where it had long been confined, before emptying feverish, gasping and verminous into the nearby Seine.
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Op grootse wijze neemt Umberto Eco in zijn nieuwe, grote roman De begraafplaats van Praag de misschien wel meest megalomane eeuw aller tijden onder handen: de negentiende eeuw. Plaatsen van handeling: Turijn, Palermo en Parijs.De geschriftvervalser Simone Simonini is een nauwkeurig observator van zijn eigen tijd. En hij ziet veel: een hysterische sataniste, een abt die twee keer sterft, lijken in een Parijs riool, jezuïeten die samenspannen tegen vrijmetselaars, vrijmetselaars en Mazzinianen die priesters wurgen met hun eigen darmen, de krombenige, aan artrose lijdende Italiaanse held Garibaldi, de bloedbaden tijdens de Parijse Commune van 1871 waar zelfs pasgeboren ratjes worden gegeten, onwelriekende kotten waar tussen de absintdampen bomexplosies en volksopstanden worden voorbereid, nepbaarden, zogenaamde notarissen, valse testamenten, diabolische broederschappen en zwarte missen. Simonini ziet veel, maar hij maakt nog veel meer mee, en bijna als vanzelf wordt hij steeds dieper betrokken in het complot dat zal leiden tot de lasterlijke Protocollen van de Wijzen van Zion, die de gehele twintigste eeuw het antisemitisme zullen aanwakkeren.Maar de vraag is of Simonini er alleen maar zijdelings bij betrokken is. Is zijn invloed niet veel groter? De Protocollen zijn een vervalsing, maar van wie precies?

De begraafplaats van Praag is een aangrijpende en belangrijke roman, die een verontrustend licht werpt op het historische en politieke Europa van de negentiende eeuw, met zijn complotten, aanslagen en samenzweringen.

Umberto Eco (Alessandria, 5 januari 1932) is een van de bekendste en succesvolste schrijvers van Europa. Dertig jaar geleden werd hij wereldberoemd met zijn historische roman De naam van de roos, die miljoenen lezers zou betoveren, en die werd verfilmd met Sean Connery in de hoofdrol. Van De begraafplaats van Praag werden in Italie binnen enkele weken al meer dan een half miljoen exemplaren verkocht, en het boek zal verschijnen in 35 landen.
Płyta CD, format MP3.
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"19th-century Europe--from Turin to Prague to Paris--abounds with the ghastly and the mysterious. Jesuits plot against Freemasons. In Italy, republicans strangle priests with their own intestines. In France, during the Paris Commune, people eat mice, plan bombings and rebellions in the streets, and celebrate Black Masses. Every nation has its own secret service, perpetrating conspiracies and even massacres. There are false beards, false lawyers, false wills, even false deaths. From the Dreyfus Affair to the Protocols of the Elders of Zion, the Jews are blamed for everything. One man connects each of these threads into a massive crazy-quilt conspiracy within conspiracies. Here, he confesses all, thanks to Umberto Eco's ingenious imagination--a thrill-ride through the underbelly of actual, world-shattering events. "--… (more)

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