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Okay for Now by Gary D. Schmidt
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Okay for Now (2011)

by Gary D. Schmidt

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8238711,024 (4.48)50
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Showing 1-5 of 87 (next | show all)
Couldn't put it down. Amazingly wonderful. ( )
  Renee.Brandon | Jul 5, 2014 |
Doug is in middle school. If that isn't bad enough, he lives with an abusive Dad. It looks like his brothers are going to turn out just like their Dad. Unexpected events, a strong main character, and Doug's new friend Lil Spicer help to bring 7th grade to a better ending than beginning. A "must read." ( )
  mcorbink | May 18, 2014 |
Recensione su: http://wp.me/p3X6aw-hV
Review at: http://wp.me/p3X6aw-hV ( )
  Saretta.L | Mar 24, 2014 |
I loved the way that he interweaved Audubon's paintings into the story and made them the foundation and reference point for all the metaphors. The characters were sufficiently complex and likable. I felt myself developing a STRONG dislike for his father in the first couple of chapters and I could really visualize the scene where his mom is delivering all her plants to the neighbors before they move and his dad won't let Doug help. I wanted to scream!! ( )
  msmthom | Mar 16, 2014 |
One good thing about this book is that it included many of the things going in during that time - 1968. Schmidt references the space program, the Vietnam War, baseball, and other facts that place the story in that time.

My only complaint is how the mood of the story - and the mood of Doug, the main character - changes frequently. From dark to bright and back. ( )
  SebastianHagelstein | Mar 8, 2014 |
Showing 1-5 of 87 (next | show all)
Bad-boy Doug Swieteck from The Wednesday Wars (rev. 7/07)—grudgingly respected for his bravado (he knew 410 ways to get a teacher to hate you) but feared because of his bullying older brother—is back in a stand-alone story. Readers meet Doug’s mean-spirited father, a man Doug dislikes but unconsciously emulates. When the family moves upstate after Mr. Swieteck’s temper gets him fired, Doug’s discontent mirrors his father’s. They live in a “stupid” town, in a house Doug christens “The Dump,” and people sit on stoops because there isn’t “any boring thing else to do in boring Marysville.” But what “boring” Marysville, New York, offers Doug is something unexpected: kindness and a future. He gets a part-time job; meets Lil, a sweet love interest; has teachers willing to teach him (as Schmidt gradually reveals, his need is dire); and, above all, is captivated by a book of Audubon bird prints when a caring librarian helps Doug discover a talent for composition and art appreciation. Schmidt incorporates a myriad of historical events from the 1968 setting (the moon landing, a broken brother returning from Vietnam, the My Lai massacre) that make some of the improbable plot turns (the father’s sudden redemption, for example) all the more unconvincing. Still, Doug’s story emerges through a distinctive voice that reflects how one beat-up kid can become a young man who knows that the future holds “so much for him to find.”
added by Ms.Resler | editHorn Guide Review
 
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Joe Pepitone once gave me his New York Yankees baseball cap.
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Amazon.com Amazon.com Review (ISBN 0547152604, Hardcover)

Amazon Exclusive: A Q&A with Author Gary D. Schmidt

Q: Did you always want to become a writer?

A: Nope. In high school, I wanted to go to the Naval Academy at Annapolis and become a career naval officer. Then, late in high school, I wanted to be a vet—mostly because of the James Herriot books and the PBS show, I suppose. Then, in college, I decided to become a lawyer—until my senior year, when I switched to an English major to become a teacher, which I did become. Somehow becoming a writer happened along the way.


Q: What did you read when you were a kid?

A: In my school, we were tracked—meaning that we were put into classes depending on how well we had done in testing. This happened in first grade. I had tested poorly and ended up in the pumpkin group—no kidding. We were the poorest readers, and so since I was told I wasn’t any good at this, I didn’t read much. Then I got taken up by Miss Kabakoff, who just liked me, and who brought me into her class and taught me how to read.

Once that happened, I read everything I could. The Freddy the Pig books, the Doctor Dolittle books, any Greek mythology I could get my hands on, and the Norse mythology that I liked better, the biographies in the Childhood of Famous Americans series, the tales of the Grimm Brothers and Hans Christian Andersen, the Herbert series and the Henry Reed series, Robinson Crusoe and The Swiss Family Robinson, Howard Pyle’s The Adventures of Robin Hood and His Merry Men, Bambi (which is a lot better than most people think it is), anything by Jack London or Jules Verne or H. G. Wells, the Horatio Hornblower books, Treasure Island, and of course the Hardy Boys series and the Tom Swift series, which I collected whenever I could.

Q: How often do you write?

A: Every day I am not teaching—so two or three days a week, and sometimes at night—unless it’s really cold out and the woodstove needs a lot of tending.

Q: How much do you write each day?

A: I work on three projects at a time, and they are all at different stages. One may be a first draft, one may be almost finished, and one might be in proofs—or perhaps just being conceived. I try to write about five hundred words a day on each project. Most American writers—Ernest Hemingway, John Steinbeck, Jack London—all wrote about five hundred words a day. It seems the right pace for me. It keeps me from going too fast at a project.

There are some children’s book writers—like Enid Blyton—who supposedly wrote ten thousand words a day. This seems impossible to me, but even if it is true, one should not judge oneself by the absurd outlier.

Q:Where do you write?

A: I have a study in a small outbuilding away from the house. It has a desk, a lamp, more books than should be in any one room, and a woodstove. I work at a typewriter, and keep lots of scrap paper around me. This means, by the way, that if anything comes out pretty awful, I can just open the woodstove and burn it all. The feeling of relief is remarkable.

On my desk are a dictionary and a thesaurus, books by Emerson and Whittier and Longfellow and Darwin, Henry David Thoreau’s journals, a collection of Churchill’s war speeches, two volumes of Shaker hymns, some Tolkien, some Avi, some Katherine Paterson, some Elie Wiesel, The Giver, and a statue of a greyhound that has been in my family for four generations.

Q:You work at a typewriter?

A: You can’t believe how hard it is to find typewriter ribbons for a 1953 Royal.

Q: Your books often are very serious. Shouldn’t you lighten up?

A: You think life in middle school isn’t serious? Are you kidding?

Living is a serious business. Funny is good, of course. We all like to laugh. But I want more than that. Much more. Nathaniel Hawthorne, in his first great book, called life "a veil of gloom and brightness." We all wish it could be brightness all the time. And maybe for some people it is. I doubt it, but maybe. But there is gloom for us all, too. And maybe books even for kids shouldn’t ignore that. Geez, read Where the Wild Things Are, or Mike Mulligan and His Steam Shovel, or just about any Grimm folktale, or Crow Boy, or Bridge to Terabithia, or Nothing but the Truth, or No, David, or Octavian Nothing, or The Tale of Despereaux, or Stitches, or The Storm in the Barn, and then try to tell me that writers for kids should try not to be too serious.

Q: What is your favorite book that you have written?

A: Hmmm... If I give one title, then all the other books get sort of cranky and jealous, and they start to rearrange themselves loudly at night to push each other off the shelves. Then I have to pick them all up in the morning instead of walking the dogs and then the dogs get irritated and they take their sweet time on the walk so I get back home late and miss most of breakfast and the kids get to school after the bell has rung and the day just goes downhill from there.

Let’s just say they’re all my favorites.

Q:What is your favorite book that you have not written?

A: An easy question. It is The Little World of Don Camillo. There is no other book like it, so sweet, so funny, so moving, sometimes suspenseful. I wish I had written it.

Q:What book are you working on now?

A: Sorry. Writers should never talk about what they’re working on next. It will be done when it’s done, and then I’ll be glad to talk about it. But not now.

(retrieved from Amazon Mon, 30 Sep 2013 14:00:49 -0400)

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While Doug struggles to be more than the thug that his teachers and the police think him to be, he finds an unlikely ally in Lil Spicer, as they explore Audubon's art.

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