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The Forsyte Saga by John Galsworthy
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Showing 1-5 of 15 (next | show all)
A set of three books and two interludes telling the story of the rising Forsyte family from 1880s to the 1920s. The Forsytes are not too distant from their peasant farmer family roots, but have risen in the world to be “upper middle class” affluent Victorian respectability. Nice writing, good characterisation (even if he uses shorthand to remind you of the foible – eg the line for James is always: “no one tells me anything”). Similar people to the Barchester Chronicles, and set only 20 years later, but written 60 years later, and the time tells – there are divorces and unbelievers and much more cynicism than in Trollope. Read June 2008 ( )
  mbmackay | Aug 1, 2009 |
The Forsyte Saga by John Galsworthy tells the story of the end of the 1800s and the early 1900s: the cusp of modernity. The younger generation is sending off the older generation by living outside of the norm, much to the horror of the elderly Forsytes.

Such horror is only understood when one understands the Forsyte family. The Forsytes are atrociously self-conceited and yet cold.Emotions are shunned in favor of practical, reasonable business. The main life goal of the ten Forsytes of the first generation was to propagate money. They are now comfortably upper-middle class and hope the second generation Forsytes keep things that way.

For those Forsytes that do stray from the “right way,” they are sure to be shunned. The Forsyte Saga is their story of life.

Beyond the subject matter, I love Galsworthy’s writing. He writes as if he is not in a hurry: he takes the time to flesh out the characters, including their thoughts and feelings. For, despite the fact that emotion is frowned upon by Forsytes, they certainly have real ones within them. While the entire plot may be considered similar to a soap opera (such as a wife having an affair with her husband’s cousins’ fiancée), Galsworthy writing makes the story real: the social world of the late 1800s becomes real to me as I read.

Thoughts on Man of Property on my blog

Thoughts on In Chancery and To Let on my blog

In the end, The Forsyte Saga was memorable as a look at the changing era at the turn of the century. I loved the first novel, but the second two didn’t quite stack up.

John Galsworthy’s writing carefully captures characters and I loved some of the introspection. On the other hand, it got tedious after 900 pages. If you are interested in experiencing Galsworthy’s writing, I’d highly suggest reading simply The Man of Property, which powerfully sets forth the issues and emotions dealt with during a volatile time of change.
1 vote rebeccareid | Jul 7, 2009 |
I just finished the book recently and have wanted to mull it over. I think this book is a genuine masterpiece because of Galsworthy's fabulous aiblity to reflect societal change in a single family tree. As society shifts, so do the Forsytes, at lest the newer generation at the time. Galsworthy's character development is memorable. As with Dickens, there are certain characters who will live on in my memory, such as Irene, Soames, Timothy, and June, just to name a few. Galsworthy is able to adapt not only characters to the changing times but he adapts setting as well, changing sounds and smells to match the changes in the environment. I will always love the way Soames monitored and predicted the times through his assessment of art. Cold and calculating perhaps, yet prescient as well. ( )
  hemlokgang | May 20, 2009 |
A social satire starring the Forsyte family. Excellent writing but a little hard to follow sometimes because of the number of characters and situations. ( )
  CatieN | Nov 29, 2008 |
While I am not usually a fan of the historical-family-saga I very much enjoyed reading this series. Perhaps that is partly due to the fact that a few years ago I watched the modern TV adaptation (which did cause one problem - the Irene in the TV series has the wrong hair colour!)

The best description I can think of for the writing style is that it is Dickens meets Balzac. There is wry humour, but it is sly and understated. There is melodrama, but it never tips over into hysteria. There are many stereotypes in the book, but this is actually a plus - it makes it easier to follow Galsworthy's intentions and plottings, and he also does us the favour of building in enough twists that the stereotypes are at times up-ended, with interesting results.

The characterisations are very well done - you feel you know the people who act out the story - and Galsworthy does and wonderful job of describing the settings and material 'things' that play such an importance place in these people's lives.

This book is well worth the time it will take to finish - start now! ( )
2 vote ForrestFamily | Jun 24, 2008 |
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Epigraph
book I: the man of property: "...You will answer/ The slaves are ours...." ~ merchant of venice
book II: in chancery: "Two households both alike in dignity, [...] From ancient grudge break to new mutiny." ~ romeo and juliet
book III: to let: "From out the fatal loins of those two foes/ A pair of star-crossed lovers take their life." ~ romeo and juliet
interlude: indian summer of a forsyte: "And summer's lease hath all too short a date." ~ Shakespeare
Dedication
book I: the man of property: TO EDWARD GARNETT
indian summer of a forsyte: TO ANDRE CHEVRILLON
book II: in chancery: TO JESSIE AND JOSEPH CONRAD
book III: to let: TO CHARLES SCRIBNER
First words
Those privileged to be present at a family festival of the Forsytes have seen that charming and instructive sight--an upper middle-class family in full plumage.
Quotations
Other eyes besides the eyes of June and of Soames has seen "those two" (as Euphemia had already begun to call them) coming from the conservatory; other eyes had noticed the look on Bosinney's face.// There are moments when Nature reveals the passion hidden beneath the careless calm of her ordinary moods--violent spring flashing white on almond-blossom through the purple clouds; a snowy, moonlit peak, with its single star, soaring up to the passionate blue; or against the flames of sunset, an old yew-tree standing dark guardian of some fiery secret.// There are moments, too, when in a picture-gallery, a work, noted by a casual spectator as "...Titian-remarkably fine," breaks through the defenses of some Forsyte better lunched perhaps than his fellows, and holds him spellbound in a kind of ecstasy. There are things, he feels--there are things here which--well, there are things. Something unreasoning, unreasonable, is upon him; when he tries to define it with the precision of a practical man, it eludes him, slips away, as the glow of a wine he has drunk is slipping away, leaving him cross, and conscious of his liver. He feels that he has been extravagant, prodigal of something; virtue has gone out of him. He did not desire this glimpse of what lay under the three stars of his catalogue. God forbid that he should know anything about the forces of Nature! God forbid that he should admit for a moment that there are such things! Once admit that, and where was he? One paid a shilling for entrance, and another for the programme.// The look which June had seen, which other Forsytes had seen, was like the sudden flashing of a candle through a hole in some imaginary canvas, behind which it was being moved--the sudden flaming out of a vague, erratic glow, shadowy and enticing. It brought home to onlookers the consciousness that dangerous forces were at work. For a moment they all noticed it with pleasure, with interest, then felt they must not notice it at all.// It supplied, however, the reason of June's coming so late and disappearing again without dancing, without even shaking hands with her lover. She was ill, it was said, and no wonder.// But here they looked at each other guiltily. They had no desire to spread scandal, no desire to be ill-natured. Who would have? And to outsiders no word was breathed, unwritten law keeping them silent.// Then came the news that June had gone to the seaside with old Jolyon. He had carried her off to Broadstairs, for which place there was just then a feeling. Yarmouth having lost caste, in spite of Nicholas, and no Forsyte going to the sea without intending to have to an air for his money such as would render him bilious in a week. That fatally arstocratic tendency of the first Forsyte to drink Madeira had left his descendants undoubtedly accessible.// So June went to the sea. The family awaited developments; there was nothing else to do.// But how far--how far had "those two" gone? How far were they going to go? Could they really be going at all? Nothing could surely come of it, for neither of them had any money. At the most a flirtation, ending, as all such attachments should, at the proper time. (book I: the man of property: part II: chapter IX: evening at richmond)
Of all those whom this strange rumour about Bosinney and Mrs Soames reached, James was the most affected. He had long forgotten how he had hovered, lanky and pale, in side whiskers of chestnut hue, round Emily, in the days of his own courtship. He had long forgotten the small house in the purlieus of Mayfair, where he had spent the early days of his married life, or rather, he had long forgotten the early days, not the small house,--a Forsyte never forgot a house--he had afterwards sold it at a clear profit of four hundred pounds.// He had long forgotten those days with their hopes and fears and doubts about the prudence of the match (for Emily, though pretty, had nothing, and he himself at the time was making a bare thousand a year), and that strange, irresistable attraction which had drawn him on, till he felt he must die if he could not marry the girl with the fair hair, looped so neatly back, the fair arms emerging from a skin-tight bodice, the fair form decorously shielded by a cage of really stupendous circumference.// James had passed through the fire, but he had passed also through the river of years which washes out the fire; he had experienced the saddest experience of all--forgetfulness of what it was like to be in love. Forgotten! Forgotten so long, that he had forgotten even that he had forgotten.// And now this rumour had come upon him, this rumour about his son's wife; very vague, a shadow dodging among the palpable, straightforward appearances of things, unreal, unintelligible as a ghost, but carrying with it, like a ghost, inexplicable terror.// He tried to bring it home to his mind, but it was no more use than trying to apply to himself one of those tragedies he read of daily in his evening paper. He simply could not. There could be nothing in it. It was all their nonsense. She didn't get on with Soames as well as she might, but she was a good little thing--a good little thing!// Like the not inconsiderable majority of men, James relished a nice little bit of scandal, and would say, in a matter-of-fact tone, licking his lips, "Yes, yes--she and young Dyson; they tell me they're living at Monte Carlo!" But the significance of an affair of this sort--of its past, its present, or its future--had never struck him. What it meant, what torture and raptures had gone to its construction, what slow, overmastering fate had lurked within the facts, very naked, sometimes sordid, but generally spicy, presented to his gaze. He was not in the habit of blaming, praising, drawing deductions, or generalizing at all about such things; he simply listened rather greedily, and repeated what he was told, finding considerable benefit from the practice, as from the consumption of a sherryand bitters before a meal.// Now, however, that such a thing--or rather the rumour, the breath of it--had never come near him personally, he felt as in a fog, which filled his mouth full of a bad, thick flavour, and made it difficult to draw breath.// A scandal! A possible scandal!// To repeat this word to himself thus was the only way in which he could focus or make it thinkable. He had forgotten the sensations necessary for understanding the progress, fate, or meaning of any such business; he simply could no longer grasp the possibilities of people running any risk for the sake of passion.// Amongst all those persons of his aquaintance, who went into the City day after day and did their business there, whatever it was, and in their leisure moments bought shares, and houses, and ate dinners, and played games, as he was told, it would have seemed to him ridiculous to suppose that there were any who would run risks for the sake of anything so recondite, so figurative, as passion.// Passion! He seemed, indeed, to have heard of it, and rules such as "A young man and young woman ought never to be trusted together" were fixed in his mind as the parallels of latitude are fixed of a map (for all Forsytes, when it comes to "bed-rock" matters of fact, have quite a fine taste in realism); but as to anything else--well, he could only appreciate it all through the catch-word "scandal."// Ah! but there was no truth in it--could not be. He was not afraid; she was really a good little thing. But there it was when you got a thing like that really into your mind. And James was of a nervous temperament--one of those men whom things will not leave alone, who suffer tortures from anticipation and indecision. For fear of letting something slip that he might otherwise secure, he was physically unable to make up his mind until absolutely certain that, by not making it up, he would suffer loss.// In life, however, there were many occasions when the business of making up his mind did not even rest with himself, and this was one of them. (book I: the man of property: part II: chapter IV: james goes to see for himself)
Nothing in the world is more sure to upset a Forsyte than the discovery that something on which he has stipulated to spend a certain sum has cost more. And this is reasonable, for upon the accuracy of his estimates the whole policy of his life is ordered. If he cannot rely on definite values of property, his compass is amiss; he is adrift upon bitter waters without a helm. (book I: the man of property: part II: chapter XIII: perfection of the house)
For all men of great age, even for all Forsytes, life has had bitter experiences. The passer-by, who sees them wrapped in cloaks of custom, wealth, and comfort, would never suspect that such black shadows had fallen on their roads. (book I: the man of property: part III: chapter VIII: bosinney's departure)
When a man is very old and quite out of the running, he loves to feel secure from the rivalries of youth, for he would still be first in the heart of beauty. (indian summer of a forsyte: I)
Last words
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Amazon.com Product Description (ISBN 0192838628, Paperback)

The three novels which make up The Forsyte Saga chronicle the ebbing social power of the commercial upper-middle class Forsyte family between 1886 and 1920. Galsworthy's masterly narrative examines not only their fortunes but also the wider developments within society, particularly the changing position of women. This is the only critical edition of the work available, with Notes that explain contemporary artistic and literary allusions and define the slang of the time.

(retrieved from Amazon Fri, 24 Apr 2009 07:58:04 -0400)

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