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Information from the Dutch Common Knowledge. Edit to localize it to the English one. | |
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| Epigraph |
book I: the man of property: "...You will answer/ The slaves are ours...." ~ merchant of venice  book II: in chancery: "Two households both alike in dignity, [...] From ancient grudge break to new mutiny." ~ romeo and juliet  book III: to let: "From out the fatal loins of those two foes/ A pair of star-crossed lovers take their life." ~ romeo and juliet  interlude: indian summer of a forsyte: "And summer's lease hath all too short a date." ~ Shakespeare  | |
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| Dedication |
book I: the man of property: TO EDWARD GARNETT  indian summer of a forsyte: TO ANDRE CHEVRILLON  book II: in chancery: TO JESSIE AND JOSEPH CONRAD  book III: to let: TO CHARLES SCRIBNER  To MY WIFE I DEDICATE THE FORSYTE SAGA IN ITS ENTIRETY, BELIEVING IT TO BE OF ALL MY WORK THE LEAST UNWORTHY OF ONE WITHOUT WHOSE ENCOURAGEMENT, SYMPATHY AND CRITICISM I COULD NEVER HAVE BECOME EVEN SUCH A WRITER AS I AM  | |
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| First words |
Those privileged to be present at a family festival of the Forsytes have seen that charming and instructive sight--an upper middle-class family in full plumage.  | |
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| Quotations |
Other eyes besides the eyes of June and of Soames has seen "those two" (as Euphemia had already begun to call them) coming from the conservatory; other eyes had noticed the look on Bosinney's face.// There are moments when Nature reveals the passion hidden beneath the careless calm of her ordinary moods--violent spring flashing white on almond-blossom through the purple clouds; a snowy, moonlit peak, with its single star, soaring up to the passionate blue; or against the flames of sunset, an old yew-tree standing dark guardian of some fiery secret.// There are moments, too, when in a picture-gallery, a work, noted by a casual spectator as "...Titian-remarkably fine," breaks through the defenses of some Forsyte better lunched perhaps than his fellows, and holds him spellbound in a kind of ecstasy. There are things, he feels--there are things here which--well, there are things. Something unreasoning, unreasonable, is upon him; when he tries to define it with the precision of a practical man, it eludes him, slips away, as the glow of a wine he has drunk is slipping away, leaving him cross, and conscious of his liver. He feels that he has been extravagant, prodigal of something; virtue has gone out of him. He did not desire this glimpse of what lay under the three stars of his catalogue. God forbid that he should know anything about the forces of Nature! God forbid that he should admit for a moment that there are such things! Once admit that, and where was he? One paid a shilling for entrance, and another for the programme.// The look which June had seen, which other Forsytes had seen, was like the sudden flashing of a candle through a hole in some imaginary canvas, behind which it was being moved--the sudden flaming out of a vague, erratic glow, shadowy and enticing. It brought home to onlookers the consciousness that dangerous forces were at work. For a moment they all noticed it with pleasure, with interest, then felt they must not notice it at all.// It supplied, however, the reason of June's coming so late and disappearing again without dancing, without even shaking hands with her lover. She was ill, it was said, and no wonder.// But here they looked at each other guiltily. They had no desire to spread scandal, no desire to be ill-natured. Who would have? And to outsiders no word was breathed, unwritten law keeping them silent.// Then came the news that June had gone to the seaside with old Jolyon. He had carried her off to Broadstairs, for which place there was just then a feeling. Yarmouth having lost caste, in spite of Nicholas, and no Forsyte going to the sea without intending to have to an air for his money such as would render him bilious in a week. That fatally arstocratic tendency of the first Forsyte to drink Madeira had left his descendants undoubtedly accessible.// So June went to the sea. The family awaited developments; there was nothing else to do.// But how far--how far had "those two" gone? How far were they going to go? Could they really be going at all? Nothing could surely come of it, for neither of them had any money. At the most a flirtation, ending, as all such attachments should, at the proper time. (book I: the man of property: part II: chapter IX: evening at richmond)  Of all those whom this strange rumour about Bosinney and Mrs Soames reached, James was the most affected. He had long forgotten how he had hovered, lanky and pale, in side whiskers of chestnut hue, round Emily, in the days of his own courtship. He had long forgotten the small house in the purlieus of Mayfair, where he had spent the early days of his married life, or rather, he had long forgotten the early days, not the small house,--a Forsyte never forgot a house--he had afterwards sold it at a clear profit of four hundred pounds.// He had long forgotten those days with their hopes and fears and doubts about the prudence of the match (for Emily, though pretty, had nothing, and he himself at the time was making a bare thousand a year), and that strange, irresistable attraction which had drawn him on, till he felt he must die if he could not marry the girl with the fair hair, looped so neatly back, the fair arms emerging from a skin-tight bodice, the fair form decorously shielded by a cage of really stupendous circumference.// James had passed through the fire, but he had passed also through the river of years which washes out the fire; he had experienced the saddest experience of all--forgetfulness of what it was like to be in love. Forgotten! Forgotten so long, that he had forgotten even that he had forgotten.// And now this rumour had come upon him, this rumour about his son's wife; very vague, a shadow dodging among the palpable, straightforward appearances of things, unreal, unintelligible as a ghost, but carrying with it, like a ghost, inexplicable terror.// He tried to bring it home to his mind, but it was no more use than trying to apply to himself one of those tragedies he read of daily in his evening paper. He simply could not. There could be nothing in it. It was all their nonsense. She didn't get on with Soames as well as she might, but she was a good little thing--a good little thing!// Like the not inconsiderable majority of men, James relished a nice little bit of scandal, and would say, in a matter-of-fact tone, licking his lips, "Yes, yes--she and young Dyson; they tell me they're living at Monte Carlo!" But the significance of an affair of this sort--of its past, its present, or its future--had never struck him. What it meant, what torture and raptures had gone to its construction, what slow, overmastering fate had lurked within the facts, very naked, sometimes sordid, but generally spicy, presented to his gaze. He was not in the habit of blaming, praising, drawing deductions, or generalizing at all about such things; he simply listened rather greedily, and repeated what he was told, finding considerable benefit from the practice, as from the consumption of a sherryand bitters before a meal.// Now, however, that such a thing--or rather the rumour, the breath of it--had never come near him personally, he felt as in a fog, which filled his mouth full of a bad, thick flavour, and made it difficult to draw breath.// A scandal! A possible scandal!// To repeat this word to himself thus was the only way in which he could focus or make it thinkable. He had forgotten the sensations necessary for understanding the progress, fate, or meaning of any such business; he simply could no longer grasp the possibilities of people running any risk for the sake of passion.// Amongst all those persons of his aquaintance, who went into the City day after day and did their business there, whatever it was, and in their leisure moments bought shares, and houses, and ate dinners, and played games, as he was told, it would have seemed to him ridiculous to suppose that there were any who would run risks for the sake of anything so recondite, so figurative, as passion.// Passion! He seemed, indeed, to have heard of it, and rules such as "A young man and young woman ought never to be trusted together" were fixed in his mind as the parallels of latitude are fixed of a map (for all Forsytes, when it comes to "bed-rock" matters of fact, have quite a fine taste in realism); but as to anything else--well, he could only appreciate it all through the catch-word "scandal."// Ah! but there was no truth in it--could not be. He was not afraid; she was really a good little thing. But there it was when you got a thing like that really into your mind. And James was of a nervous temperament--one of those men whom things will not leave alone, who suffer tortures from anticipation and indecision. For fear of letting something slip that he might otherwise secure, he was physically unable to make up his mind until absolutely certain that, by not making it up, he would suffer loss.// In life, however, there were many occasions when the business of making up his mind did not even rest with himself, and this was one of them. (book I: the man of property: part II: chapter IV: james goes to see for himself)  Nothing in the world is more sure to upset a Forsyte than the discovery that something on which he has stipulated to spend a certain sum has cost more. And this is reasonable, for upon the accuracy of his estimates the whole policy of his life is ordered. If he cannot rely on definite values of property, his compass is amiss; he is adrift upon bitter waters without a helm. (book I: the man of property: part II: chapter XIII: perfection of the house)  For all men of great age, even for all Forsytes, life has had bitter experiences. The passer-by, who sees them wrapped in cloaks of custom, wealth, and comfort, would never suspect that such black shadows had fallen on their roads. (book I: the man of property: part III: chapter VIII: bosinney's departure)  When a man is very old and quite out of the running, he loves to feel secure from the rivalries of youth, for he would still be first in the heart of beauty. (indian summer of a forsyte: I)  By the cigars they smoke, and the composers they love, ye shall know the texture of men's souls. (indian summer of a forsyte: I)  Even grief sobbed itself out in time; only Time was good for sorrow--Time who saw the passing of each mood, each emotion in turn; Time the layer-to-rest. (indian summer of a forsyte: I)  "Love has no age, no limit, and no death." (indian summer of a forsyte: II)  I didn't care whether I lived or died. When you're like that, Fate ceases to want to kill you. (indian summer of a forsyte: II)  Faust in the opera had bartered his soul for some fresh years of youth. Morbid notion! No such bargain was possible, that was _real_ tragedy! No making oneself new again for love or life or anything. Nothing left to do but enjoy beauty from afar off while you could, and leave something in your Will. (indian summer of a forsyte: III)  A marvellous cruelly strong thing was life when you were old and weak; it seemed to mock you with its multitude of forms and its beating vitality. (indian summer of a forsyte: V)  To be ashamed of his own father is perhaps the bitterest experience a young man can go through. (book II: in chancery: part I: chapter II: exit a man of the world)  "People who don't _live_ are wonderfully preserved." (book II: in chancery: part I: capter VIII: jolyon prosecutes trusteeship)  Passing into the picture gallery, as it was still called, he saw Irene standing over by the window. She came towards him saying: "I've been trespassing; I came up through the coppice and garden. I always used to come that way to see Uncle Jolyon." "You couldn't trespass here," replied Jolyon; "history makes that impossible. I was just thinking of you." Irene smiled. And it was as if something shone through; not mere spirituality--serener, completer, more alluring. "History!" she answered; "I once told Uncle Jolyon that love was for ever. Well, it isn't. Only aversion lasts." Jolyon stared at her. Had she got over Bosinney at last? "Yes!" he said, "aversion's deeper than love or hate because it's a natural product of the nerves, and we don't change _them._" "I came to tell you that Soames has been to see me. He said a thing that frightened me. He said: 'You are still my wife'!" "What!" ejaculated Jolyon. "You ought not to live alone." And he continued to stare at her, afflicted by the thought that where Beauty was, nothing ever ran quite straight, which, no doubt, was why so many people looked on it as immoral. (book II: in chancery: part I: chapter XIII: jolyon finds out where he is)  From where he sat he could see a cluster of apple-trees in blossom. Nothing in Nature moved him so much as fruit-trees in blossom; and his heart ached suddenly because he might never see them flower again. Spring! Decidedly no man ought to have to die while his heart was still young enough to love beauty! (book III: to let: part I: chapter III: at robin hill)  In a homeopathic age, when boy and girls were co-educated, and mixed-up in early life till sex was almost abolished, Jon was singularly old-fashioned. His modern school took boys only, and his holidays had been spent at Robin Hill with boy friends, or his parents alone. He had never, therefore, been inoculated against the germs of love by small doses of the poison. (book III: to let: part I: chapter III: at robin hill)  There are houses whose souls have passed into the limbo of Time, leaving their bodies in the limbo of London. (book III: to let: part I: chapter IV: the mausoleum)  "I love all kinds of beauty," went on Fleur, "when it's exciting. I don't like Greek things a bit." "What! Not Euripedes?" "Euripedes? Oh! no, I can't bear Greek plays; they're so long. I think beauty's always swift. I like to look at _one_ picture, for instance, and then run off. I can't bear a lot of things together. Look!" She held up her blossom in the moonlight. "That's better than all the orchard, I think." And, suddenly, with her other hand, she caught Jon's. "Of all the things in the world, don't you think caution's the most awful? Smell the moonlight!" She thrust the blossom against his face; Jon agreed giddily that of all things in the world caution was the worst, and bending over, kissed the hand which held his. "That's nice and old-fashioned," said Fleur calmly. "You're frightfully silent, Jon. Still I like silence when it's swift." (book III: to let: part I: chapter VII: fleur)  We've often talked about love being a spoil-sport; well, that's all tosh, it's the beginning of sport, and the sooner you feel it, my dear, the better for you. (book III: to let: part I: chapter VII: fleur)  One of the chief effects of love is that you see the air sort of inhabited, like seeing a face in the moon; and you feel--you feel dancey and soft at the same time, with a funny sensation--like a continual first sniff of orange-blossom--just above your stays.(book III: to let: part I: chapter VII: fleur)  She spoke of dogs, and the way people treated them. It was wicked to keep them on chains! She would like to flog people who did that. Jon was astonished to find her so humanitarian. (book III: to let: part I: chapter VIII: idyll on grass)  "It's their sense of property," he said, "which makes people chain things. The last generation thought of nothing but property; and that's why there was the War." (book III: to let: part I: chapter VIII: idyll on grass)  Ah! why on earth are we born young? Now, if only we were born old and grew younger year by year, we should understand how things happen, and drop all our cursed intolerance. (book III: to let: part I: chapter X: trio)  That "small" emotion, love, grows amazingly when threatened with extinction. (book III: to let: part I: chapter XI: duet)  A philosopher when he has all that he wants is different from a philosopher when he has not. (book III: to let: part II: chapter II: fathers and daughters)  Youth only recognizes Age by fits and starts. (book III: to let: part II: chapter III: meetings)  The War was bad for manners, sir--it was bad for manners. (book III: to let: part II: chapter III: meetings)  A Forsyte is instinctively aware that facts are the real crux of any situation. (book III: to let: part II: chapter VIII: the bit between the teeth)  You know, I believe each of us only has about one or two people who can see the best that's in us, and bring it out. (book III: to let: part II: chapter X: decision)  "The fixed idea," which has outrun more constables than any other form of human disorder, has never more speed and stamina than when it takes the avid guise of love. To hedges and ditches, and doors, to humans without ideas fixed or otherwise, to perambulators and the contents sucking their fixed ideas, even to the other sufferers from this fast malady--the fixed idea of love pays no attention. It runs with eyes turned inward to its own light, oblivious to all other stars. Those with the fixed ideas that human happiness depends on their art, on vivisecting dogs, on hating foreigners, on paying super-tax, on remaining Ministers, on making wheels go round, on preventing their neighbours from being divorced, on conscientious objection, Greek roots, Church dogma, paradox and superiority to everybody else, with other forms of ego-mania--all are unstable compared with him or her whose fixed idea is the possession of some her or him. (book III: to let: part III: chapter V: the fixed idea)  An unhappy marriage [...] can play such havoc with other lives besides one's own. (book III: to let: part III: chapter VI: desperate)  Admiration of beauty and longing for possession are not love. (book III: to let: part III: chapter VI: desperate)  After all was said and done there was something real about land, it didn't shift. Land, and good pictures! The values might fluctuate a bit, but on the whole they were always going up--worth holding on to, in a world where there was such a lot of unreality, cheap building, changing fashions, such a "Here to-day and gone tomorrow" spirit. (book III: to let: part III: chapter VII: embassy)  Fleur smiled bitterly. "Tell me, didn't [Irene] spoil your life too?" June looked up. "Nobody can spoil a life, my dear. That's nonsense. Things happen, but we bob up." (book III: to let: part III: chapter X: fleur's wedding)  | |
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| Last words |
And only one thing really troubled him, sitting there--the melancholy craving in his heart--because the sun was like enchantment on his face and on the clouds and on the golden birch leaves, and the wind's rustle was so gentle, and the yew-tree green so dark, and the sickle of a moon pale in the sky. He might wish and wish and never get it--the beauty and the loving in the world! (Click to show. Warning: May contain spoilers.) | |
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| Disambiguation notice |
The Forsyte Saga, Volumes 1 to 3 - The Man of Property, In Chancery and To Let - and two interludes - Indian Summer of a Forsyte and Awakening
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▾References References to this work on external resources. Wikipedia in English
None ▾LibraryThing members' description ▾Book descriptions Amazon.com Product Description (ISBN 0192838628, Paperback)
The three novels which make up The Forsyte Saga chronicle the ebbing social power of the commercial upper-middle class Forsyte family between 1886 and 1920. Galsworthy's masterly narrative examines not only their fortunes but also the wider developments within society, particularly the changing position of women. This is the only critical edition of the work available, with Notes that explain contemporary artistic and literary allusions and define the slang of the time.
(retrieved from Amazon Thu, 14 Feb 2013 13:30:41 -0500) (see all 8 descriptions) ▾Library descriptions A revealing portrait of a family & a bygone age, chronicles the lives of the monied, aquisitive Forsytes. » see all 3 descriptions
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The book revolves around the miserable marriage of Soames Forsyte to Irene. Soames treats Irene as his property, and with marriage laws being what they are at the time, in essence she is his property. Soames is possibly the most despicable character I've met in literature. Irene falls in love with a young architect and ends up escaping Soames. In the next book, Soames is back, wanting a child and needing Irene to comply or divorce him. She ends up falling in love with a different Forsyte and marrying him. In the third book, the children of Soames and Irene's subsequent marriages of course fall in love.
The plot seems soap opera-esque, but it's all so tastefully and artfully done, that it definitely reads like literature. Irene is a main character, but she's so passive that the story just happens around her. But there are strong women characters, like June and Holly, so the book doesn't fall into the annoying trap of no female characters. Soames is despicable, but so fleshed out through the book that he's understandable and therefore even more disgusting. I didn't love the last of the three parts because I found the relationship between the youngest Forsyte generation to be kind of annoying, but I was happy with the ending.
Overall, I loved the experience of reading this epic novel. (