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Jonathan Strange & Mr Norrell: A Novel (edition 2006)

by Susanna Clarke

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17,85150188 (3.96)1 / 680
Member:mister.dandy
Title:Jonathan Strange & Mr Norrell: A Novel
Authors:Susanna Clarke
Info:Tor Books (2006), Mass Market Paperback, 1024 pages
Collections:Your library
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Jonathan Strange & Mr Norrell by Susanna Clarke

19th century (241) 21st century (86) alternate history (471) British (208) England (568) English (97) faerie (182) fairies (173) fantasy (3,276) fiction (2,498) hardcover (97) historical (269) historical fantasy (153) historical fiction (518) history (70) Hugo Award (71) literature (86) London (109) magic (1,215) magicians (322) Napoleonic Wars (156) novel (361) own (115) read (256) science fiction (102) sff (139) to-read (285) unread (261) Victorian (90) wizards (89)
  1. 270
    The Ladies of Grace Adieu and Other Stories by Susanna Clarke (billiecat, celtic)
  2. 250
    Stardust by Neil Gaiman (GreenVelvet, GreenVelvet, GreenVelvet)
    GreenVelvet: Both Stardust and Jonathan Strange & Mr Norrell are detailed, well-written and riveting explorations of the world of fairie.
  3. 171
    The Book of Lost Things by John Connolly (derelicious, jonathankws)
  4. 140
    Little, Big by John Crowley (VisibleGhost)
  5. 164
    The Dark Is Rising by Susan Cooper (Obdormio)
    Obdormio: I don't remember making this recommendation, much less why I did; they are very different books. I think I felt that they both conjured up the same mystic mood, and they are both concerned with a very British magic.
  6. 175
    The Amulet of Samarkand by Jonathan Stroud (clif_hiker)
  7. 142
    The Thirteenth Tale by Diane Setterfield (majkia)
    majkia: both books evoked the same sort of feeling for me.
  8. 110
    The Night Circus by Erin Morgenstern (-Eva-)
  9. 111
    Lud-In-The-Mist by Hope Mirrlees (TheSpecialistsCat)
    TheSpecialistsCat: Both Clarke and Mirrlees lived briefly in Spain, then returned home to write about fairies and also, ostensibly, what it means to be English.
  10. 155
    Titus Groan by Mervyn Peake (saltmanz)
    saltmanz: Both extrememly atmospheric books, with vivid visuals and memorable characters.
  11. 133
    The King of Elfland's Daughter by Lord Dunsany (billiecat)
    billiecat: Clarke's descriptions of Faerie share the dreamlike qualities of Dunsany's novel.
  12. 134
    His Majesty's Dragon by Naomi Novik (Rodo)
  13. 91
    Sorcery and Cecelia, or, The Enchanted Chocolate Pot: being the correspondence of two Young Ladies of Quality regarding various Magical Scandals in London and the Country by Patricia C. Wrede (fyrefly98)
    fyrefly98: Both have the same "Jane-Austen-meets-Harry-Potter" vibe to them; "Jonathan Strange" is denser and more grown-up, while "Sorcery & Cecelia" is funnier and more of a romp.
  14. 103
    To Say Nothing of the Dog; or, How We Found the Bishop's Bird Stump at Last by Connie Willis (hiredman)
  15. 92
    The Man Who Was Thursday by G. K. Chesterton (flissp)
  16. 94
    The Prestige by Christopher Priest (Patangel)
  17. 51
    Bitter Seeds by Ian Tregillis (Aerrin99)
    Aerrin99: Books which focus on a fascinating historical Britain, but with added fun like magicians and more.
  18. 85
    The Golem's Eye by Jonathan Stroud (clif_hiker)
  19. 52
    Swordspoint by Ellen Kushner (spiphany)
  20. 41
    Shades of Milk and Honey by Mary Robinette Kowal (nnicole, Jannes)
    nnicole: Magic during the English Regency.
    Jannes: Evokes the same sort of magic in a historical setting (is that a genre yet?) without straying too far inot fantasy/alt-history territory.

(see all 42 recommendations)

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English (483)  French (5)  Polish (3)  Italian (3)  Japanese (2)  Swedish (1)  Finnish (1)  German (1)  Spanish (1)  All languages (500)
Showing 1-5 of 483 (next | show all)
Considering its epic length, I was a little disappointed that so little actually happened. I could have forgiven that shortcoming, though, since the flavor of the story and eventual moral of the tale were so unique, except that I also couldn't bring myself to like any of the characters. All in all, an interesting read, but not one of my favorites. ( )
  Snukes | Jun 14, 2013 |
Ever wonder what would have happened if magicians fought Napoleon? What if an author chose to write about this subject, semi-ironically, in the style of William Thackeray? Well, read this novel and WONDER NO MORE.

This is one of those novels that I can’t pitch well. Magic has gone extinct in England and two dudes in the early 19th century try to bring it back, which, in addition to getting them some sweet government appointments, also gets them into deadly trouble with fairies. I thought the premise sounded too “Young Adult” to be enjoyable. Anglophilia? Check. Magic? Check. Fairies.



BUT YOU ALL KNOW WHAT THEY SAY ABOUT JUDGING A BOOK BY ITS DUST JACKET DESCRIPTION.

Jonathan Strange & Mr Norrell is a mature book that doesn't take itself too seriously. We big kids get to enjoy magic and fairies and England without being blinded by sparkles and rainbows and special snowflakes. The book has a deeply enjoyable dry sense of humor, establishes engaging lore, and really had me interested (though I wouldn't say invested in) the fates of the titular Misters Strange and Norrell. Clarke’s sense of humor and whimsy is intensified by the fact everyone in the book takes everything so seriously. The magicians and the English generals discuss the possibility of summoning up unicorns to ride into battle so that they might impale Napoleon’s men upon their horns.



If we have any Vanity Fair fans in the house, Clarke emulates Thackeray’s comedy stylings in an enjoyable manner: that lovely Victorian prose and irony we love so well without the obsession with furniture and weather we see in VIRTUALLY ALL Victorian novels. However, like the Dickensian serials from which it takes its inspiration, this book is long. I mean loooooong. Unnecessarily long. There are points at which I respected Clarke for running with the lol-people-used-to-get-paid-by-word style, and there are points where I was like



Same goes for the numerous footnotes. While they do add authenticity to the whole “magical history book” vibe Clarke is working for, they quickly become tedious and add little to nothing to the story.

All in all, I found this book highly enjoyable. It’s not groundbreaking by any means, but it is a fun read with an amazing and amusing prose style.

4/5 Vanity Fairs ( )
  ispeaknerd | Jun 11, 2013 |
Third time having a go at the thousand-plus page Strange and Norrell for me, and this time I made it through to the end. A massive book, not just in length but in scope, with the attention to detail and the impressive consideration of the history of the world Clarke has created making it a slow read. Clarke excels at the creation of atmosphere and at pulling off the perfect extended scene. Her characters are fully formed and intriguing, though perhaps always held at just a bit of a distance from the reader. I am glad I read the book and I enjoyed it quite a bit, though I can't say that I loved every second of it--which I rather expected to given what I have heard about it. But there may be just a little too much here, just a little too much to wade through. And for a book that creates a fair amount of suspense and a good deal of urgency, curiously little happens, curiously little, ultimately, seems to be at stake. At the turning of the last page, rather than feeling enormously satisfied by the story (as I am, for instance, when I finish the similarly long and detailed The Lord of the Rings), I felt satisfied that I had finished it, that I had accomplished the read. Not a sense of relief, exactly, not "thank god that's over" (though I do confess to being super excited to be able to move on to other reads). More "Ha HA, I did it" when, really, shouldn't it be "Oh, wow, look what Clarke did"? A flawed work, for sure, but one I still heartily recommend. Strange and Norrell is both like other things and unlike anything else I've ever read. The imagination on display here, that scope, and those perfectly rendered scenes all make it a must-read. This will long be a touchstone of literary fantasy fiction, despite its flaws. ( )
  lycomayflower | May 24, 2013 |
One of my all-time favorites, a «Harry Potter» for adults, magicandy where prestidigitators battle it out in the realm of good and evil, and where Napoleon's armies are powerless to follow. I haven't seen mirrors in the same light ever since.

The footnotes add to the plausibility of the story's verisimilitude, as if the book were an historical treatise. Thank the publisher for not having placed them in the appendix. ( )
1 vote BiblioQuetzal | May 21, 2013 |
Showing 1-5 of 483 (next | show all)
"Jonathan Strange & Mr. Norrell" has been celebrated as an adult Harry Potter story, but it is more like a flatter and flabbier one. Chapters end with no cliff-hanging urgency, and the book is studded with unremarkable remarks. ...

Somehow, the gargantuan battle for the future of English magic does not become a matter of enormous consequence. But it does become the basis for a brand new fantasy world, an intricate and fully imagined universe of bewitching tricks. Maybe that's enough.
added by Aerrin99 | editNew York Times, Janet Maslin (Sep 14, 2004)
 
Her deftly assumed faux-19th century point of view will beguile cynical adult readers into losing themselves in this entertaining and sophisticated fantasy.
 
Many charmed readers will feel, as I do, that Susanna Clarke has wasted neither her energies nor our many reading hours.
 
Susanna Clarke, who resides in Cambridge, England, has spent the past decade writing the 700-plus pages of this remarkable book. She's a great admirer of Charles Dickens and has produced a work every bit as enjoyable as The Pickwick Papers, with more than a touch of the early Anne Rice thrown in for good measure.
 
"Move over, little Harry. It’s time for some real magic."
 

» Add other authors (19 possible)

Author nameRoleType of authorWork?Status
Susanna Clarkeprimary authorall editionsconfirmed
Bützow, HeleneTranslatorsecondary authorsome editionsconfirmed
Merla, PaolaTranslatorsecondary authorsome editionsconfirmed
Prebble, SimonNarratorsecondary authorsome editionsconfirmed
Rosenberg, PortiaIllustratorsecondary authorsome editionsconfirmed
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Epigraph
He hardly ever spoke of magic, and when he did it was like a history lesson and no one could bear to listen to him.
Dedication
In memory of my brother, Paul Frederick Gunn Clarke, 1961-2000
First words
Some years ago there was in the city of York a society of magicians.
Quotations
At sixteen she spoke -- not only French, Italian & German -- which are part of any lady's commonplace accomplishments -- but all the languages of the civilized (and uncivilized) world. She spoke the language of the Scottish Highlands (which is like singing). She spoke Basque, which is a language which rarely makes any impression upon the brains of any other race, so that a man may hear it as often and as long as he likes, but never afterwards be able to recall a single syllable of it. She even learnt the language of a strange country which, Signor Tosetti had been told, some people believed still existed, although no one in the world could say where it was. (The name of the country was Wales.)
It is also true that that his hair had a reddish tinge and, as everybody knows, no one with red hair can ever truly be said to be handsome.
"Soldiers, I am sorry to say, steal everything." He thought for a moment and then added, "Or at least ours do."
"Can a magician kill a man by magic?" Lord Wellington asked Strange. Strange frowned. He seemed to dislike the question. "I suppose a magician might," he admitted "but a gentleman never could."
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(Click to show. Warning: May contain spoilers.)
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Amazon.com Amazon.com Review (ISBN 0765356155, Mass Market Paperback)

It's 1808 and that Corsican upstart Napoleon is battering the English army and navy. Enter Mr. Norrell, a fusty but ambitious scholar from the Yorkshire countryside and the first practical magician in hundreds of years. What better way to demonstrate his revival of British magic than to change the course of the Napoleonic wars? Susanna Clarke's ingenious first novel, Jonathan Strange & Mr. Norrell, has the cleverness and lightness of touch of the Harry Potter series, but is less a fairy tale of good versus evil than a fantastic comedy of manners, complete with elaborate false footnotes, occasional period spellings, and a dense, lively mythology teeming beneath the narrative. Mr. Norrell moves to London to establish his influence in government circles, devising such powerful illusions as an 11-day blockade of French ports by English ships fabricated from rainwater. But however skillful his magic, his vanity provides an Achilles heel, and the differing ambitions of his more glamorous apprentice, Jonathan Strange, threaten to topple all that Mr. Norrell has achieved. A sparkling debut from Susanna Clarke--and it's not all fairy dust. --Regina Marler

(retrieved from Amazon Thu, 14 Feb 2013 13:50:43 -0500)

(see all 5 descriptions)

In nineteenth-century England, all is going well for rich, reclusive Mr Norell, who has regained some of the power of England's magicians from the past, until a rival magician, Jonathan Strange, appears and becomes Mr Norrell's pupil.

(summary from another edition)

» see all 4 descriptions

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