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Tough Without a Gun: The Life and…
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Tough Without a Gun: The Life and Extraordinary Afterlife of Humphrey…

by Stefan Kanfer

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Showing 5 of 5
more a litany of people, plays, movies and events than the poetic prose I like in bio's but still interesting to learn about the man behind the movies that I have loved. ( )
  lindap69 | Apr 5, 2013 |
Kafner's interesting and engaging biography of my favorite actor is admiring, respectful and often affectionate, but I would have liked more backstory on Bogie's most important films and more detail on his personal life once he became an A-list star with High Sierra and The Maltese Falcon. This is a fine look at the actor's life and work but anyone wanting a more insightful and in-depth study should look elsewhere. ( )
  Sullywriter | Apr 3, 2013 |
Kanfer provides two major insights on Bogey:
- Bogart worked extensively in theater before cinema, and in scores of movies before headlining. That's two of my favourite Golden Age actors who spent time onstage, the other being Ingrid Bergman.
- His celebrity was relatively brief, though it's not clear he would have continued his star turn had he not died of lung cancer in his 50s.

Kanfer's writing is not impressive, and he appears not to have had access to Bogey's personal documents or his family, nor conducted any original research. His accomplishment is to collect readily available information in one place. Often I'm skeptical of his conclusions: how would he know Bogart's viewpoint without having asked him or verifying it in a personal diary or statement? For example he writes of Bogart losing confidence at one point in his career [128] and later "seeking himself" [145], characterizations which are mere speculation without a personal conversation or explicit evidence.

The last section seems an attempt to assess Bogey's legacy, both in film and in pop culture generally. Not particularly persuasive but it was interesting to read of conscious reference to the Bogey character in the French New Wave.

//

Tough Without A Gun prompted re-screening my favourites, and initial viewings of several other films: In A Lonely Place, To Have and Have Not, African Queen, High Sierra, Treasure of the Sierra Madre. Still up: Caine Mutiny and Beat the Devil.

Bogart's nickname is spelled either Bogie or Bogey by various writers and friends. Wonder if he had a preference. ( )
  elenchus | Sep 13, 2011 |
An easy to read biography not only of the man but the times in which his films were made. Placing the films into the context of when they were first viewed makes me want to watch them again through new eyes.
A great biography and a fun read full of both pop culture and real American history.
Highly recomended. ( )
1 vote Groovybaby | Jun 21, 2011 |
Showing 5 of 5
"Having written durable biographies of Groucho Marx and Marlon Brando, the critic Stefan Kanfer seems to have wanted to add Bogart to his portfolio of American originals. He doesn’t really contribute anything significantly new to the record, recycling lots of well known, much recounted stories about the actor’s life and work, and his effort to frame those stories by looking at the Bogart legend and its enduring power feels a little contrived: by now, dissections of Bogie’s on-screen and off-screen personas and his almost mythic aura are highly familiar too.

Still, for readers who simply can’t get enough of Bogart (or members of younger generations who have been dwelling in an Internet echo chamber somewhere), this is a perfectly engaging book. It does an evocative job of conveying Bogart’s uncommon and enduring mystique, and it gives the reader a palpable sense of the sadly truncated arc of his life. "
 
Mr. Kanfer briskly sketches in Bogart’s upper-class upbringing in New York, the son of a prominent physician, who became addicted to morphine, and a well-known illustrator, who was an ardent feminist. Young Humphrey, we’re reminded, was a rebellious, alienated adolescent — think a World War I-era Holden Caulfield — who bounced from one private school to another, eventually getting thrown out of Phillips Andover because, Mr. Kanfer writes, “his grades had fallen so precipitously,” not as Andover legend has it, because he “had thrown grapefruits through the headmaster’s window."
 
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People/Characters
Important places
Important events
Related movies
Awards and honors
Epigraph
Those friends thou hast, and their adoption tried,

Grapple them to thy soul with hoops of steel.
Dedication
For Lynn Henson
First words
Joe Gillis: You're Norma Desmond. You used to be big.
Quotations
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Disambiguation notice
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Amazon.com Product Description (ISBN 0307271005, Hardcover)

Humphrey Bogart: it’s hard to think of anyone who’s had the same lasting impact on the culture of movies. Though he died at the young age of fifty-seven more than half a century ago, his influence among actors and filmmakers, and his enduring appeal for film lovers around the world, remains as strong as ever. What is it about Bogart, with his unconventional looks and noticeable speech impediment, that has captured our collective imagination for so long? In this definitive biography, Stefan Kanfer answers that question, along the way illuminating the private man Bogart was and shining the spotlight on some of the greatest performances ever captured on celluloid.

Bogart fell into show business almost by accident and worked for nearly twenty years before becoming the star we know today. Born into a life of wealth and privilege in turn-of-the-century New York, Bogart was a troublemaker throughout his youth, getting kicked out of prep school and running away to join the navy at the age of nineteen. After a short, undistinguished stint at sea, Bogart spent his early twenties drifting aimlessly from one ill-fitting career to another, until, through a childhood friend, he got his first theater job. Working first as a stagehand and then, reluctantly, as a bit-part player, Bogart cut his teeth in one forgettable role after another. But it was here he began to develop a work ethic; deciding that there were “two kinds of men: professionals and bums,” Bogart, for the first time in his life, wanted to be the former.

After the Crash of ’29, Bogart headed west to try his luck in Hollywood. That luck was scarce, and he slogged through more than thirty B-movie roles before his drinking buddy John Huston wrote him a part that would change everything; with High Sierra, Bogart finally broke through at the age of forty—being a pro had paid off.

What followed was a string of movies we have come to know as the most beloved classics of American cinema: The Maltese Falcon, Casablanca, The Big Sleep, The African Queen . . . the list goes on and on. Kanfer appraises each of the films with an unfailing critical eye, weaving in lively accounts of behind-the-scenes fun and friendships, including, of course, the great love story of Bogart and Bacall. What emerges in these pages is the portrait of a great Hollywood life, and the final word on why there can only ever be one Bogie.

(retrieved from Amazon Thu, 03 Jan 2013 18:15:07 -0500)

(see all 3 descriptions)

The definitive biography of one of the great movie icons of the twentieth century, and a wide-reaching appraisal of the actor's singular legacy.

» see all 2 descriptions

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