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Loading... Moon Over Soho (Rivers of London 2) (original 2011; edition 2011)by Ben Aaronovitch
Work detailsMoon Over Soho by Ben Aaronovitch (2011)
I don't know what it is about the Peter Grant series, but this is only the second installment and already I am completed addicted. I've not been a fan of urban fantasy for very long, but over the years I have come to appreciate the particular brand of "fun and fluffiness" that's so characteristic of books like this. They're reliable entertainment -- I know even before I crack the cover that I'll have a good time, and I'm hardly ever disappointed. As it happens, Moon Over Soho was even better than I expected, because I found I could hardly put it down once I started. The story begins just several months after the events of the first book Rivers of London/Midnight Riot, but police constable and apprentice magician Peter Grant is already called upon to investigate a series of curious deaths around the Soho area in the West End of London. It appears a troubling number of jazz musicians have been keeling over dead after their gigs, apparently from "natural" causes such as aneurysms or heart failure, but the discovery of thaumaturgical residue on the bodies makes Peter suspect magical foul play. I was also surprised to see that a seemingly minor event from the last book, one I'd thought was originally thrown in at the end for some perverse comic relief, actually turned out to be the basis for another major plot thread in this novel. The details are a little disturbing and really much too outrageous to try to explain, so let's just leave it at that. I'd rather not spoil it, anyhow. That said, while the adventures of Peter and his dry sardonic British wit (especially in his zinging of everything from the bureaucracy of the London Metropolitan Police to post-modern architecture) continue to delight and make me laugh out loud, there is definitely a darker, more sinister tone to this book. Not only are a few of the crime scene scenarios somewhat disturbing, there were also a few parts where I actually found myself downright creeped out -- but in the good, spine-tingling-edge-of-your-seat kind of way. There are also a couple of traditions I'm glad to see this book continuing. The first is the ever phenomenal characterization of London as a charming, vibrant and multicultural city. The author likes to inject random and interesting facts about London's description, history, and people in the course of his storytelling, and all that attention to detail truly brings this magnificent city to life in these books. The second is the "science" behind the magic. The magical systems and how they work in this series are still not very clear, and here the reader is almost as lost as Peter when it comes to trying to figure it out. Peter, however, persists in experimenting with his powers using logic and scientific theory, and even though some of his results and "explanations" make things even more confusing and harder to understand, I do like his unique approach and am interested to see how the series' concept of magic will continue to develop in future books. Speaking of which, contrary to the first book which in my opinion wrapped up quite nicely, Moon Over Soho has the distinct feel of a "Part I". This series is definitely building into something bigger, and I can't wait to get my hands on the third book so I can find out what happens. Quite entertaining - though the ending was a bit of a mess. I found Moon Over Soho more compelling than Rivers of London, somehow. It was a bit unputdownable, which is a quality I've been missing in my books lately, so that's nice. Yeah, Peter's led round by his dick here, too, and fails to think about things because he's too busy having sex with them, and yeah, he's got serious manpain over Leslie, who he also makes do all his menial work, but... The plot moved at a decent pace, and set up some plot threads which will no doubt be ongoing. It still reminds me of the Dresden Files, and I'm still not enamoured of the treatment of the female characters, but it didn't irritate me as much as I expected -- I think I'll continue reading this series. (Mind you, I didn't give up on the Dresden Files right away, so there's still time for it to annoy me.) I read it more or less all in one go -- in three sessions, in one day -- so that's definitely a bit better than the first book, which took me seven reading sessions over just over a week's time. So if you were only planning to pick up Moon Over Soho if it was better than Rivers of London, showing that bit of improvement, well, it does. Good, very good. Now looking for the third one, but it's "being acquired" by all the libraries I have checked so far. I have formed the view over time that this may mean "being read by staff", and after all, there are some perks for every job, aren't there? no reviews | add a review
Amazon.com Product Description (ISBN 0345524594, Mass Market Paperback)BODY AND SOULThe song. That’s what London constable and sorcerer’s apprentice Peter Grant first notices when he examines the corpse of Cyrus Wilkins, part-time jazz drummer and full-time accountant, who dropped dead of a heart attack while playing a gig at Soho’s 606 Club. The notes of the old jazz standard are rising from the body—a sure sign that something about the man’s death was not at all natural but instead supernatural. Body and soul—they’re also what Peter will risk as he investigates a pattern of similar deaths in and around Soho. With the help of his superior officer, Detective Chief Inspector Thomas Nightingale, the last registered wizard in England, and the assistance of beautiful jazz aficionado Simone Fitzwilliam, Peter will uncover a deadly magical menace—one that leads right to his own doorstep and to the squandered promise of a young jazz musician: a talented trumpet player named Richard “Lord” Grant—otherwise known as Peter’s dear old dad. (retrieved from Amazon Thu, 03 Jan 2013 14:11:17 -0500) Rookie cop and magical apprentice Peter Grant from Midnight Riot returns inthis urban fantasy tale of magic and murder, set to a jazz beat. (summary from another edition) |
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But I keep feeling like the construction of the book needs work. And also...you know how in a TV series when an actor gets pregnant but they can't take a hiatus so she appears a lot less frequently, standing behind large pieces of furniture? That's how I felt about Lesley and Nightingale in this one. They were around, but the book neither focused on their recovery, nor skipped time so they could be fully involved in the work again. For a written work, that just felt a little off to me.