

|
Loading... S.: A Novel About the Balkans (original 1999; edition 2001)by Slavenka Drakulic, Marko Ivic (Translator)
Work detailsS.: A Novel about the Balkans by Slavenka Drakulic (1999)
This is probably the most harrowing book I've read this year, but one that I found hard to put down, so eager was I to reach the light at the end of the tunnel. It tells the story of S., a Bosnian schoolteacher, taken one day in the summer of 1992 from her village to a Serbian prison camp. Before long, she is moved to the "women's room", where a group of women prisoners are placed at the mercy of the Serb soldiers' "needs". Since the novel begins with S. looking back on her horrific and somehow unreal experiences, we know that she is, in some sense, one of the "lucky" ones, and yet it is a far from conventional definition of "lucky". I read several of the pages with my hand over my mouth in horror, but the prose is spare and matter-of-fact, reflecting the fact that rape, murder, torture and humiliation had become normality in the context of the war in Yugoslavia. This is a far from pleasant read, but it is an extremely important reminder of how easily we can descend into inhumanity and that we must guard against it at all costs. I found this book browsing a used store. It looked interesting and the subject was certainly meaty. It looks at the inhumanity of war, from the POV of a non-combatant and victim. The inability of one person to make a difference in the determined chaos of an almost matter of fact hatred. How life and routines crumble in the face of a stronger reality when enforced by violence. The story is set in Yugoslavia I think, ( in one of the splintered parts, Bosnia). It is set during the war and told from the POV, of S., a Muslim woman who was a prisoner of war. It is the story of her capture and internment in a camp. She is an educated woman from the capital, working in a peasant village as a substitute teacher at their school. Because she is young and pretty she ends up in the camp's Women's Room. Where they keep woman the guards want to have sex with. And not just sex, because they are disposable women not protected by law, some are beaten, tortured, mutilated and even killed. S. talks about what happens around her, how the men and older boys are taken out and shot, both at the collection point, and later from the men's camp. How the women react to the situation. They are herded into a large empty space with a concrete pad: no beds, no bathrooms, no heat, little food. Some come together to help each other and some begin to prey on each other especially the weak. Through it all the guards and prison officials are shadowy menaces. There seems to be very little actual hate, and in fact that is for me the biggest problem with the book. Its rather limp. All the names of Bosnians are just initials; Others are listed by their profession - there is very little humanity in any of the characters, even the victims. The hate from the Serbs (?) is muted, the pain, fear and horror from the victims is muted. They just seem bland and confused. The author is more concerned about the class differences between the educated, classy S. and the ignorant, coarse, peasant woman from the village. Religion is not really explored, and no one in the book seems particularly religious. Not that I want to read graphic descriptions, and wallow in it, but with such a powerful subject, I should have a much more emotional reaction. There is also little attempt to explain or understand why neighbors are suddenly turning on neighbors. So the author doesn't do a good job with the emotional content, and s/he doesn't handle the reasons for the war and the hatred. The women in S.'s camp are exchanged for prisoners the Bosnians had, and they end up in a Bosnian refugee camp, waiting to be resettled. They can't return to their homes because they have been taken by the Serbs, or destroyed. People are waiting for relatives to take them in (though many like S. have had their families killed) or for foreigners to take them in. The result of the rapes is that a lot of the woman are pregnant, and so is S. The pregnancy is a visible sign of their abuse, and a death sentence for either the women or their attempt to return to their community and have a normal life. The women are blamed for their dishonor, and the author doesn't really deal with that either. S. finds out too late for an abortion, and so she must deal with the alien life in her body. She comes to hate it and wants it gone as soon as it is born. She applies to go to Sweden as a refugee and is accepted. She meets a former classmate there, who eases her into a quick settlement from the Swedish refugee camp. The story follows her life in Sweden until the birth of her child. Of course there is a redemptive ending, which I found bogus in terms of real life. I found the depiction of S. to be good and probably accurate for a survivor of such a horror: she is numb and muted. The problem is, it makes for a pale story. It isn't a bad book, in fact its quite good, but it seemed it could have been so much more. an immensely disturbing book about the systematic rape of Muslim women in during the war in Bosnia in 1992-95. Written as a first-hand account of a woman known only as "S", it tells of the horrors, the unspeakable that a group of "chosen" girls had to go through night after night, that is, if they manage to survive the brutality of the soldiers. After release, she discovers she is pregnant but as with others who too got pregnant, there was no way to tell who was the father. For many of these girls, there was really no choice as to what to do with the infant as soon as it is delivered. This is the enemy's child, not hers. But this is the point of the other side, to spread his seed among the enemy, another way of obliterating them --- the greatest humiliation. A well-acclaimed book, it is a work of fiction, but based on real stories of countless women that the author had met and talked to. Indeed, we in the outside world, know very little about these, as very little documentation exists -- no one is willing to talk, the women bear their scars and wounds silently and more so since these things are taboo in their Muslim culture (CNN's Untold Stories, though, featured this issue some time ago). War is cruel and brings out the worst in man, but depending on how one looks at it, the story at the end, offers some hope of redemption. Not an easy read at all, but highly recommended. The book is slim (about 200 pages), the chapters short but it took me 4 days to finish it. I found it impossible to read straight through -- it gets too heavy going sometimes, that i have had to stop after a few pages, and come back only much much later when i felt i had enough "strength" again to get ahead. This novel takes a harsh look at the realities of war for those left living in a battleground and eventually collected, used, abused, and displaced. The loss of a home, the horrors of a camp, the disturbing weilding of unchecked power, and the strength it takes to push through day by day are front and center in this book. Although serious and not appropriate for younger readers due to the physical and sexual violence - it is an amazing read, which will open your eyes to the horrors of a war often overlooked and the necessity to never let it happen again. no reviews | add a review
References to this work on external resources.
|
Google Books — Loading...Popular coversRatingAverage: (3.86)
Is this you?Become a LibraryThing Author. |
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The civilians are captured and taken away to work camps, one for men and one for women. But deep within the female camp is the room that every prisoner dreads - the women's room. A room where women become objects to be used by the soldiers, a room of pain and despair where all hope dies and a person is forced to become empty. Being empty in your mind, abandoning your body at will, this is the only way to survive. Drakulic shows the extent of human depravity in one of the most disturbing accounts of captivity during wartime. Her use of the first letter in place of the women's names is important in understanding the ability to dehumanize the enemy, they become things and not people. It is repulsive, scary and sad.
But the author, in my opinion, never slips over into the gratuitous because her focus is on S.'s inner turmoil. It is not just about the sexual abuse, the beatings and cruelty, it's about the effect this has on the victims, how they retreat inside themselves and the lengths they go to in order to keep their sanity in a world gone mad. Not only that, but she even looks at what it's like to be a soldier blindly following orders, dehumanizing yourself to find the ability to commit atrocities during war. It's easy to have enemies and it's easy to hate, but what does it take to make you someone who can torture another human being? What must they become in your mind? What must you become?
When showing the crimes men commit towards women, when showing a group of male soldiers laughing at a woman's pain, it becomes so easy to delve into misandry. You hate the Serbian soldiers, you hate the things they do to the women. But this is only partly a gender issue. Drakulic wants to tell the many untold stories of women during the Bosnian war (there are an estimated 60,000 rape victims), she wants us to know about the suffering they faced because of their gender. But, for the author, humanity has one common enemy regardless of your race, religion or gender... and that is war. War makes us all something other than human, it allows those with the power to become monstrous and it allows those without it to be seen as vermin.
Though the author chose to focus on the Bosnian war and particularly the way women were treated during this war, the backbone of this story is universally applicable. She expertly tells a story about some of the vilest, most horrific things that can happen to a human being, she captures humanity at it's best and worst, showing exactly what we are capable of - both the good and the bad. (