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Loading... The Wall of the Sky, the Wall of the Eyeby Jonathan Lethem
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will love Sign up for LibraryThing to find out whether you'll like this book. I really like his later novels, and these early stories were a little disappointing. Really great sci-fi premises but a little heavy handed. If you like Lethem they're still worth a go. Dark and devious, insightful and enthralling. My favorite story is Hardened Criminals. I think it is a brilliant way to deter crime. Each story was completely different except for one aspect; Lethem's penchant for plunging the reader deep into the story and making you swim for the surface. The first few pages of each one baffled me as to what was happening, but then slowly, by inches, he reveals what is going on. Imagination like this is just amazing to me. I can almost visualize how he came up with the story for Hardened Criminals. Shockingly literal, but with heart, it's unlike anything I've ever read. As are the rest of the stories - Five Fucks is surreal and warped. As is Forever, Said the Duck. Bizarre doesn't even begin to describe these. The Happy Man is the most disturbing of them all - it focuses on a man who is dead, but revived so he can continue to support his family. However, he's not always there. Sometimes he's transported to his own private Hell, in which he is presided over as a small boy by The Happy Man, a rapist whose rape sets him free into his life again. A double edge sword he must endure to visit with his wife and son. The resolution of this brings up more questions than it answers and made me think a while after reading it. Very well done. I cannot be sure that his use of language is deliberate or just forgetful and kind of sloppy. The lack of continuity in use of words and style bugged me at first, but I chalked it up to style and let it go. Let it take me. And it did. Everyone on the plane disappeared while I swam up through each story to air and daylight. Some great stories here. Surreal. Strange. no reviews | add a review
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(retrieved from Amazon Fri, 24 Apr 2009 07:57:55 -0400)
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The stories that were previously printed in Asimov’s Science Fiction magazine are among the standouts in this collection and speak both to the editor’s catholic tastes and Lethem’s ability to inhabit vastly different worlds and report back with chilling clarity.
The Happy Man, the lead off tale of a guy who spends half his time in hell and the other half trying to make up with his increasingly distant wife and troubled teenage son, sets the tone for the volume. In this troubling story, the reappearance of a ne’er-do-well uncle in his Earth-bound life begins to draw the two worlds into closer proximity. Lethem telegraphs his final blow but it is devastating all the same. This story stays with the reader and reveals the barely-disguised malice in our classic fairy tales.
Vanilla Dunk, is a slightly futuristic story of professional basketball in a time where the sport is in an advanced state of atrophy and has begun to consume itself like a snake eating its own tail. Powered exosuits give players the sampled skills of the greatest athletes of all time, turning the game into a live fantasy league.
Lethem uses the post-sport spectacle to probe the issues of race (when a white hotshot draws the much-vaunted skills of Michael Jordan) and fame like a tongue returning to the socket of a broken tooth. This is quite a different story than The Happy Man and it’s a testament to Lethem’s deft touch that one doesn’t need an understanding, or fondness for that matter, of basketball to enjoy it.
Not every story in The Wall of the Eye is a slam dunk, but the penultimate tale, The Hardened Criminals, shows what an incredible imagination Lethem possesses. To give away the story’s main conceit would be a crime in and of itself, but it ends up being a chilling indictment of the prison industry and the way that it is set up to strip away the humanity of those stupid, crazy, or unlucky enough to fall under its purview.
Lethem is a prolific novelist as well as short story writer and at times his prose reads dangerously close to poetry as in this introduction of the prison in The Hardened Criminals:
The prison was an accomplishment, a monument to human ingenuity, like a dam or an aircraft carrier. At the same time the prison was a disaster, something imposed by nature on the helpless city, a pit gouged by a meteorite, or a forest-fire scar. (