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Oryx and Crake by Margaret Atwood
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Oryx and Crake

by Margaret Atwood

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6,306147279 (3.95)295
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Virago Press Ltd (2004), Edition: New Ed, Paperback

Member:boo262
Collections:Your libraryRating:****
Tags:science fiction, future
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English (145)  Swedish (1)  Spanish (1)  All languages (147)
Showing 1-5 of 145 (next | show all)
My favourite quote: "God of Bullshit, fail me not." ( )
  carolynyates | Dec 31, 2009 |
As it is dystopian scifi, I obviously enjoyed it, although I'd have appreciated being warned in advance about the protagonist's love for child porn. I thought this book was fine, until I read a load of people on the internet saying how groundbreaking it is and Atwood herself saying it isn't scifi because there aren't any robots or aliens. But its plot is largely based on fictional biology! Argh. I think it's the same kind of thing as The Time Traveler's Wife: scifi marketed at readers of general fiction, who therefore think it can't be scifi because they read it while not living in their parents' basement. Anyway, the book itself is good, although the ending is a bit too obviously setting up for a sequel. ( )
  tronella | Dec 31, 2009 |
Stupid me, I read this after I read Year of the Flood. The two stand alone well enough that this doesn't seem to be an unforgiveable sin, however. The YOTF focuses on life 25 years after the waterless flood, OAC focuses on the event itself. Both books incorporate some of the same characters. A brilliant genetic engineer designs a pill to increase sexual pleasure, which has the unadvertised side effect of sterility. He sees that the population is seriously challenging the earth's resouces so decides to do something about it. The other unadvertised side effect, though, is a grisley death. His secret project is to design a new version of human without the pesky human characteristics that have doomed it. ( )
  mojomomma | Dec 19, 2009 |
The premise: from Amazon.com: In Oryx and Crake, a science fiction novel that is more Swift than Heinlein, more cautionary tale than "fictional science" (no flying cars here), Margaret Atwood depicts a near-future world that turns from the merely horrible to the horrific, from a fool's paradise to a bio-wasteland. Snowman (a man once known as Jimmy) sleeps in a tree and just might be the only human left on our devastated planet. He is not entirely alone, however, as he considers himself the shepherd of a group of experimental, human-like creatures called the Children of Crake. As he scavenges and tends to his insect bites, Snowman recalls in flashbacks how the world fell apart.

My Rating

Give It Away: this is an odd rating, because in LibraryThing, I gave it four stars (which I'll probably change, actually). I'm glad I've read the book, and I'll likely pick up the companion/sequel The Year of the Flood, but I'm so ambivalent about Oryx and Crake that I don't see myself picking it up again. In fact, it's the kind of book I'll probably forget I've read, because it never impacted me the way it probably would a reader who isn't as familiar with science fiction. I think fans of Atwood will enjoy this, and readers who aren't SF-literate in terms of tropes and conventions may find this book to be a diamond in the rough. Certainly, Atwood has a different take on the apocalypse than Cormac McCarthy's The Road, and it's interesting, though it lacks the direction and resolution that McCarthy's novel had. But hey, I'm glad I read it. I just wish I'd read it sooner than I did, before I was as familiar with SF tropes as I am now. If you're an SF fan, I'd only recommend this book to you if you don't mind reading the lit-fic takes on the genre, if you don't mind the fact you're not going to find something wholly original. I read this because I'm a sucker for lit-fic SF, and after The Handmaid's Tale, I wanted to see what else Atwood would do with the genre. The Handmaid's Tale is a much stronger book, but this one was interesting at least, even though it was a little unsatisfying.

Review style: spoilers ahead. Considering the pace and style of the book, the spoilers aren't exactly Earth-shattering, but here's the warning anyway. SPOILERS. :) If such things bother you, there's no need to click the link below, which takes you to my LJ. However, if you're interested, the more discussion the merrier! As always, comments and discussion are most welcome. :)

REVIEW: Margaret Atwood's ORYX AND CRAKE

Happy Reading! ( )
  devilwrites | Dec 18, 2009 |
I read it again after reading 'Year of the Flood'. Still very enjoyable and fun to have the followup. It now seems like there will be a third? I hope. ( )
  TanyaReads | Nov 30, 2009 |
Showing 1-5 of 145 (next | show all)
Set sometime in the future, this post-apocalyptic novel takes scientific research in the hands of madmen to its logical and frightening conclusion. Inspiring readers to pay more attention to the world around them, Atwood offers cautionary notes about the environment, bioengineering, the sacrifice of civil liberties, and the possible loss of those human values which make life more than just a physical experience. As the novel opens, some catastrophe has occurred, effectively wiping out human life. Only one lonely survivor and a handful of genetically altered humanoids remain, and they are slowly starving as they try to adjust to their changed circumstances.
added by stephmo | editMostly Fiction, Mary Whipple (May 28, 2004)
 
In Margaret Atwood's first attempt at writing a novel, the main character was an ant swept downriver on a raft. She abandoned that book after the opening scene and became caught up in other activities, which she has described as ''sissy stuff like knitting and dresses and stuffed bunnies.'' That certainly does not sound like Ms. Atwood, who is known for the boldness of her fiction. Of course she was only 7 at the time.
added by stephmo | editNew York Times, Mel Gussow (Jun 24, 2003)
 
Margaret Atwood has always taken a jaundiced view of human nature. Back when her mordant observations about marriage and other relations between the sexes had her marked down as a feminist, she took pains to fire off several novels in a row featuring weak, manipulative, dishonest and outright bad women, partly to prove that her skepticism was distributed fairly. She has always been of the opinion that people are a mixed bag of the occasionally decent and the frequently mendacious and that there's not much anyone can do to change that fact.
added by stephmo | editSalon.com, Laura Miller (May 27, 2003)
 
Genetic tinkering. Rampant profiteering. A deadly virus that sweeps the globe. Are these last Tuesday's headlines or our future?

In Margaret Atwood's novel Oryx and Crake, the answer is both. For Atwood, our future is the catastrophic sum of our oversights. It's a depressing view, saved only by Atwood's biting, black humor and absorbing storytelling.
added by stephmo | editUSA Today, Jackie Pray (May 26, 2003)
 
he novelist Margaret Atwood has wandered off from us before: once, in 1986, to the mid-twenty-first century, for a feminist dystopia, “The Handmaid’s Tale,” in which women are enslaved according to their reproductive usefulness; another time, in 1996, to the nineteenth century, to make thrifty use of her graduate work at Radcliffe in the faux-Victorian novel “Alias Grace.” These were forays and raids. In her chronicling of contemporary sexual manners and politics, Atwood has always been interested in pilfering popular forms—comic books, gothic tales, detective novels, science fiction—in order to make them do her more literary bidding. Her previous novel, “The Blind Assassin,” is the best example of the kind of narrative pastiche at which she excels.
added by stephmo | editThe New Yorker, Lorrie Moore (May 19, 2003)
 
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Epigraph
I could perhaps like others have astonished you
with strange improbable tales; but I rather chose to relate plain matters of fact in the simplest manner and style; because my principal design was to inform you, and not to amuse you.
- Jonathan Swift, Gulliver's Travels
Was there no safety? No learning by heart of the ways of the world? No guide, no shelter, but all was miracle and leaping from the pinnacle of a tower in the air?
- Virginia Woolf, To the Lighthouse
Dedication
For my family
First words
Snowman wakes before dawn.
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(Click to show. Warning: May contain spoilers.)
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Wikipedia in English (2)

Oryx and Crake

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Book description

Amazon.com (ISBN 0385721676, Paperback)

In Oryx and Crake, a science fiction novel that is more Swift than Heinlein, more cautionary tale than "fictional science" (no flying cars here), Margaret Atwood depicts a near-future world that turns from the merely horrible to the horrific, from a fool's paradise to a bio-wasteland. Snowman (a man once known as Jimmy) sleeps in a tree and just might be the only human left on our devastated planet. He is not entirely alone, however, as he considers himself the shepherd of a group of experimental, human-like creatures called the Children of Crake. As he scavenges and tends to his insect bites, Snowman recalls in flashbacks how the world fell apart.

While the story begins with a rather ponderous set-up of what has become a clichéd landscape of the human endgame, littered with smashed computers and abandoned buildings, it takes on life when Snowman recalls his boyhood meeting with his best friend Crake: "Crake had a thing about him even then.... He generated awe ... in his dark laconic clothing." A dangerous genius, Crake is the book's most intriguing character. Crake and Jimmy live with all the other smart, rich people in the Compounds--gated company towns owned by biotech corporations. (Ordinary folks are kept outside the gates in the chaotic "pleeblands.") Meanwhile, beautiful Oryx, raised as a child prostitute in Southeast Asia, finds her way to the West and meets Crake and Jimmy, setting up an inevitable love triangle. Eventually Crake's experiments in bioengineering cause humanity's shockingly quick demise (with uncanny echoes of SARS, ebola, and mad cow disease), leaving Snowman to try to pick up the pieces. There are a few speed bumps along the way, including some clunky dialogue and heavy-handed symbols such as Snowman's broken watch, but once the bleak narrative gets moving, as Snowman sets out in search of the laboratory that seeded the world's destruction, it clips along at a good pace, with a healthy dose of wry humor. --Mark Frutkin, Amazon.ca

(retrieved from Amazon Fri, 24 Apr 2009 07:58:19 -0400)

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