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Blue Moon (Anita Blake Vampire Hunter) by…

Blue Moon (Anita Blake Vampire Hunter) (edition 2000)

by Laurell K. Hamilton

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4,118401,220 (3.79)42
Title:Blue Moon (Anita Blake Vampire Hunter)
Authors:Laurell K. Hamilton
Info:Orbit (2000), Paperback, 418 pages
Collections:Your library
Tags:Red, F2012, Vampires, Female Author, Fiction, FF, R2012, Released

Work details

Blue Moon by Laurell K. Hamilton

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Showing 1-5 of 38 (next | show all)
“Blue Moon” is a tour de force filled with werewolves, demons, and vampires, of course. When Richard gets arrested for rape and Anita goes in to rescue him there is bound to be more than meets the eye to the story. Filled with the raw emotions between Anita and Richard, as well as her struggle to understand and control her roles as lupa and nimira each page urges you on to the next. This novel focuses on Anita coming into her own. Sure she has been a strong independent woman but her confidence in her own abilities is something that she has had to work on. Hamilton takes us to Tennessee for a rescue that only could be found in a world of her creating. ( )
  JEB5 | Oct 30, 2013 |
I've read this book several times. I've also listened to it several times. There is one scene that gets me every time I listen to this book. It is the scene where Damian and Asher bring Nathanial back from Collin and they are attempting to drink the corruption out of him. They include sucking noises in the story. This is so gross. It is like bad sound effects from a porno. I'm not a fan of sound effects in audiobooks.

I really like this book. One of my favorites in the series. We get more time with Jason, Asher, Damian and Nathanial. We also learn a lot more about pack structure. We get to meet Maryanne, who becomes a large influence on Anita going forward. This is the only book she is in, outside of being on the phone. Anita uses her as a psychic teacher and even a psychologist in some ways. ( )
  mlsimmons | Sep 20, 2013 |
Anita is awakened by a phone call from Richard’s brother – Daniel. Richard has been arrested on charges of rape. Anita is more than a little doubtful of the charges and, naturally, having police and legal connections, she drops everything and makes the flight to Tennessee, despite Jean-Claude’s insecure reservations.

Travelling as a human servant and Lupa is not simple, however, and she quickly finds herself embroiled in local pack politics and in conflict with the local master of the city, who fears and invasion and the power of Jean-Claude’s triumvirate in his territory. Having to dance to werewolf politics and being openly at war with the local vampires complicates things a little.

But then there’s the reason they’re there. Richard has been opposing the sale of land that an endangered troll species inhabits – but the person doing the buying is far more dangerous than he imagined. With his full resources – both mundane and mystical – he is determined to make Anita and Richard leave, but this is a battle they cannot walk away from.

To complicate things further, there’s also Anita’s relationship issues – namely that she left Richard after sleeping with Jean-Claude. Between that and Richard’s exes, there’s a lot of tension to navigate.

The plot is actually really involved and written. We start with a simple mission – to save Richard and find out what’s happening. This quickly escalates not only in to a perplexing mystery (why go to this much effort to evict the trolls?) but then adds a layer of epic to become a fight that Anita simply cannot avoid. As the book says, when evil draws a line in the sand, good can’t just walk away. The depiction of Niley and Linus, their backstory and the books’ descriptive style establishes them as EVIL with a capital E. This lends a strong sense of epic to the story and the sense that there is no way Anita and Richard could just go home and let the trolls get on with it. There’s more depth and strength to it – more hangs on it than a simple local land issue and it gives and extra urgency and power to Anita’s actions and those of her enemies.

The book also continues one of the strength of many of the Anita Blake novels, there are several plots running alongside each other yet, at the same time, linked. We have Verne’s werewolf pack, the vampire and their fear of Jean-Claude, there’s Anita’s regular power hiccoughs – and there’s the core plot, Niley and his nefarious plots and the influence he spreads. All of them run together, they’re all well paced, none dominates the other and they all come together in a really neat fashion. None of them feel like distractions so much as the actual consequences in the supernatural world of moving out of state. It’s not a case of simply focusing on the plot line and the rest of the world conveniently fading into the background (except Anita’s job – which regularly seems to be cancelled at short notice without damaging Anita’s income at all).

I also like the book’s portrayal of police corruption – and how Anita and Richard are both very dependent on both their extensive connections and the fact they have lots of nice, upper class, respectable witnesses to prevent the worst of the Sherriff’s excesses. It’s made clear that these are the only things holding the corrupted police at bay – and also just how much power a crooked sheriff in a small town can actually have.

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  FangsfortheFantasy | Sep 20, 2013 |
First, I don't like Richard. Never have. Never will. I kept hoping he's just get shot in the head by accident. Tragic. Mourned. Gone forever.

Second, I can see that there's a change in the series. Something is in the wind. You can see it with Anita's monsterfication (that word TOTALLY needs to be added to the OED).

Fair warning, this is probably the last decent Anita Blake book. Everything after is a train wreck. ( )
  lesmel | Jul 13, 2013 |
By far my most disappointing read this year. I don't know why I keep picking up the Anita Blake books, but I guess it's because there's always this faint hope in the back of my mind that this series will get better despite the declining ratings and what people have told me. And for about thirty minutes there, I thought for sure things have turned around! What an awesome intro and premise -- Richard has been arrested and thrown in jail, framed on a rape charge. Anita and pals must get him out before the next full moon rises in a few days and he becomes a werewolf. This actually had the potential to be a great story. In any case, it was enough to get me fully on board.

But my excitement was short lived as things immediately started to fall apart. For one thing, there's hardly any plot in this novel. I didn't know what I expected after the intense build up of the intro, but it certainly wasn't 300 pages of Everything-You-Ever-Wanted-To-Know-About-Anita-Blake's-Sex-Life. The characters have sex, talk about sex, think about sex, and yet none of it seems to have anything to do with the story. Normally I wouldn't have minded that sort of stuff, as long as it has a point. But I honestly couldn't see one here, and that's what disappointed me. I felt like the book drew me in under false pretenses, then completely blindsided me with something I didn't ask for.

This has also soured me on many of the characters. Apparently, in the world of Anita Blake, to be a werewolf or vampire is to have the mental maturity and world view of a hormonal teenager. Everyone around Anita seems to depend on her to explain why certain things are socially wrong or innappropriate, especially when it comes to matters of sex ("You mean you shouldn't automatically jump into bed with someone just because you find them physicaclly attractive? Golly whiz!") For that matter, Anita own way of thinking isn't any better or more logical. For one thing she's constantly being wracked by guilt over her rash decisions and violent actions, and yet this hasn't made her any less trigger-happy or less apt threaten to kill people at the drop of a hat. Many times, she seems to do exactly the opposite of what she intends especially when it comes to sex or her relationships (she says she doesn't want to feel like a slut? Well, then don't act like one!)

I also realized recently that on the whole, these books haven't aged too well. Some of the physical descriptions of the characters and what they're wearing is reminiscent of 90s goth/rave attire, and while it didn't bother me so much when I read these books then, it just makes me cringe when I try to picture it today. Small nitpick, but compounded with many of the characters' naive and infuriating attitudes towards sex, they just became so unattractive in my eyes.

The only saving grace was the fact I listened to this book on audiobook, and I have to say the narrator is fantastic; Kimberly Alexis is one of the best voice actresses I've had the pleasure of listening to. If I end up picking up the next book, it would be because of her performance in this series and the fact that these digital audio titles are available to borrow at my county library. I may do it if I run out of audiobooks to listen to, but chances are I won't. I think I've stuck around long enough, and it's time to give up. I remember why I liked the earlier novels and I just feel that Anita's character has changed along with the series' direction. Life's just too short to force myself to continue with a story or characters I no longer feel connected to. ( )
  stefferoo | Mar 5, 2013 |
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Author nameRoleType of authorWork?Status
Laurell K. Hamiltonprimary authorall editionsconfirmed
White, CraigCover artistsecondary authorsome editionsconfirmed
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This one's for Shawn Holsapple, brother-in-law, police officer, and kindred spirit.
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I was dreaming of cool flesh and sheets the color of fresh blood.
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(Click to show. Warning: May contain spoilers.)
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Book description
wikipedia.com- Blue Moon takes place in the apparently fictional town of Myerton, Tennessee. Richard, still recovering from Anita's rejection in The Killing Dance, has been in Myerton for some time, studying a local group of trolls as part of the requirements for his masters degree, and auditioning the women of the local werewolf tribe as possible lupas.

The plot begins when Anita receives a call from Richard's brother Daniel. Daniel explains that Richard has been arrested for an alleged rape, and is refusing to hire a lawyer. Anita leaves for Myerton, over the objection of the local Master of the City, with Asher, Damian, and most of the wereleopards as backup.

Once there, Anita must simultaneously attempt to uncover why local police have framed Richard and deal with Colin, the local Master of the City, who views her arrival as an act of war.

Ultimately, Anita destroys most of Colin's vampires by activating the lupanar of the local werewolf clan, rendering it holy ground, and kills Colin herself by shooting Colin's human servant, Nikki. In the course of her various rituals, Anita ends up having sex with Richard, and they agree that Anita will begin dating both Richard and Jean-Claude. Anita also learns that Richard had discussed her with Jean-Claude and had obliquely asked Jean-Claude whether he would accept Anita taking Richard as a lover.

Anita meets Marianne, a Wiccan practitioner who works with Verne's pack. Marianne advises Anita on building the wereleopards into a coherent group. Anita also has a long talk with Damien, and discovers that Jean-Claude gains power from lust and sex. Not only can he feed on the patrons of his strip club Guilty Pleasures, but on sex with Anita, or Anita having sex with Richard.

She and Richard discover that the rape charges were an effort by art collector Frank Niley to drive Richard's study project from the area, allowing them to acquire some contested land and complete Niley's search for the Spear of Destiny. In desperation, Niley kidnaps and brutalizes Richard's mother and brother, causing Anita to cross another moral line, torturing Niley's messenger and killing everyone responsible.
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Amazon.com Amazon.com Review (ISBN 0515134457, Mass Market Paperback)

Anita Blake makes a living raising the dead. She also executes rogue vampires and villains among the local were-folk. Marks bind her to Jean-Claude, the Master vampire of St. Louis and her lover, and to her ex-fiancé, a powerful werewolf who heads up the local pack. Anita shares some of their magic, and her own power over the dead keeps growing. But so does the body count and the situations that force Anita to bend or break her own rules.

In Blue Moon, Anita's ex Richard is jailed in Tennessee, accused of rape. When Anita arrives with a lawyer and an entourage of vampires and 'weres' supplied by Jean-Claude, it's clear that something is rotten in Myerton. The local cops are corrupt, and the trolls Richard was studying are threatened. But if she sticks around to investigate, the local Master vampire will attack her and her friends. The local werewolf clan isn't rushing to welcome her either, and her self-control is going to the, um, wolves.

Blue Moon is the eighth book in Hamilton's Anita Blake: Vampire Hunter series; newcomers should start with earlier books. The protagonists' development and their relationships to each other and to the large cast of continuing secondary characters are what make these books so compelling. Be warned--there's steamy sex and graphic violence here, though Anita does reflect on her moral position. But if dark urban fantasy featuring those who hunt the night appeals, pounce on this series. --Nona Vero

(retrieved from Amazon Mon, 30 Sep 2013 13:45:48 -0400)

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It's up to Anita to prove Richard's innocence when he is jailed on assault charges, but in doing so she pits herself against corrupt cops and the Master Vampire, Jean-Claude, who threatens her and her friends.

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