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Keeping Together in Time: Dance and Drill in…
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Keeping Together in Time: Dance and Drill in Human History

by William H. McNeill

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Amazon.com Amazon.com Review (ISBN 0674502299, Hardcover)

No small themes for William McNeill, a writer of big, sweeping books, from The Rise of the West and Plagues and Peoples to the modestly titled--and wonderful--History of the World. Here McNeill turns his attention to the role of synchronized movement in human societies, whether in mass political rallies, the muscular bonding of military drills, or dances staged in ballrooms or mosh pits. Such motions, McNeill tells us, are "far older than language, and critically important in human history." Ranging from the Paleolithic to modern times, McNeill turns up unusual nuggets from the past: the Christian Church's abandonment of sacred dances in the 4th century, dances that survive now in the sign of the cross; and Adolf Hitler borrowing fight songs from American universities to solidify the nascent National Socialist movement.

(retrieved from Amazon Mon, 30 Sep 2013 13:31:38 -0400)

In Keeping Together in Time one of the most widely read and respected historians in America pursues the possibility that coordinated rhythmic movement - and the shared feelings it evokes - has been a powerful force in holding human groups together. As he has done for historical phenomena as diverse as warfare, plague, and the pursuit of power, William McNeill brings a dazzling breadth and depth of knowledge to his study of dance and drill in human history. From the records of distant and ancient peoples to the latest findings of the life sciences, he discovers evidence that rhythmic movement has played a profound role in creating and sustaining human communities. The behavior of chimpanzees, festival village dances, the close-order drill of early modern Europe, the ecstatic dance-trances of shamans and dervishes, the goose-stepping Nazi formations, the morning exercises of factory workers in Japan - all these and many more figure in the bold picture McNeill draws. A sense of community is the key, and shared movement, whether dance or military drill, is its mainspring. McNeill focuses on the visceral and emotional sensations such movement arouses, particularly the euphoric fellow-feeling he calls "muscular bonding." These sensations, he suggests, endow groups with a capacity for cooperation, which in turn improves their chance of survival.… (more)

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