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Loading... Vaclav & Lena (2011)by Haley Tanner
None. Do you believe in soul mates? Not the kind glorified in romances but a deep down to the bone connection that goes beyond love to your very existence and without which you might as well forget how to breathe? Haley Tanner's touching and melancholy debut novel, Vaclav and Lena, captures this kind of intense and focused connection, one forged in childhood, enduring separation, and able to pick up again as if nothing (and everything) had changed. Both Vaclav and Lena are just children when the novel opens, living in the heart of the Russian community in Brighton Beach. They are the closest of friends, two Russian-American children who attend the same ESL class at school and who are as inseparable as only two otherwise lonely children can be. Vaclav dreams of being a famous magician and having Lena be his lovely assistant and the two of them meet in Vaclav's apartment to practice their act and to be cared for by Vaclav's indomitable, doting, and overprotective Russian immigrant mother, Rasia. But underneath this sweet childhood friendship, there are much darker tones. Vaclav is an only child and much treasured but Lena is an orphan, unwanted and uncared for by her aunt who is a strip club dancer and prostitute. Little Lena is neglected and ignored and has learned to lie and steal and keep secrets, even, or perhaps especially, from those who would care for and protect her. When Rasia witnesses something she cannot ignore, Lena disappears overnight from Vaclav's life, leaving him bereft and yearning for her. Always in his thoughts, he superstitiously still wishes her a good night every night, for the entire seven years she is gone from his life, from the age of ten to seventeen. The years of being apart change both Vaclav and Lena as they grow and mature separately. And the narrative follows them through this time of absence, fleshing out not only what goes on in their respective lives in the intervening years but also filling in Lena's babyhood and the early experiences that shaped her into the little girl who was for the child Vaclav as necessary as breathing. And then the narrative moves on again and focuses on the teenaged Vaclav and Lena, their rediscovery of each other, and the endurance of their connection as they come together once again. And it at this point that Vaclav, ever mindful of his love's fragility, spins some real and tender magic in Lena's new and much changed life. The novel is a triptych with its three distinct phases in the relationship of our eponymous characters. And impressively, the narrative voice changes in each of the three sections. In the first, much of the dialogue is written just as Russian immigrants to this country would construct sentences given Russian grammar. In the second, there is a coming of age, a maturing voice as both Vaclav and Lena assimilate into American culture in ways that Vaclav's parents have been unable to do fully. And in the third, they are both typical teenagers and yet so very different because of their awareness of who they are and how they fit together. Some of the portrayals of Russian immigrants and culture is cliched but the poignancy of immigrants trying to achieve the American dream through their children (in this case specifically through Vaclav) balances these moments out. And while this tale of soul mates and an abiding love might sound lighthearted, the novel tackles some incredibly dark and terrible topics: abuse, neglect, and abandonment among them. Vaclav and Lena are generally well drawn and while they are precocious beyond their years in the beginning, they end by coming across as much more age appropriate. The ending itself was unexpected but completely in character given how thoughtful and protective Vaclav was from the age of five onward. Tanner has crafted an ultimately engaging novel here. Great book! This is the kind of debut that is bound to ratchet up the “next-big-thing” rhetoric. It maintains a perfect tension between charm, character, and a handful of crucial conflicts: idealism vs. realism; growing up too fast vs. never growing up; love vs. LOVE; and fable vs. fact. The title characters are both Russian emigrants who are grade school friends when we meet them. They have come together by virtue of their common predicament but differ in deep-seated ways: Vaclav has a loving family, and is comfortable both in his own skin and with his adopted language. Lena struggles with English, has dark family secrets, and is frustrated by her inability to fit in. They are unexpectedly separated but meet again while attending different high schools. Though their friendship is rekindled with a romantic spin it is immediately threatened by the gaps (both old and new) in their shared history. The reader is invited to feel real affection and protectiveness for Vaclav and Lena. They are complicated, engaging, funny, intelligent, and worthy of our love and attention. The characters that surround them are no-less impressive, especially Vaclav’s mother who is the glue that holds the narrative together. She presents difficult themes and situations with the sure hand of veteran award-winners (and more charm than many of them have mustered of late). This is a special novel. I’m excited to see what comes next. A bit of a slow start, but loved it as a whole. Heartwarming and heartbreaking. An amazing glimpse into the world of Russian emigrates. Brilliant">http://www.npr.org/2011/12/13/143354443/7-books-with-personality-nancy-pearls-2011-picks Brilliant narrative voice from the first page onward. Incredible characters...Vaclav and Lena are nine years old for the first section of the book, and 17 years old for the second half (with flashbacks, especially Lena's memories). Vaclav feels homesick, suddenly homesick, for a place that doesn't exist. (60) There is no going back once you know something, because from then on, you always know it. (110) no reviews | add a review
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"Vaclav and Lena seem destined for each other. They meet as children in an ESL class in Brighton Beach, Brooklyn. Vaclav is precocious and verbal. Lena, struggling with English, takes comfort in the safety of his adoration, his noisy, loving home, and the care of Rasia, his big-hearted mother. Vaclav imagines their story unfolding like a fairy tale, or the perfect illusion from his treasured Magician's Almanac, but among the many truths to be discovered in Haley Tanners wondrous debut is that happily ever after is never a foregone conclusion. One day, Lena does not show up for school. She has disappeared from Vaclav and his familys lives as if by a cruel magic trick. For the next seven years, Vaclav says goodnight to Lena without fail, wondering if she is doing the same somewhere. On the eve of Lena's seventeenth birthday he finds out."--Publisher description.… (more)
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Vaclav & Lena by Haley Tanner was made available through LibraryThing Early Reviewers. Sign up to possibly get pre-publication copies of books.
The narrative voice is a cross between a new ESL speaker and, I thought at first, an imaginative child who views his life with such great expectations that it must be described as though by an omniscient narrator. Simple sentence structure, present tense, using names instead of pronouns… Interesting at first, as all the POV’s are those of Russian immigrants, but it also wears thin quickly and fails to mature or evolve with the characters. Maybe an intriguing device for a short story; I just couldn’t buy it for an entire novel.
If anything at all happened in this book, I would have gotten past narrative style. But very little happens to justify 300 pages, and I didn’t feel very connected to the characters. I kind of liked Rasia, Vaclav’s mother, but she was ultimately peripheral to Vaclav and Lena, and I didn’t much care for either of them, especially once they were older.
Still, I was prepared to give this book a solid two stars (“it was ok”) until the last two chapters. I reread the last four sentences this morning and thought, “I do see what you’re doing there, and the idea is nice,” but the denouement just really left me cold and a little disgusted, intellectually and emotionally. This is my guiltiest-feeling rating to date, but I just have to say, in the end, I “didn’t like it.” If my memory of the book isn’t so sour in a couple months, maybe I’ll upgrade to "ok". But not now. (