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Loading... The Drop (A Harry Bosch Novel) (original 2011; edition 2011)by Michael Connelly
Work detailsThe Drop by Michael Connelly (2011)
None. Very easy reading. Not the most dramatic of the Bosch novels. ( )"Fresh Meat" by Oline Cogdill for Criminal Element Harry Bosch has always been the lone wolf in Michael Connelly’s series, with the singular mission of catching murderers. He’s no superman, but he’s an insightful cop who doesn’t let office politics, incompetent supervisors or even the passage of time stop him. So what kind of father is a man so dedicated to his job? A pretty darn good one, given Bosch’s relationship with his daughter, Maddie, in The Drop, Connelly’s 17th novel in this series and the author’s 24th novel. When Bosch first found out he was a father in Lost Light (2003), Maddie was in the background, living with her mother. Bosch made a point of spending time with his child; phone calls and emails became part of his routine when Maddie and her mother moved to Japan. (Read the rest at http://www.criminalelement.com/blogs/2011/11/fresh-meat-michael-connellys-the-dr... ) Synopsis/blurb...... When evidence links a brutal murder in 1989 to a convicted rapist named Clayton Pell, the case should be water-tight. Pell's DNA was found on the victim - but he was only eight years old at the time. This not the only mystery Harry Bosch has to solve. A man jumped - or was pushed - from a window. The victim's father is Councilman Irving, who's been intent on destroying Harry's career for years. Now Irving wants Harry to head up the investigation. Harry uncovers traces of two of the city's deepest secrets: a killer operating for as many as three decades without being detected, and a conspiracy that goes back into the dark history of the police department ... Throughout my 20 plus years as a crime fiction reader, I’ve encountered many a detective that I have admired. I’ve followed the progress of their investigations, marvelling at their skills and intuition; the ability to dissect the various strands of evidence and point themselves in the next logical direction; their empathy for the victims and their families; their tenacity in pursuing their case; their courage and bravery in facing physical danger and their character and backbone much needed to withstand the interference and pressures from those higher up the food chain, often running in tandem with a hostile media and angry public. Of all the detectives I’ve read about, Connelly’s creation Harry Bosch is definitely my favourite. (If anyone decided to murder my skinny ass.....ok it’s not skinny....he’s the guy I want seconded to the Bedfordshire police to head up the investigation.) In The Drop, Harry runs two enquiries. He has an open unsolved case over twenty years old where the DNA evidence points to a suspect, who already has convictions for sex offences but who was a young boy when the crime was committed. His second case is an investigation that sees him cross paths with his nemesis, Councilman Irving. Irving’s son has fallen from a seventh storey window at a hotel and he wants Bosch to establish the truth of the matter; suicide, accident or murder. Connelly skilfully weaves together the investigation into the two crimes, which Bosch runs concurrently, despite being pressured by the brass upstairs and Irving to prioritise the Councilman’s son’s death. Bosch resists Irving’s attempts to control his enquiry and delves deeper into the background of George Irving’s business dealings and marriage, uncovering possible corruption in City Hall and Irvin Irving’s alleged involvement in feathering his son’s nest. Harry’s cold case sees him gain a romantic attachment with a sex therapist who is counselling his major suspect, whilst harbouring her own secrets regarding her fractured family. Bosch also contends with a working partner, Chu who he doesn’t fully trust and as a consequence finds Chu’s resentment at his treatment deflecting his focus from the investigations. His teenage daughter also occupies a lot of his thoughts, as he continues to construct and nurture a relationship with her after the death of her mother several years ago. All the while, the clock runs down on his tenure with the police department and he considers life on the outside. Having struggled to enjoy Connelly’s last few books with the exception of The Fifth Witness, I was delighted to read this offering. Back on form and attains the heights of some of his earlier work. 5 from 5......and an early contender for April’s book of the month. I picked up my copy late last year whilst casing some charity shop book stocks. Connelly builds this from the ground up, and by from the ground, I mean the gritty, slimy particles that make up the ground of dark dungeons and ancient prison cells. Another solid installment in the HB series. It leaves open possibilities to follow up in the next book, but is itself a standalone book. Looking forward to the next one.
No readers of Michael Connelly’s Harry Bosch novels doubts Bosch’s superiority as an LAPD homicide investigator. Where we’ve questioned Bosch over the years has been in the rest of his life roles. As a father, husband, friend and boyfriend, he has frequently revealed himself as a bust in the previous 14 Bosch books. But that perception changes with the new book. In The Drop, Bosch emerges as a freshly mature fellow. It’s his 15-year-old daughter who seems to have made the difference (though some might say of Bosch, who is approaching 60, what took him so long to grow up?). Maddie moved in with Bosch two years ago after her mother was killed in Nine Dragons (2009). Bosch has turned into an alert and nervous father, constantly on the phone to his daughter. For her part, the kid is a gem. She’s far more technologically adept than her father and helps him past tricky computer problems. Her influence works further on him in ways she might not suspect; it’s her mere presence that keeps Bosch from drinking at home and influences him to settle for a glass or two of wine everywhere else. At LA’s new Police Administration Building, Bosch works with the unit handling cold cases, and as The Drop opens, he and his partner are assigned to a 1989 rape-murder case that comes to life with a curious new clue. Ordinarily, this case, with much promise of twists and turns to come, would be enough to fill a satisfying Bosch book. But, still in the opening pages of the new novel, Bosch gets orders from the chief of police to add a second, non-cold case to his list. The case’s crime, as hot as the day’s headlines, involves a prominent LA businessman who either jumped or was shoved from the Chateau Marmont’s penthouse. Worse news for Bosch is that the deceased’s father is Bosch’s mortal enemy, former LAPD deputy chief Irvin Irving. The situation places Harry in the awkward middle of a piece of “high jingo,” his phrase for dirty police politics. Moving through this intense double story, Michael Connelly is at the top of his game. So is Bosch. So, for that matter, is Maddie.
References to this work on external resources.
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