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Persuasion: An Annotated Edition by Jane…

Persuasion: An Annotated Edition (edition 2011)

by Jane Austen, Robert Morrison (Editor)

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1196101,247 (4.35)11
Title:Persuasion: An Annotated Edition
Authors:Jane Austen
Other authors:Robert Morrison (Editor)
Info:Belknap Press of Harvard University Press (2011), Edition: 1, Hardcover, 360 pages
Collections:Your library
Tags:1800s, eng, movie-tie-in

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Persuasion: An Annotated Edition by Jane Austen



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Showing 1-5 of 6 (next | show all)
Interesting notes and illustrations, and a wide range of interpretive comments, (from the 1820's onwards) which really add to the appreciation of the novel. Persuasion is more open to sensible annotation than Emma because of its wider canvas. ( )
  mnicol | Sep 21, 2014 |
It's been many years since I first read Persuasion and I enjoyed it just as much, maybe more, this time around. I have the Belknap Press illustrated and annotated edition that not only has beautiful illustrations but annotations that provide interesting reading on their own merit. An appendix provides the original two concluding chapters that her nephew said she thought "tame and flat". In any case, it was interesting to read and compare both, which provided some insight of her writing and revision style. Austen died soon after finishing Persuasion. The book was published posthumously together with Northanger Abbey. Also included as an appendix, is a short biography written by her favourite brother Henry Austen.

A first for me, I read this while simultaneously listening to Nadia May's audiobook narration, a pairing that was particularly enjoyable. However it is Austen's captivating story in combination with this beautiful volume edited by Robert Morrison that gets a solid five stars. ( )
1 vote VivienneR | Aug 17, 2014 |
Jane Austen’s novel Persuasion gets a royal treatment in Robert Morrison’s annotated edition. This review deals with the annotation, not Austen’s novel.
The illustrations and notes – for almost every page! – turn the book a historical lesson. The footnotes themselves are well written, highlighting notable events, locations, and details in the story. There are also literary and linguistic notes, for example when a word is used oddly from our (modern) point of view. The appropriately selected illustrations bring Austen’s world to life through the eyes of her contemporaries or near-contemporaries. Austen’s original ending, printed at the end of the novel, offers a very enlightening contrast to the final three chapters of the published novel.
A beautiful, enjoyable, and informative book. Austen’s story is greatly enhanced by the preface and annotations. Recommended for fans of Jane Austen and/or female writers of the Regency/romantic period.
EJ 11/2012
  PeskyLibrary | Nov 15, 2012 |
This isn't Austen's best book, but it's not off by far. Anne is her typical heroine -- bright, understanding, amusing, warm, patient -- and Wentworth is her typical hero -- wealthy, strong, misunderstood, protective, handsome, and faithful. There are, of course, family members who are sooo annoying you want to walk into the pages and slap them upside the head. But in the meantime you get a wonderful view of 19th Century country life and mores and, when separated from the book for a time, can't wait to get back to it. ( )
  whymaggiemay | Sep 19, 2012 |
Last year, the good folks at the Harvard University Press presented the first installment in their commitment to annotate all six of Jane Austen’s major novels. Pride and Prejudice: An Annotated Edition, by Jane Austen and edited by Patricia Meyer Spacks set the standard for the series: an unabridged first edition text, annotations by an Austen scholar, full color illustrations, over-sized coffee table format (9.5” X 10”), extensive scholarly introduction, and supplemental material – all pulled together in a beautifully designed interior and stunning cover. It was a grand slam home run. Now, just in time for holiday gift giving, Persuasion: An Annotated Edition was released this month supplying the same powerful presentation; this time to Jane Austen’s final, most profound and poignant novel, Persuasion.

Packed in the side margins of almost every page are running commentaries by editor Robert Morrison. Adding explanations, asides and illuminations, readers will be aided in understanding the narrative that may appear to the first time reader as a simple story of love lost and regained, but in actuality, is quite layered in complexity: laced with historical context, social commentary and influenced by Austen’s personal life. The illustrations run the gambit from paintings and line drawings of country manor houses and city dwellings similar to the residences of the principal characters, portraits of the monarchy, political figures, contemporary authors, Austen and her family, title pages of books of the era including Austen’s, maps, fashion plates, and images from famous illustrated editions of Persuasion by A. Wallis Mills, Charles Edmund Brock and Hugh Thomson. Of note are the helpful and interesting appendixes which include the two canceled chapters of Persuasion that were deleted by Austen herself, “Biographical Notice of the Author’ written by her brother Henry Austen, a list of further reading, and credits for the illustrations.

Students will be happy to know that quotes from major Austen scholars abound: for example, the famous “You pierce my soul. I am half agony, half hope.” love letter in volume II, chapter 11 (p 290) from Captain Wentworth to Anne Elliot rightly receives two plus pages of small type commentary from leading Austen experts such as Stuart Tave, Roger Gard, Deidre Lynch, Mary Favret, John Wiltshire, and Tony Tanner alone. There are numerous others as well, placing this edition in the scholarly category because of the numerous citations.

Besides the unabridged text, scholarly notations and quotes from deep thinkers, this edition is sumptuous eye candy for the Janeite. It is a real pleasure to have so much information collected and assembled for our edification and enjoyment. Morrison offers a lengthy and lucid introduction, but I wished that he had continued his personal observations and opinions more extensively in his annotation and not relied so heavily on quoting others. If this edition has any shortcomings, like its predecessor, the quality of the illustration does not match the content therein.

Next year we will be treated to their next annotated edition, Emma. After HUP has completed Austen’s six major novels, one secretly hopes that they might consider her novella, Lady Susan. Often overlooked, it is one of my personal favorites and could attract more readers if properly explained.

Laurel Ann, Austenprose ( )
  Austenprose | Nov 19, 2011 |
Showing 1-5 of 6 (next | show all)
A fine example of the revitalized investment in beautiful books that keeps company with [the] latest phase of digital reproduction. Lavishly respectful of the best material values of the book (elegant cloth binding, gold-stamped spine, silky endpapers, thick and creamy paper, superb illustrations), it also celebrates Austen’s bookish credentials. Its size (25 × 24 cm) makes it monumental rather than portable: a book for exhibition and browsing rather than for continuous reading on the train or in bed. Page layout is double-columned, with the novel text occupying the inner column, and commentary, annotation and graphic illustration tucked around it, cosseting and adorning it, in a gesture akin to the medieval art of illumination. This does not represent the contest for the space of the page that we find in some dry scholarly editions of the twentieth century, where footnotes and layers of synoptic apparatus induce anxiety in the reader, but something closer to loving embellishment and homage… This volume’s purpose of pleasure is evident in the freewheeling style of Robert Morrison’s annotations.
added by VivienneR | editThe Times Literary Supplement, Kathryn Sutherland

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Jane Austenprimary authorall editionscalculated
Morrison, RobertEditorsecondary authorall editionsconfirmed
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Amazon.com Product Description (ISBN 0674049748, Hardcover)

Published posthumously with Northanger Abbey in 1817, Persuasion crowns Jane Austen’s remarkable career. It is her most passionate and introspective love story. This richly illustrated and annotated edition brings her last completed novel to life with previously unmatched vitality. In the same format that so rewarded readers of Pride and Prejudice: An Annotated Edition, it offers running commentary on the novel (conveniently placed alongside Austen’s text) to explain difficult words, allusions, and contexts, while bringing together critical observations and scholarship for an enhanced reading experience. The abundance of color illustrations allows the reader to see the characters, locations, clothing, and carriages of the novel, as well as the larger political and historical events that shape its action.

In his Introduction, distinguished scholar Robert Morrison examines the broken engagement between Anne Elliot and Frederick Wentworth, and the ways in which they wander from one another even as their enduring feelings draw them steadily back together. His notes constitute the most sustained critical commentary ever brought to bear on the novel and explicate its central conflicts as well as its relationship to Austen’s other works, and to those of her major contemporaries, including Lord Byron, Walter Scott, and Maria Edgeworth.

Specialists, Janeites, and first-time readers alike will treasure this annotated and beautifully illustrated edition, which does justice to the elegance and depth of Jane Austen’s time-bound and timeless story of loneliness, missed opportunities, and abiding love.

(retrieved from Amazon Thu, 12 Mar 2015 18:22:51 -0400)

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