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Half-Blood Blues by Esi Edugyan

Half-Blood Blues (original 2011; edition 2011)

by Esi Edugyan

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8385610,749 (3.76)1 / 194
Title:Half-Blood Blues
Authors:Esi Edugyan
Info:Thomas Allen (2011), Edition: later printing, Paperback, 304 pages
Collections:Your library

Work details

Half Blood Blues by Esi Edugyan (2011)

Recently added byCarlathelibrarian, alpiner, JillCerezke, brodiew2, shellcox, electrice, WiesK, private library, Jodeneg
  1. 20
    The Sisters Brothers by Patrick deWitt (bookwormjules)
    bookwormjules: Part of the 2011 Giller Prize Short List
  2. 10
    The Cat's Table by Michael Ondaatje (bookwormjules)
    bookwormjules: Part of the Giller 2011 Shortlist
  3. 10
    Oh, Play That Thing by Roddy Doyle (bsiemens)
    bsiemens: Taken at face value, both books are about the jazz subculture during the early 20th century: 'Half Blood Blues' is set in France during the 1930s & 'Oh, Play That Thing' is set in America during the 1920s. The writing style is also quite similar.
  4. 00
    Hitler's Black Victims: The Historical Experiences of European Blacks, Africans and African Americans During the Nazi Era by Clarence Lusane (goddesspt2)
    goddesspt2: Non-fiction work to complement Edugyan's novel
  5. 00
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    The Free World by David Bezmozgis (bookwormjules)
    bookwormjules: Part of the 2011 Giller Prize Shortlist
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    bookwormjules: Part of the 2011 Giller Short-list
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    Better Living Through Plastic Explosives by Zsuzsi Gartner (bookwormjules)
    bookwormjules: Part of the 2011 Giller shortlist

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English (55)  French (1)  All languages (56)
Showing 1-5 of 55 (next | show all)
A couple of confessions: I love World War II dramas. I love books about black culture. And I love jazz. Half Blood Blues seems like it was tailor-made for me, and my lord, I was hooked.

From the opening scenes of Paris during the Nazi occupation through the superbly told back story, Esi Edugyan creates a rich and vibrant tone that might be compared to the best jazz - deep and full, and at the same time brassy and abrasive. I was amazed by her ability to describe music, so well that I could hear it. The narrative voice of the main character, Sid, is gorgeously vivid.

And the story - a phenomenal talent, a daring escape, a boy taken by the Nazis, and Louis Armstrong - is so wonderfully woven with Sid's reminisces from the present. Despite the book lining's insistence that this is a mystery, or an adventure, it is truly a book about finding redemption in a world that has changed so fundamentally over the decades. Like great jazz, Sid's journey is both therapeutic and egoistic, inward-looking but eminently influenced by the people around him - his oldest friend, the woman he loves, and the brilliant kid trumpeter who he can't help but hate.

I won't go on, but to say that this is a book that needs to be read - no, devoured. As Sid says, “There's all sorts of ways to live, Chip. Some of them you give a lot. Some of them you take a lot. Art, jazz, it was a kind of taking. You take from the audience, you take from yourself.” Half Blood Blues will take from you, but it gives back, too. It's big and beautiful and familiar but otherworldy. Perfect. ( )
  archivalistic | Aug 24, 2015 |
This book.... was utterly magnificent. I cried at the end. I cried for Sid, Ernst, Paul, and poor, poor Hiero. This book tugged at my heart so many different ways and made me see things I've never seen before in my point of view. Ugh, just so many emotions. God, so many. A wonderful, well written piece of work. One of my favorites, by far. Well done, Edugyan. Well done. ( )
  KillerCorp | Jul 27, 2015 |
Spoilers most likely.
Boy, I sure have been reading a lot of junk lately. But this is a serious book, and it won a prize, and it was a Man Booker Prize Finalist.
I ended up disappointed. Janet liked it. And I wanted to like it.
But, I don't know if the language was accurate. The narrator seemed to be extremely literate but ungrammatical in very specific ways.
And I had a lot of trouble understanding the descriptions of emotional responses. The narrator gives a very detailed account of his feelings & physical responses to emotion, but those descriptions didn't evoke recognition or understanding in me.
I'm not sure if I got the story clear. At the film showing, there is Chip accusing Sid of turning Heiro in, but then that gets dropped. Chip didn't even know of the real betrayal until Sid told him. And Chip is not very clear to me either.
There is a lot of interesting content in the book, and the picture it paints of Berlin & Paris is fascinating. I just didn't quite get the people.
  franoscar | Jun 22, 2015 |
beautifully written and evocative, this novel was such a pleasure to read. i loved the examination of guilt, desire and love mixed up with the escalation of WWII. why people do the things they do - well, it's never usually very clear. people are terrific at creating their own beliefs about others and, often, distortions of truth are concocted. people are complicated, their actions can perceived to be simple. esi edugyan gets all of this, and has written such a heartbreaking story of friendship, loyalty, music, and race. my only hesitation came with the ending - after the build up of the story, it felt rushed, sudden. and then it was quickly over. the ending works - don't get me wrong. i guess i just wasn't quite ready for it to be over.

in 2014, half-blood blues was one of five novels being championed on canada reads (http://www.cbc.ca/books/canadareads/donovan-bailey-defends-half-blood-blues-by-e...). if you are not familiar with this, we are really lucky to have a bookish reality show her in canada. think survivor with books. five books are championed by five fairly well-known canadiana, and over four days the books are debated, judged and eliminated, until only one remains. half-blood blues was championed by olympic runner donovan bailey. the theme that year was 'the one book to change canada', which was a rather lofty goal. i have always felt the downside to the show has been the elimination of one book on the very first day. yes it's live programming, and yes, it's a limited window of opportunity. it's just tough losing one book so early, without enough of a chance to help it shine. it's also really tough when the champion doesn't serve the book well, as has happened a few times over the years. unfortunately, it happened with donovan bailey. he just seemed unable to eloquently defend half-blood blues, unable to counter-debate strongly. now that i have finally taken the chance to read the novel, i feel so disappointed it didn't go further in last year's program. i feel that under a different panelist, the strengths and opportunities of edugyan's book could have reached so many more people.

sorry for the rambling tangent -- i love canada reads, and as i was so engrossed in reading half-blood blues, i felt sad that it was not better positioned last year and was imagining what could have been. ( )
  Booktrovert | Feb 1, 2015 |
Half Blood Blues by Esi Edugyan is Sid Griffiths' story. He's an African American from Baltimore who once was a sax player in the Hot Time Swingers, a band active with the jazz scene in 1930's Berlin. Sid, along with Chip, a guitarist and fellow American, Hieronymous Falk, a twenty year old half German, half African trumpeter, and Paul Bitterstein, a Jewish piano player, were not in a good place due to the rise of the Nazis and their master-race philosophy. In one scene the band members were hiding indoors listening to the sounds of breaking glass as Kristallnacht occurred in the streets outside.

Although any story about a jazz band has to be about the music scene and any story about blacks and Jews in Berlin and Paris during World War II has to be about racism, the most interesting story in this novel is of jealousy and friendship, of decent talent and an extraordinary gift, and of loyalty and guilt. As I said before, this is Sid's story. Hieronymous Falk is not just a good trumpeter, he plays with brilliant sensitivity and emotion. Sid will never be that good, but Hiero has the ability to make Sid better. Sid responds as any human would, with both envy and gratitude. Here is how Sid's opinion changes as he describes Hiero's music (this quote is translated from an audio book, so it may not be perfect):

But then I began to hear, like a pinprick on the air. It was that soft. The voice of a hummingbird singing at a pitch and speed almost beyond hearing. It wasn't like nothing I'd ever heard before.

The kid come in at a strange angle, made the notes glitter like crystal. Pausing, he took a huge breath. Started playing an ear splitting scale that drawn out the invisible scale he just played. The rest of us come in behind him and I tell ya. It ain't took but a minute more for me to understand just what kind of a player this kid was.

He sounded broody, slow, holding the notes way longer than seemed sane. Music should have sounded something like a ship's horn carrying across water: hard, bright, clear. The kid, Hell, he made it muddy, passing his notes not only overseas, but through soil, too. Sounded rich, which might have been fine for an older game, but felt fake from him.

The slow dialog between him and us had a sorta preacher, choir feel to it. There was no grace. His was the voice of a country preacher too green to convince the flock. He talked against us, like he beggin us to listen. He wailed. He moaned. He pleaded and seethed. He dragged every damn feeling out that trumpet but hate, a sorta naked, pathetic way of playing like he done flipped the whole thing inside out, its nerves flailing in the air. He bent the notes, slurred them in a way made us play harder against him. And the more we disagreed the stronger he pleaded. But his pleading ain't never asked for nothing, just seemed to be there for his own damn sake. In a weird way, he sounded both old and like he touching the trumpet for the very first time.

I hated it.

Nazi politics and jazz music provide the color to this great novel, but its real depth is found in the humanity of its characters.

Steve Lindahl – author of Motherless Soul and White Horse Regressions ( )
  SteveLindahl | Nov 22, 2014 |
Showing 1-5 of 55 (next | show all)
Though Half-Blood Blues may generally have been overrated by critics, it delivers an undeniably potent, soul-searching examination of friendship and trust. This may be a novel about beautiful music in an ugly and terrifying place, all those mellifluous strands of jazz amid the jingoism and cacophony of Nazism. But major historical and literary themes of the 20th century weave through too—racism and the plight of the outsider. The book also probes timeless and universal dilemmas: Should one invest in the notion that art can transcend socially constructed barriers? Should friendship be manipulated or even sacrificed on the altar of professional ambition?
Though "Half-Blood Blues" is a jazz book, its greatest strength lies more in the rhythms of its conversations and Griffiths' pitch-perfect voice than in any musical exchanges. ...[H]is dazed account of a band of weary survivors coalescing around Hiero's "Half-Blood Blues" is intoxicating enough to send you crate-digging through a record store's back room for anything like it.
The novel is truly extraordinary in its evocation of time and place, its shimmering jazz vernacular, its pitch-perfect male banter and its period slang. Edugyan never stumbles with her storytelling, not over one sentence. The few weaknesses in the plot, such as they are, simply don't matter.
added by geocroc | editThe Independent, Arifa Akbar (Sep 9, 2011)
What could have been a great Afro-German story has been sidelined..Despite the book's blurb tantalising us with promises of a black German experience, this novel is really about Sid and his version of events that led up to Hiero's arrest. It's also about his strained relationship with Chip. But as black jazz musicians they are already a familiar motif in American culture, and there's a touch of central casting about their portrayal. And while Sid's slangy vernacular is often charismatic, elsewhere the novel is problematic. It's hard to accept that both men would have chosen to live under the tyrannical regime of the Third Reich....
Much of the power of this unforgettable novel comes from the way its racial themes echo. It is very difficult to perceive and articulate the twisted skein of emotion that is black experience – and yet that is just what Edugyan manages to do with this brilliantly conceived, gorgeously executed novel. It's a work that promises to lead black literature in a whole new direction.

References to this work on external resources.

Wikipedia in English


Book description
"Paris, 1940. A brilliant jazz musician, Hiero, is arrested by the Nazis and never heard from again. He is twenty years old. He is a German citizen. And he is black. Fifty years later, his friend and fellow musician, Sid, must relive that unforgettable time, revealing the friendships, love affairs and treacheries that sealed Hiero's fate. From the smoky bars of pre-war Berlin to the salons of Paris - where the legendary Louis Armstrong makes an appearance - Sid, with his distinctive and rhythmic German-American slang, leads the reader through a fascinating world alive with passion, music and the spirit of resistance. Half-Blood Blues, the second novel by an exceptionally talented young writer, is an entrancing, electric story about jazz, race, love and loyalty, and the sacrifices we ask of ourselves, and demand of others, in the name of art." -- Publisher.

The aftermath of the fall of Paris, 1940. Hieronymus Falk, a rising star on the cabaret scene, was arrested in a cafe and never heard from again. He was twenty years old. He was a German citizen. And he was black.

Fifty years later, Sid, Hieros' bandmate and the only witness that day, is going back to Berlin. Persuaded by his old friend Chip, Sid discovers there's more to the journey than he thought when Chip shares a mysterious letter, bringing to the surface secrets buried since Hieros' fate was settled.

Half Blood Blues weaves the horror of betrayal, the burden of loyalty and the possibility that, if you don't tell your story , someone else might tell if for you. And they just might get it wrong.
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"Berlin, 1939. The Hot-Time Swingers, a popular German American jazz band, have been forbidden to play live because the Nazis have banned their 'degenerate music.' After escaping to Paris, where they meet Louis Armstrong, the band's brilliant young trumpet-player, Hieronymus Falk, is arrested in a cafe by the Gestapo. It is June 1940. He is never heard from again. He is twenty years old, a German citizen. And he is black. Berlin, 1992. Falk, now a jazz legend, is the subject of a celebratory documentary. Two of the original Hot-Time Swingers American band members, Sid Griffiths and Chip Jones, are invited to attend the film's premier in Berlin. As they return to the landscape of their past friendships, rivalries, loves and betrayals, Sid, the only witness to Falk's disappearance who has always refused to speak about what happened, is forced to break his silence. Sid recreates the lost world of Berlin's pre-war smoky bars, and the salons of Paris, telling his vibrant and suspenseful story in German American slang. Half-Blood Blues is a novel about music and race, love and loyalty, and marks the arrival of an extraordinarily 'gifted storyteller' (The Toronto Star)"--… (more)

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