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Goodnight, Goodnight Construction Site by…

Goodnight, Goodnight Construction Site (edition 2011)

by Sherri Duskey Rinker, Tom Lichtenheld (Illustrator)

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7096013,323 (4.14)4
Title:Goodnight, Goodnight Construction Site
Authors:Sherri Duskey Rinker
Other authors:Tom Lichtenheld (Illustrator)
Info:Chronicle Books (2011), Hardcover, 32 pages
Collections:Your library
Tags:Children's Literature, Preschool, construction, Informational Text

Work details

Goodnight, Goodnight Construction Site by Sherri Duskey Rinker

Recently added byCherylStanke, Jilltacy, AK04, private library, charity1313, ltcl, kiesa, AKOlson, AnitaCalph



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Showing 1-5 of 59 (next | show all)
Even the child whose motor never stops running is no match for this sweet picture book. The lilting rhythm of Sherri Duskey Rinker’s Goodnight, Goodnight, Construction Site will quiet your little truck lover and get him or her ready for a restful night. This busy construction site going through its nighttime rituals will help power down your child’s engine and encourage sweet motor dreams. ( )
  nkoffler | Nov 30, 2016 |
At the construction site all the trucks work together to get the job done. They work so hard that they all have a good nights sleep.
  violetkulch | Nov 29, 2016 |
A cute story about a Crane Truck, Cement Mixer, Dump Truck, Bulldozer, and an Excavator finishing up a hard day of work, and lying down to rest.
  dineenvallance | Nov 29, 2016 |
Amazing artwork. The rhyming text flows well and the illustrations enhance the artwork. Would be a great bedtime story to read to kids. ( )
  eel74 | Nov 6, 2016 |
This a good book for children because in this story they get to learn about a construction site in a fun way where all the equipment is alive. They work and go to sleep every night. Children will enjoy this because it will come to life for them. ( )
  Alexgirl16 | Nov 5, 2016 |
Showing 1-5 of 59 (next | show all)
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Author nameRoleType of authorWork?Status
Sherri Duskey Rinkerprimary authorall editionscalculated
Lichtenheld, Tommain authorall editionsconfirmed
Rinker, Sherri Duskeymain authorall editionsconfirmed
Lichtenheld, TomIllustratorsecondary authorall editionsconfirmed
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Book description
For me, the powerful aspect to this book is the rhyming aspect. It seems children appreciate the rhythmic quality and certainly research shows this approach can be powerful for early development. As the book's title gives away, this book is about a construction site being put to bed. The author gives a sort of human quality to the construction site machinery. One thing I might do with this one is not put a gender to the machines. I found myself taking the word "him" out when I read it to children so not to assume machinery would have to have a macho quality.
Haiku summary

Amazon.com Amazon.com Review (ISBN 0811877825, Hardcover)

Amazon.com Exclusive Essay: From the Slush Pile to #1: Realizing My Vision. Or Not.
First-time author Sherri Duskey Rinker's Goodnight, Goodnight, Construction Site steadily climbed up the New York Times' Bestseller list throughout 2011, reaching #1 on January 29th, 2012. Here she shares the early inspiration that inspired a career in design, and how another artist brought her vision to life.

I grew up loving picture books.

I can still hear my grandmother's voice over the sound of the pages turning, the old wind-up Westclox alarm clock ticking away and the sound of traffic rolling down Howard Street. I remember the smell of books mingling with the smell of freshly laundered sheets.

Virginia Lee Burton's The Little House was my favorite, and I obsessed over the whimsically sweet illustrations of that little pink house happily sitting upon a hill covered in daisies.

Inspired, I wanted to be an artist. I also wanted to be a poet, an art teacher, and a journalist. The ping-pong ball of art vs. words ended with a career as a graphic designer. It was a perfect fit: I took pictures and words and put them together in a pretty way.

I met an artist, a photographer. He also had grown up with Virginia Burton: Mike Mulligan and his Steam Shovel. It was a sign. So I married him. We had two boys and two good excuses for buying dozens (and dozens) of picture books.

Inspired by my youngest son's tireless (literally!) obsession with trucks, I wrote Goodnight, Goodnight Construction Site in stolen moments during the workday and late at night, after the boys were tucked in. And with the words emerged a vision (dare I say "obsession") for how the book and my trucks would look.

I could see it so clearly: realistic illustrations of trucks superimposed with facial expressions to convey the mood and create the characters. Strong, yet simple graphic elements to create the setting. A bit of realism. A bit of collage. A bit of a grunge to compliment the dirty work of the trucks. I included the concept illustration with my manuscript and sent it, unsolicited, to Chronicle Books.

When my editor contacted me, three months after I'd sent the manuscript, she was friendly, but also to-the-point: They loved the manuscript (!), and hated (though she used a nicer word) the illustration concept.


One of the reasons that Chronicle was the first (and ultimately only) publisher on my list was that I LOVE their picture books. I appreciate their beauty and high production values. So, I had a choice here: trust, or walk away. I chose trust--with a big dash of fear.

My editor asked if I had any ideas for illustrators. I sent her a dozen names and online portfolios. I'm pretty certain she ignored me. And, they chose Tom Lichtenheld. (Who?)

When I told my editor that I'd never heard of Tom, she quickly emailed a few examples. The first was from Tom's NYT best-selling book, Duck! Rabbit! I was stunned to see bold, simple shapes and thickly-outlined illustrations. I stared blankly at the screen, feeling my heart sink.

Could this guy even draw a truck?

I spent the next couple of months intently focused on the process of editing and developing the final manuscript. But it was always there, in the back of my mind: What would the book look like? What had I given up?

One evening I received an excited email from my editor with Tom's first pencil sketch attached.

I wrote back: "I’m scared. I'll pour a glass of wine and then look at it."

I held my breath and double-clicked. And there it was: classic, timeless and tender, with just a touch of whimsy. My crane truck, a distant, younger cousin to Mike Mulligan, perhaps? My heart melted. I was won over.

So there it was: nothing like I imagined. But it was better. I've come to learn that some of the best things in life--like marriage and motherhood--are like that.

And I could almost feel Mrs. Burton smiling down.

Little House
Virginia Lee Burton's The Little House Mike Mulligan
Virginia Lee Burton's Mike Mulligan's steam shovel Concept Sketch
Rinker's original vision for Goodnight, Goodnight, Construction Site Duck Rabbit
Illustrator Tom Lichtenheld's Duck! Rabbit! Crane
Lichtenheld's first sketch of Goodnight, Goodnight, Construction Site

(retrieved from Amazon Thu, 12 Mar 2015 18:18:24 -0400)

(see all 3 descriptions)

At sunset, when their work is done for the day, a crane truck, a cement mixer, and other pieces of construction equipment make their way to their resting places and go to sleep.

(summary from another edition)

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