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The Swerve: How the World Became Modern by…
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The Swerve: How the World Became Modern

by Stephen Greenblatt

Other authors: See the other authors section.

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Showing 1-5 of 52 (next | show all)
This Pulitzer-Prize winning work presents the thesis that Lucretius' philosophical poem On the Nature of Things, discovered in a monastery by a former papal scribe Poggio Bracciolini, influenced modern thought on deity and science. The poem posited that the universe is made of atoms in collision with each other, that the soul dies with the body, and that there is no intelligent god.

I read this fairly fast, for my book group, and probably need to go back to it; frankly for me it was rough sledding at times. I perceived a surprising amount of speculation in this well-documented history book, as well as a pugnacious atheism which is probably going to annoy some of my book group cohorts. ( )
  CasualFriday | May 6, 2013 |
So I guess I'm a Lucretian, who knew? ;) Fascinating book, a glimpse into another time that is many ways an echo of our own. ( )
  stacey2112 | Apr 22, 2013 |
An engaging book that covers a range of fascinating historical moments and milieus. The central character of Poggio Bracciolini and his discovery of an ancient text by Lucretius serves as a vehicle tracing the rise and fall of cultures and the slow progression to modernity. Very enjoyable read. ( )
  Mducman | Apr 22, 2013 |
Really astounding. I was floored at the end to realize this one work had influenced some of my favorite writers: Montaigne and Shakespeare and really all western thought. The whimsy of Lucretius' work surviving through the ages... ( )
  JenGennari | Apr 6, 2013 |
A fascinating account of how one early Renaissance humanist searched for and rediscovered Lucretius' philosophical poem, De Rerum Naturam; Greenblatt argues that the discovery of this book was crucial to the birth of the Enlightenment, modern society and modern science. Maybe, maybe not, but it is a fascinating story told well. ( )
  nmele | Apr 6, 2013 |
Showing 1-5 of 52 (next | show all)
Greenblatt's story of the unleashing of the pleasure principle on the European world after the discovery of Lucretius conveys his own passion for discovery, and displays his brilliance as a storyteller. The Swerve is, though, a dazzling retelling of the old humanist myth of the heroic liberation of classical learning from centuries of monastic darkness. The light of Rome fades into gloom, sheep graze in the Forum; then the humanists rebel against the orthodoxies of the church, bring about a great recovery of classical texts and generate a new intellectual dawn. This book makes that story into a great read, but it cannot make it entirely true.
added by peterbrown | editThe Guardian, Colin Burrow (Dec 23, 2011)
 
The ideas in “The Swerve” are tucked, cannily, inside a quest narrative. The book relates the story of Poggio Bracciolini, the former apostolic secretary to several popes, who became perhaps the greatest book hunter of the Renaissance. His most significant find, located in a German monastery, was a copy of Lucretius’ “On the Nature of Things,” which had been lost to history for more than a thousand years. Its survival and re-emergence into the world, Mr. Greenblatt suggests, was a kind of secular miracle.

Approaching Lucretius through Bracciolini was an ingenious idea. It allows Mr. Greenblatt to take some worthwhile detours: through the history of book collecting, and paper making, and libraries, and penmanship, and monks and their almost sexual mania for making copies of things.

The details that Mr. Greenblatt supplies throughout “The Swerve” are tangy and exact.
 
This concise, learned and fluently written book tells a remarkable story. It may not quite tell us "how the Renaissance began", as the subtitle rather rashly promises, but the episode it describes is certainly resonant. Highly skilled, close-focus readings of moments of great cultural significance are Stephen Greenblatt's speciality, whether in "new historicist" studies such as Marvellous Possessions, about the European encounter with the New World, or in his more populist biography Will in the World: How Shakespeare became Shakespeare.
 

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Stephen Greenblattprimary authorall editionsconfirmed
Binder, KlausÜbersetzersecondary authorsome editionsconfirmed
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(Preface) When I was a student, I used to go at the end of the school year to the Yale Coop to see what I could find to read over the summer.
In the winter of 1417, Poggio Bracciolini rode through the wooded hills and valleys of southern Germany toward his distant destination, a monastery reputed to have a cache of old manuscripts.
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But the extravagance and bitterness of the charges – in the course of a quarrel over Latin style, Poggio accused the younger humanist Lorenzo Valla of heresy, theft, lying, forgery, cowardice, drunkenness, sexual perversion, and insane vanity – discloses something rotten in the inner lives of these impressively learned individuals. (p. 146)
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Amazon.com Product Description (ISBN 0393064476, Hardcover)

Winner of the 2012 Pulitzer Prize for Non-Fiction
Winner of the 2011 National Book Award for Non-Fiction

One of the world's most celebrated scholars, Stephen Greenblatt has crafted both an innovative work of history and a thrilling story of discovery, in which one manuscript, plucked from a thousand years of neglect, changed the course of human thought and made possible the world as we know it.

Nearly six hundred years ago, a short, genial, cannily alert man in his late thirties took a very old manuscript off a library shelf, saw with excitement what he had discovered, and ordered that it be copied. That book was the last surviving manuscript of an ancient Roman philosophical epic, On the Nature of Things, by Lucretius—a beautiful poem of the most dangerous ideas: that the universe functioned without the aid of gods, that religious fear was damaging to human life, and that matter was made up of very small particles in eternal motion, colliding and swerving in new directions.

The copying and translation of this ancient book-the greatest discovery of the greatest book-hunter of his age-fueled the Renaissance, inspiring artists such as Botticelli and thinkers such as Giordano Bruno; shaped the thought of Galileo and Freud, Darwin and Einstein; and had a revolutionary influence on writers such as Montaigne and Shakespeare and even Thomas Jefferson. 16 pages full-color illustrations

(retrieved from Amazon Thu, 14 Feb 2013 13:53:20 -0500)

(see all 3 descriptions)

In this book the author transports readers to the dawn of the Renaissance and chronicles the life of an intrepid book lover who rescued the Roman philosophical text On the Nature of Things from certain oblivion. In this work he has crafted both a work of history and a story of discovery, in which one manuscript, plucked from a thousand years of neglect, changed the course of human thought and made possible the world as we know it. Nearly six hundred years ago, a short, genial, cannily alert man in his late thirties took a very old manuscript off a library shelf, saw with excitement what he had discovered, and ordered that it be copied. That book was the last surviving manuscript of an ancient Roman philosophical epic, On the Nature of Things, by Lucretius, a beautiful poem of the most dangerous ideas: that the universe functioned without the aid of gods, that religious fear was damaging to human life, and that matter was made up of very small particles in eternal motion, colliding and swerving in new directions. The copying and translation of this ancient book, the greatest discovery of the greatest book-hunter of his age, fueled the Renaissance, inspiring artists such as Botticelli and thinkers such as Giordano Bruno; shaped the thought of Galileo and Freud, Darwin and Einstein; and had a revolutionary influence on writers such as Montaigne and Shakespeare and even Thomas Jefferson.… (more)

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