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The Sense of an Ending [Deckle Edge]…

The Sense of an Ending [Deckle Edge] (Vintage International) (original 2011; edition 2012)

by Julian Barnes

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4,5713611,049 (3.85)1 / 584
Title:The Sense of an Ending [Deckle Edge] (Vintage International)
Authors:Julian Barnes
Info:Vintage (2012), Paperback, 176 pages

Work details

The Sense of an Ending by Julian Barnes (2011)

  1. 101
    On Chesil Beach by Ian McEwan (Cariola, BookshelfMonstrosity)
    Cariola: Another brief but powerful novel that explores how our perceptions vary and memories change over time, as well as regrets over lost oppotunities. McEwan is, like Barnes, a master of words and character development. On Chesil Beach made the Booker short list in 2007--and should have won!… (more)
    BookshelfMonstrosity: These brief, intricately plotted novels are reflective, character-driven stories that examine a pivotal event from different perspectives. In a complex narrative that shifts between past and present, individuals who grew up in 1960s England discover that memory can be unreliable.… (more)
  2. 93
    The Remains of the Day by Kazuo Ishiguro (Laura400)
  3. 60
    The Sea, the Sea by Iris Murdoch (Queenofcups)
    Queenofcups: I found myself thinking of Murdoch's The Sea, The Sea as I read this book. There is some affinity in theme and story. Murdoch is expansive, where Barnes is elegant and economical. It won the Booker in 1978, and it's well worth another look.
  4. 20
    The Woman in the Dunes by Kōbō Abe (freddlerabbit)
  5. 21
    The Good Soldier by Ford Madox Ford (AlexBr)
    AlexBr: If you like unreliable narrators.
  6. 10
    A Partisan's Daughter by Louis de Bernières (jayne_charles)
    jayne_charles: Intelligently written account of an old guy reminiscing, with the added bonus in this case of an education in Balkan history along the way
  7. 00
    Lolita by Vladimir Nabokov (kara.shamy)
  8. 22
    The Sea by John Banville (bookmomo)
    bookmomo: Men looking back on their youth, similar issues with memories. Both beautiful reads.
  9. 01
    The Newton Letter by John Banville (StevenTX)
  10. 01
    The Marriage Plot by Jeffrey Eugenides (yokai)

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English (326)  Dutch (11)  Spanish (6)  German (5)  French (3)  Norwegian (3)  Italian (3)  Danish (1)  Portuguese (Portugal) (1)  Hebrew (1)  Finnish (1)  All languages (361)
Showing 1-5 of 326 (next | show all)
When you go about stuffing a full-length novel into one hundred pages, you must leave certain things to the reader's imagination. And you must set the words in place as to not leave the reader confused at the climax. Julian Barnes does precisely this with such panache. ( )
  bsiemens | Apr 28, 2015 |
Wow. Spectacular writing and what a story. I want to read it again. But wait, all those other books to read . . . ( )
  sdnomis | Apr 25, 2015 |
It says something, I think, that I finished this only a week or so ago and am already having trouble recalling its substance. Two things I do recall: 1. I was reminded of The Sea, The Sea, particularly since both books have a first person narrator who is clearly unreliable and not the "nicest" person on the planet. That worked for me coming from Murdoch's pen but not here, possibly because, as well as his being generally rather a prat, I found Barnes' protagonist frankly dull. 2. The one character I really enjoyed was the main character's ex-wife (I've forgotten his name already! A.. A... Adrian? Maybe.)

Not the most sparkling of reviews, for which I'm sorry, but the book inspires me to nothing more insightful. I do believe this is the first Booker winner I have read that I would judge to be a damp squib. ( )
  Vivl | Apr 2, 2015 |
This was a book that I admired but didn't fully enjoy (and indeed was glad that it didn't run on for another 200 pages).

Sometimes when you read a book it's quite 'sexless' in that you can't easily determine the sex of the author through the narrative. However, I found this book very 'blokey' (if that's a word); Barnes certainly captured very acutely a male way of thinking and acting, but as a woman I didn't identify with this and it affected my enjoyment of the prose.

This book is the story of 4 boys who meet at school, and how, 40 years later, Tony (one of the boys) struggles to reconcile some of the events that happened in their youth with recent happenings that are now unfolding.

I understand that Barnes has been quite clever in exploring whether, when we look back at events in our past, we can accurately reanalyse this history in the present. However, sometimes this philosophical exploration seemed to go on for too long, and my attention wandered.

The narrative built up to a nice little twist at the end (which wasn't obviously spelt out either - I had to reread the last few paragraphs a few times to make sure I'd got the right gist of it), and I felt the second half of the book had more pace than the first half. However, overall it felt quite typical of a literary award winning novel - very much about the literary exploring of certain concepts, and a little too formulaic, as if Barnes had an award like the Booker firmly in his sights when he set out to write this short novel.

So clever, yes, but a little too up it's own ass for me.

3.5 stars ( )
  AlisonY | Mar 13, 2015 |
Don't really know how to put this. I don't think it delivered the way I wanted it to, but I love everything Julian Barnes does. It was slow. It was messy. It was ultimately anti-climactic in its conclusion, without the serious resolution I crave from fiction.

More like life, I suppose. ( )
  ternary | Feb 14, 2015 |
Showing 1-5 of 326 (next | show all)
By now, The Sense of an Ending by Julian Barnes has gained itself a reputation for being the novel you must read twice.....

Nearly every paragraph in this book has multiple interpretations. Once all the questions are answered, the reader is left in the same state that Tony is in the book’s final pages—floored at life’s essential mysteries, and frustrated that they cannot be relived. Fortunately for us, we can just read the book again.
added by Nickelini | editForbes, Geoff Mak (Mar 29, 2012)
Barnes' work is one in which, event-wise, not a whole lot happens. Unless we’re talking about the events of the brain and the tricks of time and memory. If that's the case, then Barnes has impressively condensed an undertaking of biblical proportions into a mere 163 pages.
added by WeeklyAlibi | editWeekly Alibi, Sam Adams (Nov 10, 2011)
Deservedly longlisted for the Man Booker prize, this is a very fine book, skilfully plotted, boldly conceived, full of bleak insight into the questions of ageing and memory, and producing a very real kick – or peripeteia – at its end. As Kermode wrote: "At some very low level we all share certain fictions about time, and they testify to the continuity of what is called human nature…" Barnes has achieved, in this shortish account of a not very attractive man, something of universal importance.
As ever, Barnes excels at colouring everyday reality with his narrator's unique subjectivity, without sacrificing any of its vivid precision: only he could invest a discussion about hand-cut chips in a gastropub with so much wry poignancy.
A man's closest-held beliefs about a friend, former lover and himself are undone in a subtly devastating novella from Barnes. It's an intense exploration of how we write our own histories and how our actions in moments of anger can have consequences that stretch across decades. The novel's narrator, Anthony, is in late middle age, and recalling friendships from adolescence and early adulthood. What at first seems like a polite meditation on childhood and memory leaves the reader asking difficult questions about how often we strive to paint ourselves in the best possible light.
added by kthomp25 | editKirkus Reviews. (Nov. 1, 2011)

» Add other authors (14 possible)

Author nameRoleType of authorWork?Status
Barnes, Julianprimary authorall editionsconfirmed
Gombau i Arnau, AlexandreTranslatorsecondary authorsome editionsconfirmed
Hörmark, MatsTranslatorsecondary authorsome editionsconfirmed
Vlek, RonaldTranslatorsecondary authorsome editionsconfirmed
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First words
I remember, in no particular order:
   -a shiny inner wrist;
   -steam rising from a wet sink as a hot frying pan is laughingly tossed into it;
   -gouts of sperm circling a plughole, before being sluiced down the full length of a tall house;
   -a river rushing nonsensically upstream, its wave and wash lit by half a dozen chasing torchbeams;
   -another river, broad and grey, the direction of its flow disguised by a stiff wind exciting the surface;
   -bathwater long gone cold behind a locked door.
"We could start perhaps with the seemingly simple question. What is History? Any thoughts, Webster?
'History is the lies of the victors,' I replied a little too quickly.'
Yes, I was rather afraid you'd say that. Well as long as you remember that it is also the self-delusions of the defeated...' (p. 25, large print ed.)
We muddle along, we let life happen to us, we gradually build up a store of memories. There is the question of accumulation, but not in the sense that Adrian meant, just the simple adding up and adding on of life. And as the poet pointed out, there is a difference between addition and increase.
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Book description
By an acclaimed writer at the height of his powers, The Sense of an Ending extends a streak of extraordinary books that began with the best-selling Arthur & George and continued with Nothing to Be Frightened Of and, most recently, Pulse.

This intense new novel follows a middle-aged man as he contends with a past he has never much thought about—until his closest childhood friends return with a vengeance, one of them from the grave, another maddeningly present. Tony Webster thought he’d left all this behind as he built a life for himself, and by now his marriage and family and career have fallen into an amicable divorce and retirement. But he is then presented with a mysterious legacy that obliges him to reconsider a variety of things he thought he’d understood all along, and to revise his estimation of his own nature and place in the world.

A novel so compelling that it begs to be read in a single sitting, with stunning psychological and emotional depth and sophistication, The Sense of an Ending is a brilliant new chapter in Julian Barnes’s oeuvre. .
Haiku summary
Middle-age memories
of times past, both good and bad.
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"Tony Webster, a middle-aged man, ... contends with a past he never thought much about--until his closest childhood friends return with a vengeance: one of them from the grave, another maddeningly present"--Flap p. 1 of cover.

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