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Banishing Verona: A Novel by Margot Livesey
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Banishing Verona: A Novel

by Margot Livesey

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Showing 5 of 5
Having just finished "The House on Fortune Street" I wanted to provide a brief review of Margot Livesey's "Banishing Verona," which absorbed me during the winter of 2004. At the time, my son was living in London on a semester abroad, and we live in the Boston area, so the dual locales of the story were an immediate draw. As she did so skillfully in "Criminials" and "The Missing World", Ms. Livesey deftly draws us into the inner thoughts and often peculiar motives of her characters, and creates pitch-perfect sense of place no matter where her story takes us - Scotland, London, Boston. Her narratives are filled with suspense because they are so remarkably plausible - bizarre situations and often disastrous decisions which would border on the absurd were her characters not so accessible to us. She leads us through a complex and fascinating labrynth with Zeke, Verona, their friends and family, and to a thoroughly satisfying conclusion which ties all threads together. The publication of Ms. Livesey's newest work will undoubtedly create a bump of interest in her backlist - I'm sure those who are just discovering her through House on Fortune Street will be delighted to follow up with Banishing Verona, where she's at the top of her game. ( )
  dreamreader | Mar 21, 2009 |
Scary, funny plots, some of the creepiest villains in recent memory, and language both gorgeous and tart.
—Erin McGraw, Raleigh News & Observer
  NativeRoses | Jun 4, 2007 |
Liked this story a lot. I had real empathy for the male main character, Zeke. Verona was also a very interesting character. Their finding each other, seemed very poignant. ( )
  aemurray | May 7, 2007 |
Lovely and twisty tale of a man who can't remember faces goes looking for a woman who doesn't want to be found, because though he can't remember what she looks like and he did get her name, he loves her. Very sweet. ( )
  picardyrose | Mar 17, 2007 |
My friend Kristi gave me this book, pointing out that it is about two of our favorite cities, London and Boston. Indeed, the book takes place in both locations and I enjoyed traveling through the geography of both, and spotting familiar places along the way.

The story is interesting enough, but the constant distance between the two main characters (which I think is meant to be the hook for this book) became tiresome to me as the chapters wore on.

Verona, a 7-months pregnant radio talkshow host has a one-night tryst with Zeke, a handsome house painter, who struggles with social situations due to Asperger's syndrome (a mild form of autism). They meet under highly unlikely circumstances and fall in love. Then Verona disappears. The rest of the novel involves the two lovers trying to get back together.

In fact, Zeke and Verona only appear together in 3 or four scenes. This is an interesting concept, but, in the end not as compelling as I would have hoped. I never felt enthralled by the story or the characters.

An okay book, but not a great one. (Sorry, Geekface. Didn't love it.) ( )
  coricouture | Aug 25, 2006 |
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Amazon.com (ISBN 0312425201, Paperback)

Margot Livesey's Banishing Verona is the story of two people who enjoy an enchanted evening together, and then spend the next few weeks chasing each other across continents in order to decide if it's the real thing. Zeke Cafarelli is an endearingly timid, rather obsessive-compulsive housepainter who dismantles clocks, "laying out the springs and coils in careful sequence and putting them back together," in order to gain the courage to leave his house. Verona MacIntyre is a seven-months-pregnant radio talk show host who goes back and forth between wanting to rescue her wayward brother and simply wanting to rescue herself. The backdrop for this ethereal novel is London and Boston, and Livesey does a masterful job of creating characters out of the cities and places that house her protagonists.

Banishing Verona is a love story at its core; however, Zeke and Verona are seen together in only a few scenes. Instead, Livesey tells the story from each character's perspective, overlapping time and place yet creating entirely unique situations. Each event is described with such precision that even the most mundane tasks take on a sense of importance that feels almost palpable. ("Then he noticed the red light on the phone, blinking ... He raised the receiver and heard only the usual high-pitched note; he had no idea what to do next.")

While her attention to detail may seem a bit excessive at times, Livesey is undeniably adept at creating a vivid, colorful world whose only purpose is to exist as a backdrop for Zeke and Verona's search for self, and for each other. Even secondary characters, like Zeke's employee Emmanuel and Verona's brother Henry, are only there to accentuate the good (and the bad) in our hero and heroine. Still, the underlying message here is that no one ever really knows anyone else, or as Zeke says, "Only years later ... did he grasp that even at their most vivid ... his thoughts were invisible, not only to teachers and tyrants, but to everyone..." What keeps us reading this dreamy novel until the very last page is the hope that people exist who are willing to take a chance on what can never truly be a sure thing. --Gisele Toueg

(retrieved from Amazon Fri, 24 Apr 2009 07:57:54 -0400)

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