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Mysteries of the Middle Ages by Thomas Cahill
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Mysteries of the Middle Ages

by Thomas Cahill

Series: Hinges of History (5)

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532119,076 (3.73)21
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Mr. Cahill is a very good writer. This book is almost as good as the first in his series The Hinges of History. ( )
  paulrwaibel44 | Sep 10, 2009 |
Cahill is one of those writers that is a like a singer that doesn't any category so its hard to really dive into his writing. The book's design is kind of neat. It reminds of the DK books.
  GEPPSTER53 | Jul 16, 2009 |
I have fond -- if vague -- memories of Cahill's How the Irish Saved Civilization, which came out over a decade ago. So when I saw this book, I decided to get it. And I've been enjoying it so far. But on page 87 Cahill goes off on this half-page diatribe about how guilt is the greatest gift the Judeo-Christian tradition has given the Western world. He says that without it we would all be psychopaths. WTF? What about compassion and empathy? Why do we have to see ourselves as sinners in order to be good people?

So the author has just revealed his bias, and I'm not enjoying the book so much now. It's hard to trust an author who thinks that way. I'm not saying I have to agree with everything an author writes -- far from it -- but to accept someone's expertise you have to trust them. Somebody who thinks Catholic guilt is a good thing is someone I can't believe.

I'll put Mysteries away for now. Maybe a few days' distance will let me get the bad taste of Cahill's rant out of my brain... ( )
1 vote caligatia | Jul 10, 2009 |
This book is best used for the excellent pictures. ( )
1 vote NLytle | May 28, 2009 |
Cahills books generally deal with western history, though western history is permeated with the religions at least, that arose in the middle east, and most accounts begin with the middle east, Egypt and the fertile cresent centered in Mesopotamia. I have to admit that his books are in some way comforting, dealing with topics that are somewhat familiar to me. But, rather than simply presenting the events of history, he presents ideas and their impact. In this particular book I enjoyed reading about Hildebrand, an influential woman, and in Cahill's interpretation of the idea of Thomas Aquinas in contrast to those of Augustine. In short, he sees Augustine as more in line with Plato, with the metaphor of viewing reality from the cave and seeing shadows. But Aquinas, he sees as trusting the senses, and viewing the body as a good thing.

I was also somewhat astonished to read that limbo had been out of favor in the Catholic church for some time, since I had learned about it as a child in Catholic school. This was in a section about Dante and the Divine Comedy, when he was talking about Dante's difficulty with the idea of the unbaptized going to hell. Limbo was a later solution to this difficulty, but, apparently has been de-emphasized along with the idea that the unbaptized go to hell.

He has some scathing things to say about the recent sexual scandals in the Catholic church and Pope JohnPaul II and Bernard, implicating them as part of the coverup and in the church's treatment of the victims. I assumed as I read this that he was writing as someone who was raised Catholic, and looking it up I found that he was educated by Jesuits, and is currently a practicing Catholic. ( )
2 vote solla | May 10, 2009 |
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So does Geoffrey Chaucer describe the convening—at the Tabard Inn in Southwark on the southern bank of the River Thames—of twenty-nine pilgrims.
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(Click to show. Warning: May contain spoilers.)
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Amazon.com Product Description (ISBN 0385495552, Hardcover)

After the long period of cultural decline known as the Dark Ages, Europe experienced a rebirth of scholarship, art, literature, philosophy, and science and began to develop a vision of Western society that remains at the heart of Western civilization today.

By placing the image of the Virgin Mary at the center of their churches and their lives, medieval people exalted womanhood to a level unknown in any previous society. For the first time, men began to treat women with dignity and women took up professions that had always been closed to them.

The communion bread, believed to be the body of Jesus, encouraged the formulation of new questions in philosophy: Could reality be so fluid that one substance could be transformed into another? Could ordinary bread become a holy reality? Could mud become gold, as the alchemists believed? These new questions pushed the minds of medieval thinkers toward what would become modern science.

Artists began to ask themselves similar questions. How can we depict human anatomy so that it looks real to the viewer? How can we depict motion in a composition that never moves? How can two dimensions appear to be three? Medieval artists (and writers, too) invented the Western tradition of realism.

On visits to the great cities of Europe—monumental Rome; the intellectually explosive Paris of Peter Abelard and Thomas Aquinas; the hotbed of scientific study that was Oxford; and the incomparable Florence of Dante and Giotto—Cahill brilliantly captures the spirit of experimentation, the colorful pageantry, and the passionate pursuit of knowledge that built the foundations for the modern world. Bursting with stunning four-color art, MYSTERIES OF THE MIDDLE AGES is the ultimate Christmas gift book.

(retrieved from Amazon Fri, 24 Apr 2009 07:58:25 -0400)

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