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Poems for Children Nowhere Near Old Enough…

Poems for Children Nowhere Near Old Enough to Vote

by Carl Sandburg

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Semi-recently discovered Sandburg gets the full design treatment. And does not suffer for it. The boy loved it . . . especially The Moon, Eggs And Buttons, and Noses. ( )
  beckydj | Mar 31, 2013 |
A collection of meditations upon what children first encounter in their search for meaning, mixed in with some school experiences, with an approach to language and advanced concepts that makes it most suitable for 'tweens. ( )
  manich01 | Jul 13, 2012 |
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Amazon.com Amazon.com Review (ISBN 0679889906, Hardcover)

Sixty years ago, Carl Sandburg (1878-1967)--America's unofficial poet laureate, Pulitzer Prize winner, biographer, and historian--wrote a batch of children's poetry, but it wasn't until 1999 that Sandburg scholars George and Willene Hendrick found these 19 lively prose poems amidst thousands of yellowed manuscripts at the University of Illinois at Urbana-Champaign. In Poems for Children Nowhere Near Old Enough to Vote we learn that "Eggs may speak to buttons--that is correct. / Buttons, however, must not speak to eggs." Sandburg, like most children, also enjoys musing on various body parts: "The nose is to breathe and to smell with. / Eyes need two and ears need two but one nose / is enough if it has two nostrils." In other poems, he revels in defining and exploring terms that we often use, letting his imagination wander through each word's possibilities: "Stumbling is where you walk and find you are not walking." "Manners is when you know how to eat without being bashful." "Music is when your ears like what you hear." Familiar objects such as wheels, clocks, chairs, and pencils are all subject to Sandburg's simple, childlike "write-down-everything-this-makes-you-think-of" approach to poetry.

In the hands of the whimsical Istvan Banyai (of Zoom and Re-Zoom), Sandburg's poems meet their visual match. Banyai's basic, black-and-white, pen-and-ink illustrations--combined with computer-generated stretched, condensed, curved, or diagonal type--enliven and enhance the poet's wordplay with equally inventive results. As Sandburg gleefully investigates the concept of chair legs, Banyai shows a chair casually crossing its legs. As Sandburg pontificates on pencils ("Pencils too pointed break the points and / then laugh at you"), Banyai sketches the antics of a pencil-headed man (who doesn't seem to enjoy the sharpening process). This unusual collection will no doubt encourage children to open their eyes to a nonliteral universe, and perhaps jumpstart an interest in creative writing. (That's right--poems don't have to rhyme!) (Ages 7 and older) --Karin Snelson

(retrieved from Amazon Thu, 12 Mar 2015 18:10:34 -0400)

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A collection of previously unpublished poems by the well-known American poet, Carl Sandburg, about such familiar objects and ideas as the moon, manners, eyes, necks, pencils, and clouds.

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