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British portrait drawings, 1600-1900 : twenty-five examples from the Huntington Collection

by Robert R. Wark

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The Huntington collection of British art includes not only the unrivaled full-length, life-size portrait paintings, but also many examples of the less familiar, more informal, but charming side of British portraitureĀ—the drawings. In this book, twenty-five of these drawings are reproduced, each accompanied by a facing page of commentary. There are works in pencil, pen, wash, pastel, watercolor, and various combinations thereof. Some are presentation works intended to fill a more private and intimate function than the life-scale portraits in oil. Some are preparatory studies for works of art. Some are casual sketches made for the artist's own enjoyment or as a record of a memorable face. The drawings are representative examples of the work of twenty-five artists. They range in date from the early seventeenth century to the early twentieth and vary enormously in style and purpose. They include "plumbagos," miniatures in pencil done by the masters of the form, Loggan and Forster; drawings done in pencil and wash by Cosway, Lawrence, and Harlow; drawings by Greenhill and Gardner; and drawings used as preliminary studies for portraits to be done in oils by Ramsay, Fuseli, and Mortimer. Together with Wark's text, they demonstrate the quality of British achievement, the variety in types, and the fascinating complexity in appeal.… (more)
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The Huntington collection of British art includes not only the unrivaled full-length, life-size portrait paintings, but also many examples of the less familiar, more informal, but charming side of British portraitureĀ—the drawings. In this book, twenty-five of these drawings are reproduced, each accompanied by a facing page of commentary. There are works in pencil, pen, wash, pastel, watercolor, and various combinations thereof. Some are presentation works intended to fill a more private and intimate function than the life-scale portraits in oil. Some are preparatory studies for works of art. Some are casual sketches made for the artist's own enjoyment or as a record of a memorable face. The drawings are representative examples of the work of twenty-five artists. They range in date from the early seventeenth century to the early twentieth and vary enormously in style and purpose. They include "plumbagos," miniatures in pencil done by the masters of the form, Loggan and Forster; drawings done in pencil and wash by Cosway, Lawrence, and Harlow; drawings by Greenhill and Gardner; and drawings used as preliminary studies for portraits to be done in oils by Ramsay, Fuseli, and Mortimer. Together with Wark's text, they demonstrate the quality of British achievement, the variety in types, and the fascinating complexity in appeal.

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