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The High Flyer by Susan Howatch
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The High Flyer by Susan Howatch is a psychological thriller about Carter Graham a successful lawyer, the High Flyer of the title. She marries, in accordance with her carefully thought-out life plan, her ideal man, who turns out to have a hidden past which torments and dogs him. Carter struggles to uncover this past and it leads to a terrifying ordeal.

Howatch can tell a story and spins out the suspense and kept me turning the page, but she did not make me feel sympathy towards her main characters, so she loses a star for that defect.

Neither did I warm to her style, especially her continual use of the following terms: flufette, Tiger-thumper, nutterguff, dinosaurs, whippets and fruity-loops. These terms were used by her ad nauseum throughout the story and I found them ultimately irritating. So she loses a star for that.

Once the thrill has been experienced and the curiosity of the suspense has been satisfied there is nothing left of any substance, so she loses half a star for that. If you don’t mind going along for the ride and enjoying it while it lasts then you will have your expectations met and you will have got your monies worth. But if you are looking for depth, fascinating characters and a pleasing style then this is not for you! ( )
  TheTortoise | Sep 22, 2008 |
Bad, bad, scary bad husband. ( )
  picardyrose | Mar 7, 2008 |
The tone of Howatch's novels have changed since Absolute Truths. The first six novels thrust us into the Church of England, its arguments and developments through the 20th century. Perhaps it is indicative of the culture we live in, but now her novels document life outside the church with greater veracity, and shows us the interaction between "secular" people and the church. Here we find a driven executive and her husband, neither of whom have any time for the Church, but both of whom are on a spiritual quest. In a way this mirrors Mystical Paths, in that much centers around a murder, but this time the protagonist is not a budding priest, but a "high flyer" business executive who learns, the hard way, that flying did Icarus little good, and is not doing her much good either. ( )
  Arctic-Stranger | Mar 13, 2007 |
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When I first saw my temporary secretary it never occurred to me to flirt with him.
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Between the rich West End and the poor East End, like a jewel wedged between a marble slab and an earthen floor, lay the fabled "City", the oldest London of all, Roman Londinium, sacked by Boadicea, ravaged by the Saxons, plundered by the Vikings, conquered by the Normans, decimated by the Plague, razed by the Great Fire, blitzed by the Luftwaffe, but surviving all this radical pruning to flourish more fiercely than ever.
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Amazon.com (ISBN 0375410570, Hardcover)

"When I first saw my temporary secretary it never occurred to me to flirt with him." The bemused confidence and upended assumption of this first sentence from The High Flyer, by Susan Howatch, reveal a great deal about the character who speaks it and the shape of this novel as a whole. The narrator, Carter Graham, is a successful London lawyer, a "high flyer" whose thoroughly secular plan for a perfect life (clothes, car, kids, etc.) is proceeding quite punctually, thanks to her strong sense of entitlement and her talent for social manipulation. The events that follow, however, undermine Carter's confident assumptions regarding the inner lives of the people around her. Carter meets and marries another high flyer, a charming business titan named Kim. Slowly, Carter learns of Kim's involvement in the occult, his Nazi past, and the suspicious circumstances surrounding the death of his former wife. As the mysteries of Kim's past are revealed to Carter, Kim's personality undergoes a deep and demonic transformation. Carter, terrified, seeks shelter at a Christian healing center, where a cast of clerics and lay people help Carter reconstruct a life for herself, and a theological and psychological framework that makes some sense of the blindness and betrayal that destroyed her life with Kim. "[C]reation's not about efficiency," explains one character, "it's about love. It's about shedding blood, sweat and tears to make the thing you care about come right. It's about enduring the shadow side of creation and using it so that in the end everything can be brought into the light." The novel's greatest strength is its suspenseful plotting, which calls to mind (thanks in part to the narrator's frequent allusions to) the films of Alfred Hitchcock. --Michael Joseph Gross

(retrieved from Amazon Fri, 24 Apr 2009 07:57:57 -0400)

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