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The Inner Man: The Life of J. G. Ballard

by John Baxter

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An explosive and perceptive biography of the novelist who wrote Crash and Empire of the Sun In this first biography, John Baxter draws on an admiration of and acquaintance with Ballard that began when they were writers for the same 1960s science fiction magazines. With the help of the few people whom he admitted to his often hermit-like existence, it illuminates the troubled reality behind the urbane and amiable facade of a man who was proud to describe himself as "psychopathic." To many people, J. G. Ballard will always be the schoolboy in Steven Spielberg's movie Empire of the Sun, struggling to survive as an internee of the Japanese during World War II. Others remember him as the author of Crash, a meditation on the eroticism of the automobile and the liebstod of the car crash. The book he styled "the first pornographic novel about science" dramatized the reality behind his formula for the 21st century—"Technology x sex = the future." It too became a film, and a cause célèbre for its frank depiction of a fetish which, as this book reveals, was no literary conceit but a lifelong preoccupation. Uniquely among his contemporaries, Ballard understood and exploited the language of advertising and promotion. Because of him, the term "inner space" and phrases like "the only alien planet is Earth" passed into the language. So did the adjective "Ballardian"—"resembling or suggestive of the conditions described in Ballard's novels and stories, esp. dystopian modernity, bleak man-made landscapes and the psychological effects of technological, social, or environmental developments."… (more)
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Do not buy this book. John Baxter has obviously tried to capitalize on Ballard's death by rushing this poorly researched and dim biography. It was not authorized by Ballard's estate, and it is full of factual errors. Apparently Ballard's daughter, Beatrice, has a document of about six pages of things that Baxter simply got wrong. All of Baxter's accounts have a hearsay, second-hand quality. Ballard scholars have been able to pinpoint some of the sources in print of much of it (all secondary), and it seems Baxter even mixes multiple sources together. There are no references listed, so you can't really fact-check any of it. It is of no use to Ballard enthusiasts or to the general reader.

The book seems centered on gossip and Baxter seems intent to paint a crazy, manic picture of Ballard, one that drank heavily and repeatedly abused his girlfriends. I don't know if that's an attempt to "understand" Ballard -- maybe this is what Baxter has instead of genuine insight. He is completely unable to understand Ballard at all (and his attempts to discuss Ballard's actual works are risible -- how can he get this wrong? He could've just read the books) so in order to make sense of books like Crash or The Atrocity Exhibition he inflates this notion that Ballard must be a psychopath just like his characters. Ballard deserves much, much more than this.

There's also the fact that Baxter used to know Ballard back in the 60s. He also tried his hand at writing science fiction, but didn't really succeed. So take what you will... ( )
  grebmops | Apr 9, 2018 |
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An explosive and perceptive biography of the novelist who wrote Crash and Empire of the Sun In this first biography, John Baxter draws on an admiration of and acquaintance with Ballard that began when they were writers for the same 1960s science fiction magazines. With the help of the few people whom he admitted to his often hermit-like existence, it illuminates the troubled reality behind the urbane and amiable facade of a man who was proud to describe himself as "psychopathic." To many people, J. G. Ballard will always be the schoolboy in Steven Spielberg's movie Empire of the Sun, struggling to survive as an internee of the Japanese during World War II. Others remember him as the author of Crash, a meditation on the eroticism of the automobile and the liebstod of the car crash. The book he styled "the first pornographic novel about science" dramatized the reality behind his formula for the 21st century—"Technology x sex = the future." It too became a film, and a cause célèbre for its frank depiction of a fetish which, as this book reveals, was no literary conceit but a lifelong preoccupation. Uniquely among his contemporaries, Ballard understood and exploited the language of advertising and promotion. Because of him, the term "inner space" and phrases like "the only alien planet is Earth" passed into the language. So did the adjective "Ballardian"—"resembling or suggestive of the conditions described in Ballard's novels and stories, esp. dystopian modernity, bleak man-made landscapes and the psychological effects of technological, social, or environmental developments."

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