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A Clockwork Orange (Norton Critical…
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A Clockwork Orange (Norton Critical Editions) (edition 2011)

by Anthony Burgess, Mark Rawlinson (Editor)

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Member:Ruta_Lyte
Title:A Clockwork Orange (Norton Critical Editions)
Authors:Anthony Burgess
Other authors:Mark Rawlinson (Editor)
Info:W. W. Norton & Company (2011), Edition: Reprint, Paperback, 368 pages
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A Clockwork Orange [Norton Critical Edition] by Anthony Burgess

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Wonderful use of (an imaginary) patois in this rutal but compelling gem. ( )
  Terry_Bond | Mar 3, 2012 |
I love this book. I read it for the first time in 8th grade after I found it in the back of my sister's boyfriend's car. It was so wonderfully odd and creative I just fell in love with the story. It's so easy to sink into this book and once I started it I had trouble putting it down, I would definitely recommend this book as a must read. ( )
  Tokishone | Feb 22, 2012 |
This is one of my top 5 favorite books of all time! I think the first time I read it, I was maybe a freshman in high school. I loved how the invented words added a layer of immersion to the story, and the ways in which one could visualize the scenes. The way in which it is written is just remarkable. Truly a must-read for all, I think. Of course, there is a certain level of violence and sexuality that is not appropriate for all. But the story, the writing, and the social issues the story points to are simply a winning combination. A true masterpiece.
And read the book before you see the film! ( )
  amschroe | Dec 23, 2011 |
It took me a couple chapters to get into the story because of the different vocabulary that the characters use. Once I was into it though, there was no going back. Burgess shocks the reader by his vivid use of details when describing the violent acts Alex and his "droogs," or friends, engage in, but in a way that makes you want to keep reading. The reader wants to know what their cause is for behaving in this way and what's going to happen to balance out their viscous acts. This book brings several moral questions into context. One being about the idea of freedom...freedom from society's predisposed notions of how a person in certain age groups acts, freedom from government laws and actions that are sometimes unjust or inhumane, freedom for an individual himself to determine what's right and wrong (mainly the last one). There's also the idea about how violence or malevolence manifests itself in people necessarily so they are given the opportunity to decide how they shall handle it and what consequences will come of their actions should they choose to indulge this evilness. If you're going to read the book though, you really need to read the edition with 21 chapters instead of the edition with only 20. If I had just stopped reading at the end of the 20th chapter and not reached the conclusion Alex has, I probably would have been disappointed. It makes it into a whole different story that is much more touching. Also, it's how Burgess originally wrote it and wanted it published. All in all though, a real horrorshow dystopian novel! ( )
  graceschumann | Oct 6, 2011 |
Although using it in a classroom may be controversial, there are many great, teachable things about this book. Alex is the leader of a gang in a future where gangs have society in the grips of fear. The novel takes us on a journey with Alex from degenerate, to a controlled beast, and finally to an upstanding citizen. It is a story of intense violence, betrayal, torture, and reformation, possibly an exaggerated reflection of many teens lives in today’s society. Burgess creates a dialect all his own that brings the reader into the ranks of Alex and his “droogs”. It is a great way to show that irreverence to language can be something beautifully crafted and scholarly.
  NickConstantine | Sep 26, 2011 |
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Author nameRoleType of authorWork?Status
Anthony Burgessprimary authorall editionsconfirmed
Rawlinson, MarkEditormain authorall editionsconfirmed
Aggeler, GeoffreyContributorsecondary authorall editionsconfirmed
Biswell, AndrewContributorsecondary authorall editionsconfirmed
Cahn, Steven M.Contributorsecondary authorall editionsconfirmed
Canby, VincentContributorsecondary authorall editionsconfirmed
Carson, JulieContributorsecondary authorall editionsconfirmed
Chew, ShirleyContributorsecondary authorall editionsconfirmed
Cohen, StanleyContributorsecondary authorall editionsconfirmed
Daniels, DonContributorsecondary authorall editionsconfirmed
Davis, Robert GorhamContributorsecondary authorall editionsconfirmed
Davis, Todd F.Contributorsecondary authorall editionsconfirmed
Elsaesser, ThomasContributorsecondary authorall editionsconfirmed
Fowler, RogerContributorsecondary authorall editionsconfirmed
French, PhilipContributorsecondary authorall editionsconfirmed
Goh, Robbie B. H.Contributorsecondary authorall editionsconfirmed
Houston, PenelopeContributorsecondary authorall editionsconfirmed
Hughes-Jachimiak, PeterContributorsecondary authorall editionsconfirmed
Hutchings, WilliamContributorsecondary authorall editionsconfirmed
Johnson, SamContributorsecondary authorall editionsconfirmed
Josselson, DianaContributorsecondary authorall editionsconfirmed
Kael, PaulineContributorsecondary authorall editionsconfirmed
Lodge, DavidContributorsecondary authorall editionsconfirmed
Mathews, Tom DeweContributorsecondary authorall editionsconfirmed
McCracken, SamuelContributorsecondary authorall editionsconfirmed
Meerloo, Joost Abraham MauritsContributorsecondary authorall editionsconfirmed
Mitchell, JulianContributorsecondary authorall editionsconfirmed
Parrinder, PatrickContributorsecondary authorall editionsconfirmed
Petix, EstherContributorsecondary authorall editionsconfirmed
Petley, JulianContributorsecondary authorall editionsconfirmed
Phillips, PaulContributorsecondary authorall editionsconfirmed
Platt, John R.Contributorsecondary authorall editionsconfirmed
Rabinovitz, RubinContributorsecondary authorall editionsconfirmed
Ray, Philip E.Contributorsecondary authorall editionsconfirmed
Ricks, ChristopherContributorsecondary authorall editionsconfirmed
Rock, PaulContributorsecondary authorall editionsconfirmed
Sargant, WilliamContributorsecondary authorall editionsconfirmed
Saunders, Trevor J.Contributorsecondary authorall editionsconfirmed
Schoene-Harwood, BertholdContributorsecondary authorall editionsconfirmed
Sharpless, GeoffreyContributorsecondary authorall editionsconfirmed
Skinner, Burrhus FredericContributorsecondary authorall editionsconfirmed
Steiner, GeorgeContributorsecondary authorall editionsconfirmed
Strick, PhilipContributorsecondary authorall editionsconfirmed
Swenson, EricContributorsecondary authorall editionsconfirmed
Taubman, RobertContributorsecondary authorall editionsconfirmed
Walker, AlexanderContributorsecondary authorall editionsconfirmed
Womack, KennethContributorsecondary authorall editionsconfirmed
Zinik, ZinovyContributorsecondary authorall editionsconfirmed
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The Norton Critical Editions should not be combined with the original work of the same name.  Thank you.
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Amazon.com Product Description (ISBN 0393928098, Paperback)

“A brilliant novel . . . a savage satire on the distortions of the single and collective minds.” —New York Times

“Anthony Burgess has written what looks like a nasty little shocker, but is really that rare thing in English letters: a philosophical novel.” —Time

A terrifying tale about good and evil and the meaning of human freedom, A Clockwork Orange became an instant classic when it was published in 1962 and has remained so ever since. Anthony Burgess takes us on a journey to a nightmarish future where sociopathic criminals rule the night. Brilliantly told in harsh invented slang by the novel’s main character and merciless droog, fifteen-year-old Alex, this influential novel is now available in a student edition.

The Norton Critical Edition of A Clockwork Orange is based on the first British edition and includes Burgess’s original final chapter. It is accompanied by Mark Rawlinson’s preface, explanatory annotations, and textual notes. A glossary of the Russian-origin terms that inspired Alex’s dialect is provided to illustrate the process by which Burgess arrived at the distinctive style of this novel.

“Backgrounds and Contexts” presents a wealth of materials chosen by the editor to enrich the reader’s understanding of this unforgettable work, many of them by Burgess himself. Burgess’s views on writing A Clockwork Orange, its philosophical issues, and the debates over the British edition versus the American edition and the novel versus the film adaptation are all included. Related writings that speak to some of the novel’s central issues—youthful style, behavior modification, and art versus morality—are provided by Paul Rock and Stanley Cohen, B. F. Skinner, John R. Platt, Joost A. M. Meerloo, William Sargent, and George Steiner.

“Criticism” is divided into two sections, one addressing the novel and the other Stanley Kubrick’s film version. Five major reviews of the novel are reprinted along with a wide range of scholarly commentary, including, among others, David Lodge on the American reader; Julie Carson on linguistic invention; Zinovy Zinik on Burgess and the Russian language; Geoffrey Sharpless on education, masculinity, and violence; Shirley Chew on circularity; Patrick Parrinder on dystopias; Robbie B. H. Goh on language and social control; and Steven M. Cahn on freedom. A thorough analysis of the film adaptation of A Clockwork Orange is provided in reviews by Vincent Canby, Pauline Kael, and Christopher Ricks; in Philip Strick and Penelope Houston’s interview with Stanley Kubrick; and in interpretive essays by Don Daniels, Alexander Walker, Philip French, Thomas Elsaesser, Tom Dewe Mathews, and Julian Petley.

A Selected Bibliography is also included.

(retrieved from Amazon Mon, 30 Sep 2013 13:34:15 -0400)

(see all 2 descriptions)

A disturbing tale about good and evil and the meaning of human freedom, A Clockwork Orange has become a modern classic since its publication in 1962. Anthony Burgess's hero, the hedonistic and violent Alex, is our guide on a journey into a dystopian future where sociopathic youths rule the night and the authorities emulate their moral indifference in the pursuit of social order. This Norton Critical Edition of A Clockwork Orange is based on the first British edition and includes the final chapter once omitted from the U.S. edition. It is accompanied by Mark Rawlinson's preface, explanatory annotations, and textual notes. A glossary of the Russian-origin terms that inspired Alex's vocabulary is provided to illustrate the process by which Burgess developed the novel's distinctive style. "Backgrounds and Contexts" presents a wealth of materials chosen to enrich the reader's understanding of the historical roots of what has become an unforgettable work. Many are by Burgess himself, of including accounts of his motives for writing A Clockwork Orange; his exegesis of the novel's theological, political, and philosophical themes; and his provocative interventions in the debates over the British versus the American edition and over the cultural and social impacts of the film adaptation. "Criticism" is divided into two sections, one addressing the novel and the other Stanley Kubrick's film version, which created a scandal and new audiences after 1972. Contemporary reviews of the novel are reprinted alongside a wide range of scholarly commentary, including, among others, David Lodge on the American reader; Andrew Biswell on composition and publication; Julie Carson on linguistic invention; Linovv Zinik on Burgess and the Russian language; Geoffrey Sharpless on education, masculinity, and violence; Shirley Chew on fictional form; Patrick Parrinder on dystopias; and Robbie B.H. Goh on language and social control. An analysis of the him adaptation is provided in reviews by Vincent Canby, Pauline Kael, and Christopher Ricks; in Philip Strick and Penelope Houston's interview with Kubrick; and in interpretive essays by Peter Hughes Jachimiak, Steven M. Cahn, Don Daniels, Alexander Walker, Philip French, Thomas Elsaesser, Tom Dewe Mathews, and Julian Petley. --Book Jacket.… (more)

(summary from another edition)

» see all 2 descriptions

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An edition of this book was published by Penguin Australia.

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