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1Q84 by Haruki Murakami
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1Q84 (edition 2011)

by Haruki Murakami, Jay Rubin (Translator), Philip Gabriel (Translator)

Series: 1Q84 (1-3)

MembersReviewsPopularityAverage ratingConversations / Mentions
4,5582331,051 (3.82)3 / 670
Member:xrob
Title:1Q84
Authors:Haruki Murakami
Other authors:Jay Rubin (Translator), Philip Gabriel (Translator)
Info:Knopf (2011), Edition: First Edition, Hardcover, 944 pages
Collections:Your library
Rating:****1/2
Tags:read

Work details

1Q84 by Haruki Murakami

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English (218)  Spanish (5)  Dutch (4)  Italian (2)  Catalan (1)  All (1)  Greek (1)  German (1)  All (233)
Showing 1-5 of 218 (next | show all)
This was a moody, emotionally driven book.
I felt completely in sync with the characters ups and downs. This was some seriously good writing.
When the author wrote about a character going grocery shopping, and described it in nigh excruciating detail, I still found it engrossing.

The mystery of the little people, the 2 moons, the tension about Sakigake[or however it is spelled], the unfolding of the romance across time between the 2 main characters, I found it all absorbing and enthralling.

Then there was the graphic sex. Again, again and again. It fit with the flow of the narrative, but it was not necessary. Murakami is a good enough author that he could have gotten his point across in the way he wanted without the graphicness. When I read a book, I do not want to read that kind of stuff.

And that is why I only gave it 2 stars. The writing and storyline really deserved closer to 5, but because of the sexual aspect I could not recommend this book to anyone.

Nor am I now willing to try the author's other works. It just is not worth it to me. ( )
  BookstoogeLT | Dec 10, 2016 |
I love Murakami. ( )
  Heather_Brock | Nov 23, 2016 |
I can't really recommend this book unless you are a Murakami fan already. (If you're not, read The Wind Up Bird Chronicle instead.) It is so long that I felt like I was running a marathon trying to finish it. The prose is chilly and distancing (although I never know whether that is Murakami or his translators). The plot is opaque. And someone should definitely win one of those Bad Sex Writing awards for this book.

Having said that, there are lots of intriguing scenes and moments, I liked the character of Aomame a lot, and I did care about what happened to her and to Tengo. I'm not sure that is enough to justify the kind of time commitment you have to put into this book, though. ( )
  gayla.bassham | Nov 7, 2016 |
Beautifully written. ( )
  Aneris | Oct 31, 2016 |
Beautifully written. ( )
  Aneris | Oct 31, 2016 |
Showing 1-5 of 218 (next | show all)
Murakami name-drops George Orwell's laugh-riot 1984 several times. Both books deal with the concept of manipulated realities. And while Murakami's book is more than three times as long, it's also more fun to read.
added by WeeklyAlibi | editWeekly Alibi, John Bear (Jan 26, 2012)
 
1Q84 is definitely worth checking out if you enjoy fiction set in fantasy worlds with a deep love story that brings up the questions of fate and pure, true love.
added by alluvia | editExaminer.com, Kristin Wilson (Jan 14, 2012)
 
As always, the experience is a bit like watching a Hollywood-influenced Japanese movie in a version that’s been dubbed by American actors. This time, sad to say, it also reminded me of stretches of the second season of Twin Peaks: familiar characters do familiar things, with the expected measure of weirdness, but David Lynch has squabbled with the network and left the show.
 
I finished 1Q84 feeling that its spiritual project was heroic and beautiful, that its central conflict involved a pitched battle between realism and unrealism (while being scrupulously fair to both sides), and that, in our own somewhat unreal times, younger readers, unlike me, would have no trouble at all believing in the existence of Little People and replicants. What they may have trouble with is the novel’s absolute faith in the transformative power of love.
 
One of the many longueurs in Haruki Murakami’s stupefying new novel, “1Q84,” sends the book’s heroine, a slender assassin named Aomame, into hiding. To sustain her through this period of isolation she is given an apartment, groceries and the entirety of Marcel Proust’s “Remembrance of Things Past.”

For pity’s sake, if you have that kind of spare time, follow her lead. Aomame has the chance to read a book that is long and demanding but well worth the effort. The very thought of Aomame’s situation will pain anyone stuck in the quicksand of “1Q84.” You, sucker, will wade through nearly 1,000 uneventful pages while discovering a Tokyo that has two moons and is controlled by creatures that emerge from the mouth of a dead goat. These creatures are called Little People. They are supposed to be very wise, even though the smartest thing they ever say is “Ho ho.”
 

» Add other authors

Author nameRoleType of authorWork?Status
Haruki Murakamiprimary authorall editionscalculated
Gabriel, PhilipTranslatorsecondary authorsome editionsconfirmed
Holm, MetteTranslatorsecondary authorsome editionsconfirmed
Rubin, JayTranslatorsecondary authorsome editionsconfirmed
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Epigraph
It's a Barnum and Bailey world,
just as phoney as it can be,
But it wouldn't be make-believe
if you believed in me

"It's Only a Paper Moon,"
~~ Billy Rose and E. Y. "Yip" Harburg
Dedication
First words
The taxi's radio was tuned to a classical FM broadcast.
Quotations
I'm taking you straight to bald heaven, nonstop.
Don't let appearances fool you. There's always only one reality.
Please remember: things are not what they seem.
Sit back, relax and enjoy the smell of evil
Last words
(Click to show. Warning: May contain spoilers.)
Disambiguation notice
This is those works (sets, single-volume editions) containing the complete text of 1Q84. Please do not combine with any single volumes from multi-book versions.
Publisher's editors
Blurbers
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References to this work on external resources.

Wikipedia in English (2)

Book description
Haiku summary
Assassin, cult, love,
two moons over Tokyo.
"Not all wounds gush blood".
(Jenni_Canuck)

Amazon.com Amazon.com Review (ISBN 0307593312, Hardcover)

Amazon Best Books of the Month, October 2011: The year is 1984, but not for long. Aomame, on her way to meet a client--the gravid implications of which only come clear later--sits in a taxi, stuck in traffic. On a lark, she takes the driver's advice, bolts from the cab, walks onto the elevated Tokyo expressway, descends an emergency ladder to the street below, and enters a strange new world.

In parallel, a math teacher and aspiring novelist named Tengo gets an interesting offer. His editor has come upon an entry for a young writer's literary prize, a story that, despite its obvious stylistic drawbacks, strikes a deeply moving chord with those who've read it. Its author is a mysterious 17-year-old, and the editor proposes that Tengo quietly rewrite the story for the final round of the competition.

So begins Haruki Murakami's magnus opus, an epic of staggering proportions. As the tale progresses, it folds in a deliciously intriguing cast of characters: a physically repulsive private investigator, a wealthy dowager with a morally ambiguous mission, her impeccably resourceful bodyguard, the leader of a somewhat obscure and possibly violent religious organization, a band of otherworldly "Little People," a door-to-door fee collector seemingly immune to the limits of space and time, and the beautiful Fuka-Eri: dyslexic, unfathomable, and scarred.

Aomame names her new world "1Q84" in honor of its mystery: "Q is for 'question mark.' A world that bears a question.'" Weaving through it, central motifs--the moon, Janáček's Sinfonietta, George Orwell's 1984--acquire powerful resonance, and Aomame and Tengo's paths take on a conjoined life of their own, dancing with a protracted elegance that requires nearly 1,000 pages to reach its crowning denouement.

1Q84 was a runaway best seller in its native Japan, but it's more instructive to frame the book's importance in other ways. For one, it's hard not to compare it to James Joyce's Ulysses. Both enormous novels mark their respective author's most ambitious undertaking by far, occupy an artificially discrete unit of time (Ulysses, one day; 1Q84, one year), and can be read as having a narrative structure that evinces an almost quantum-mechanical relationship to reality, which is not to say that either author intended this.

More to the point, the English translation of 1Q84--easily the grandest work of world literature since Roberto Bolaño's 2666--represents a monstrous literary event. Now would somebody please award Murakami his Nobel Prize? --Jason Kirk

(retrieved from Amazon Thu, 12 Mar 2015 18:16:16 -0400)

(see all 5 descriptions)

An ode to George Orwell's "1984" told in alternating male and female voices relates the stories of Aomame, an assassin for a secret organization who discovers that she has been transported to an alternate reality, and Tengo, a mathematics lecturer and novice writer.… (more)

(summary from another edition)

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