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Partials by Dan Wells
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Showing 1-5 of 120 (next | show all)
This book would have rated 3.5 but the revelation near the end tipped it to 4. All in all, this book is like a long set-up to Kira's self discovery but has its own resolution in the end. ( )
  Sept | May 21, 2019 |
Imagine if you will the skyline of Manhattan as it crumbles in disrepair. Whole buildings overgrown with creeping vines. Wild animals running through the streets. The chilling sound of your footsteps echoing through the emptiness around you. This is the reality that Kira and her fellow survivors live every day. If you are thinking that Partials sounds like a haunting story, you'd be right on track with me. When I first picked up this book I was so excited to dive into the dystopian world that Dan Wells had built. I wanted to get lost in the vast ruins of the New York area. So I settled in, and started to read.

Kira's character was really the saving grace of this book for me. In fact, the majority of her fellow compatriots were. Kira is strong, opinionated, and one of the most selfless characters that I've ever met. Kira and her friends don't just sit by and let the government feed them lies, they stand up and do something about it. They of course still make mistakes, which shows the human side of them. These beautifully rendered characters are what brought the story to life for me. In this same vein, I loved the distinct lack of romance in this story. While there are still definitely connections between the characters, they don't overshadow the one goal that is key in this story. Survival.

My love affair with Partials didn't actually start until the second half of the book though. I'll be honest, I understood the aim of Dan Wells in the first half of the book. He uses it to build up the desolation of the city, to describe the way that RM works, and to map out the way that the government functions. It's all necessary. Still, it just didn't flow for me. After pages of reading about Kira's findings and scientific jargon related to RM, I was ready to put this book down. Now that I've finished, I'm honestly glad I didn't. Once all of the groundwork is laid, Kira and her rebellion take center stage and things pick up speed quickly. If the pacing had been a little different, I know I would have enjoyed this book much more.

At the end of the day, I also still had a lot of unanswered questions about the world in Partials. A few things had loose ends, and the ending felt to me like it came completely out of left field. It is intended to make things more interesting I'm sure, but I'm still not sure how it actually all fits together. On the bright side, this is the first in the series so I'm sure there is more explanation to be had. That's what I'm looking forward to. Though this started out slow, I would definitely still recommend Partials as a good first in the series. I'm excited to see what comes next. ( )
  roses7184 | Feb 5, 2019 |
Jag kommer ihåg att det var ganska många i bokbloggarvärlden som läste den här ganska nyligen efter att den kommit ut. Av någon anledning blev det inte av jag läste den. Häromdagen gick jag förbi den på biblioteket och tänkte varför inte.

På ett sätt tycker jag att den var ganska förutsägbar men allt hände mycket senare än jag trodde att det skulle hända (vilket fick mig att tvivla lite grann på om det skulle hända). Andra halvan av boken var mest bladvändarvänlig. Jag ser fram emot att se hur det fortsätter i nästa del. ( )
  litetmonster | Jan 25, 2019 |
I am not particularly shy when it comes to my general dislike of dystopian fiction. I tend to get angry when I read it, and since I read primarily for enjoyment and entertainment it makes little sense for me to seek out stories that do not provide those things. (There is also the fact that so much of the dystopian fiction I have read has strained my suspension of disbelief to the breaking point...that does not exactly recommend the genre to me.)

So with that in mind, based on the way people have shelved and tagged Partials on Goodreads and other book sites, I shouldn't like it. The thing is, while there are definite dystopian elements to this book, I would not classify it as dystopian fiction. It is much more a post-apocalyptic survival story, and that is how it is presented from the start. The dystopian elements are not the front and center focus of the story, and with that I find I can care about the characters. I think it not being in first person also helps with this.

Now I just need to find a print (or ebook) copy of the sequel to borrow. ( )
  shadrachanki | Jun 8, 2018 |
This book was a little heavy handed at times. I almost gave it a 3 but I loved the concept and the ending. A very enjoyable read but I hope the next book is a little more subtle with the message it is trying to impart. ( )
  CSDaley | Mar 28, 2018 |
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This book is dedicated to the rule breakers, the troublemakers, and the revolutionaries. Sometimes the hand that feeds you needs a good bite.
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Newborn #485GA18M died on June 30, 2076, at 6:07 in the morning
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Amazon.com Amazon.com Review (ISBN 0062071041, Hardcover)

Robison Wells Interviews His Brother, Dan Wells

Dan Wells is the acclaimed author of the John Cleaver series: I Am Not a Serial Killer, Mr. Monster, and I Don’t Want to Kill You. He has been nominated for both the Hugo and the Campbell Award and has won two Parsec Awards for his podcast Writing Excuses. Robison Wells, Dan’s younger brother, is the author of Variant, which Publishers Weekly called “a chilling, masterful debut” in a starred review, and its sequel, Feedback (available Fall 2012). Here, Robison interviews his brother about Partials, Dan’s pulse-pounding first book in his post-apocalyptic series that questions the very concept of what it means to be human.

Robison: Dan is my brother, exactly 13 months older than me. He and I shared a room our entire childhood, took the same classes, even dated the same girls. Dan got me into writing about twelve years ago, and ever since we’ve critiqued each other’s work, brainstormed new ideas, and told each other how terrible he is. So, with such a long background together, I’m particularly interested to see if I can learn anything new in this interview.

I’ve read so much of your writing over the years, from your poem about turkeys in the fifth grade to your first epic fantasy to your literary farce to your horror, and now your YA post-apocalyptic Partials. Is there anything you’ve written that I’d be surprised to hear about?

Dan: I wrote some Rifts fan fiction in high school—I don’t know if you knew about that. I actually reused a part of it for Partials.

Robison:What part?

Dan: I won’t say, but it’s in the first third.

Robison: You’ve written in all these different genres: Is it because you’re still looking for the perfect fit? Or are you just interested in writing lots of different things?

Dan: Almost every book I write is a new genre, or a weird combination of genres, because I like to branch out and try new things. I never would have imagined that I’d write a horror series, but that was the first book I published. I never would have found that character, or the audience that loves him, if I’d forced myself to stick to one thing.

Robison: How was the transition from supernatural to sci-fi?

Dan: Not too bad, since I see them as very connected—the only real difference between fantasy and SF is the explanation of where the weird stuff comes from. SF ended up being a lot harder, in some ways, because I had to make those explanations scientifically sound. In my horror series I could just say, “It’s a monster!” With SF I had to do a ton of research into genetics, biology, and the science of decay.

Robison: How did you do your research?

Dan: A lot of my research started online, including Wikipedia—people make fun of it as a research tool, and I admit that it’s a terrible place to end your research, but it’s a fantastic place to start. From there I found more detailed websites, and eventually some great connections to books. One of the most useful books I read was The World Without Us by Alan Weisman, about what would happen to the things we leave behind if we suddenly weren’t there to take care of them. It’s a very detailed combination of scientific research and thought experiment.

In Partials, the apocalypse wasn’t a bomb or a war or anything physically destructive, just a disease: We died, but all our stuff is still just sitting there. It was a fun situation to study, and a blast to depict in a book.

Robison: So, having done all that research, what tips would you give for surviving an apocalyptic pandemic? Let’s assume you’re immune to the virus.

Dan: I don’t know how you’re going to work that out, but there you go. Once you have that taken care of, you live in a combination of paradise and medieval squalor. You will have no electricity or running water, but almost everything else will be free. Canned food can last for a decade or more before going bad, so you can live at a subsistence level just by scavenging the local stores.

Robison: Why do you think your society of survivors ended up being organized and civil and less Mad Max-ish?

Dan: A big part of it is the scarcity issue. Mad Max and similar apocalyptic scenarios start with the premise that everything is destroyed. The survivors have to fight tooth and nail for what little resources are left. In Partials, everything you could ever want is just there for the taking.

Robison: What books/movies/music/TV influenced Partials?

Dan: Some of the influences are obvious, like Battlestar Galactica and Children of Men. Others are harder to spot. I listened to a steady diet of protest songs and revolutionary music while writing, stuff like “Uprising” by Muse, because they got my blood going and helped me get into the main character’s fiery personality. And some of my influences didn’t really end up in the book, though I still count them—things like Mad Max and A Canticle for Leibowitz that inspired my love of post-apocalyptic stories, but which didn’t really apply in this case.

The biggest influence may have been our own history and current events. Partials is, at times, a very angry book, and that’s a reflection of my own feelings about a lot of the stuff I see going on in the world.

Robison: Let’s talk about that. You’ve said before that you think one of the reasons dystopia is so popular right now is because our world is becoming more dystopian. What current events influenced you in Partials?

Dan: For example, the story is set eleven years after a devastating catastrophe—and in 2012, my readers are also eleven years after their own devastating catastrophe. The events of 9/11 changed the way we do almost everything in this country, and to a lesser extent the rest of the world. One of the things I tried to do in the book was show that the adults, who remember what life was like before the end of the world, have a very different attitude about it than the kids who’ve never really known any other life.

I also tried to throw in a lot of the extreme measures our government and our culture in general have taken in response to terrorism—reduced privacy, indefinite detention, torture, and so on. I think there are arguments on both sides of all these issues, and I tried to give each side a fair shake. Kira, the main character, has very strong ideas about what’s justifiable and what’s not, and just because she’s the main character doesn’t mean she’s always right. If anyone’s actually “right” at all.

Robison: So, on a happier note, why do you think I’m so awesome?

Dan: Because you take after your brother.

(retrieved from Amazon Thu, 12 Mar 2015 18:21:33 -0400)

"In a post-apocalyptic eastern seaboard ravaged by disease and war with a manmade race of people called Partials, the chance at a future rests in the hands of Kira Walker, a sixteen-year-old medic in training"--

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