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Jazz by Toni Morrison

Jazz (original 1992; edition 2004)

by Toni Morrison

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3,195351,744 (3.65)154
Authors:Toni Morrison
Info:Vintage (2004), Edition: First Plume Printing, Paperback, 256 pages
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Jazz by Toni Morrison (1992)


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Showing 1-5 of 34 (next | show all)
35. Jazz by Toni Morrison (1992, 227 page kindle e-book, read May 23 - Jun 6)

This is the first Morrison book I haven't loved. I have read all her books published prior to this, and every single one left me with so much to think about, whether I wanted to or not. They tend to bring up so much to be curious about or deeply uncomfortable about, books I have been glad to read. This one, it's a complex work with a lot going on, but it didn't have much magic for me. It kind of lied flat on the page.

The story is based on a true detail Morrison came across in 1920's Harlem where a woman dying from a gun wound is asked who shot her, and she replies, "I'll tell you tomorrow", so protecting her murderer. Here she becomes a young (18 years old?) orphan from East St. Louis, Dorcus, and her murderer is her jealous married lover, Joe Trace, from rural Virgina. Morrison recreates the migrant black community in a booming Harlem, and Jazz music sets the tone and background atmosphere. The theme of migrant blacks from the south heading to the cities, especially the northern cities, is prevalent. As is the energy they bring, especially in the music, and the violence created merely by their presence. Dorcus is orphaned during the East St. Louis riots, which I had never heard of, but were real. The whites of the area rioted mainly in response to an influx of southern blacks looking for work in the city. They ended up burning down sections of the city. The death toll has never been established and estimates range from 40 to 200.

As is typical with Morrison's books, her characters become both representative of larger groups and individuals of their own. We learn to like Joe Trace, the hunter and child of the wild woman in Virginia. This curious wild women seems to be Beloved, which makes this book a sequel both in time and story lines. All these characters are struggling with the changes of their times, with the adjustment from rural challenges to big city charades and promises.

A lot of reviewers make a big deal of Morrison's prose. It's interesting here but it's not necessarily Morrison's strength. Her prose tends to stay honest to her story and perspective. Up to this point it has never wandered out on it's own, even in Beloved, but it also has always been up the challenging tasks she sets it up for. This is no exception, except that this book seems to have been designed to be carried along by the prose. For me, for this read, is wasn't quite enough.

I had this idea that the historical aspects strangled this book by mistake. She brings in so much history and she is so upset by it, that the book becomes that story. She can't jump from 1876 to 1926, she has to cover all the times in between, accurately. What is lost is room for the creative freedom that makes a book like Song of Solomon or Tar Baby or the end of Sula so captivating and magical. The music is supposed to carry Jazz, but that means her prose must carry the facts. Something gets lost along the way, or at least something is different, less sparkling magic of concept and more of prose. It's not the same.

I make this sound like a bad book. It's not. It is again an ambitious and complicated and angry work, with a great deal going on. It has its importance. And it is and was generally highly regarded and was published the year before she won her Nobel Prize.* Still, my own response pales in comparison to what she had done before.

*As a side note, I really liked a NYTimes review from 1992 by Edna O'Brien that had different complaints from mine, but somewhat along the same lines, namely the flat prose. Since the book is dependent on the prose, reviewers' praise tends to be based on whether that worked for them or not. ( )
1 vote dchaikin | Jul 1, 2015 |
While I loved the lyric quality of the writing (definitely living up to the title), the story itself didn't speak to me...I was a little disappointed, not because the book wasn't good (it was) but because I've had such strong emotional responses to other books by Toni Morrison.

It's possible I'm at the wrong age to read this book, though.... too old to be Dorcas or Felice, too young to be Violet. If I'm going to give the story another chance, I think I need to wait about 20 years. ( )
  ratastrophe | Jan 3, 2015 |
In the opening scenes, Joe shoots the woman with whom he'd had an affair after she ends the relationship. His wife Violet attacks the corpse at the funeral. Much of the rest of the book deals with the aftermath and with trying to put the pieces of the relationship back together. The characters are very flawed. The writing is excellent. It's one of those novels that has to be re-read to be fully appreciated. It's a book that would create some excellent discussion in book groups or classroom situations. I'm not certain I enjoyed it well enough to commit to a re-read. ( )
  thornton37814 | Apr 14, 2014 |
I REALLY love Toni Morrison as a writer. There's just something about her that is a mesmerizing storyteller. Jazz hooks you right from the start, with Violet showing up at the funeral of Dorcas, & trying to attack her as she lies in her coffin because Violet's husband Joe "took up with" this young girl, who was barely 18.

These characters are REAL, you hurt for them, you shake your head at them, you feel for them as their stories, histories, & back stories are told. The City, which is all it's referred to in the book, but which I finally figured out was actually NYC, is described in 1920's terms. I enjoyed the fact that you don't quite know who the narrator is, because it seems to change with each section of the book.

I thought this was a wonderful read. ( )
  Lisa.Johnson.James | Apr 11, 2014 |
This is the compelling story of a tragic attraction between an older man and a nihilistic young woman. It was the first book I'd ever read by Toni Morrison, and it totally blew me away.

The plot focuses on the aftereffects of the extramarital affair as well as the motivations behind the crime of passion the man commits when his paramour jilts him for someone closer to her age. The real story seems to concern how such events arise from a set of African American experiences and are ultimately recontained within that community.

Enthrallingly told, with compassion for all & justification for none, this wrenching tale and its beautiful language captured me completely. I was only a bit disappointed when the narrator asserted herself as an outside observer near the end, confessing that she hasn't caught the essence of her characters or their conflict. I respect her making these admissions, but I was loving the strong heady substance of the tragic love story undiluted by them.

Then, Morrison does something that--oddly enough!--reminded me of Wm Gibson's futuristic neural surgeries: She lifts her characters' emotional struggles out of the story, like an old photo from a frame, and says of their image: "I wonder, do they know they are the sound of snapping fingers under the sycamores lining the streets?"

The agony, the loss, even the lifelong love scarred by betrayal and sickness of the old married couple -- the immortal feelings beat on in the sounds of the music of their people -- JAZZ. ( )
  AnesaMiller | Mar 3, 2014 |
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Toni Morrisonprimary authorall editionsconfirmed
Vink, NettieTranslatorsecondary authorsome editionsconfirmed
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Io sono il nome del suono e il suono del nome. Sono il segno della lettera e la designazione della divisione. "Tuono, mente perfetta" Nag Hammadi
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What good are secrets if you can't talk to anybody about them?
It's nice when grown people whisper to each other under the covers. Their ecstasy is more leaf-sigh than bray and the body is the vehicle, not the point. They reach, grown people, for something beyond and way, way down underneath tissue.
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Amazon.com Amazon.com Review (ISBN 0452269652, Paperback)

Jazz embraces the vibrant music and lifestyle of 1920s Harlem, an urban renaissance of opportunity and glamour. A novel of murder, hard lives, and broken dreams, Jazz sways with a lyric medley of voices and human consciousness.

Narrated by the author, Toni Morrison, this is an intense but gratifying three hours of tape. Background jazz music enhances the feel of '20s Harlem, a city that attracted thousands of black southerners hoping for better lives. Joe Trace and his wife Violet were part of this migration; madly in love with each other and the idea of this urban mecca, they "traindanced into the city." But like so many of the marriages in Morrison's novels, this union crumbles, and the dreams for a better life fade away. Joe finds another, a love "that made him so sad and happy he shot her just to keep the feeling going."

In Jazz, time ebbs and flows like human memory, traversing between recollections of the past and expectations for the future; likewise, jazz music is often wild and chaotic. Here Morrison once again exemplifies herself as both a superb writer and a masterful storyteller.

(retrieved from Amazon Thu, 12 Mar 2015 18:20:14 -0400)

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In the winter of 1926, when everybody everywhere sees nothing but good things ahead, Joe Trace, middle-aged door-to-door salesman of Cleopatra beauty products, shoots his teenage lover to death. At the funeral, Joe's wife, Violet, attacks the girl's corpse. This passionate, profound story of love and obsession brings us back and forth in time, as a narrative is assembled from the emotions, hopes, fears, and deep realities of Black urban life.… (more)

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