Click on a thumbnail to go to Google Books.
Loading... The Aguero Sisters (Ballantine Reader's Circle) (original 1997; edition 1998)by Cristina Garcia
Work InformationThe Agüero Sisters by Cristina García (1997)
None Loading...
Sign up for LibraryThing to find out whether you'll like this book. No current Talk conversations about this book. The Aguero Sisters is a story of a Cuban family and their complicated relationships. It is told mainly from the point of view of the two sisters, Reina and Constancia, but also includes chapters in the voices of their children and father, jumping around in both time and space. I found it difficult to follow this disjointed story and at some point gave up on trying to track each character's familial relationships. There are many elements of spirituality and magic, and strong sensory descriptions everywhere, particularly smell and taste. There are lots of poetic turns of phrase, some of which I found jarring. There were times I didn't know quite what to make of this story, but continued on out of of curiosity as the Aguero family secret is gradually revealed. In the end, I was vaguely dissatisfied, as Garcia leaves it to the reader to puzzle out the characters' motivations, which are puzzling indeed. If this had not been my own book club pick (before I had read it), I don't know that I would have finished it. The sisters in question are from Cuba, with the book being narrated by the two very different siblings, their father and occasionally their children. The sisters are very different, Reina is a companhera electriction living in Cuba, while is a very succesful make-up seller in New York. The two have never been close, Reina, known as companhera amazona, is a practical woman, in touch with herself and her sexuality. Her sister, on the other hand, Constancia deals in products meant to prolong youth and beauty, but in a way that hides the true person. The elephant in the room is their mother, and her death years before as well as Reina's paternity. Family relationships in an ever-changing Cuban world. There is a fantastical element to the book, strange occurences as well as votives to the god Chango. Nothing is black and white, which makes it an engaging book. no reviews | add a review
Belongs to Publisher SeriesIs contained inHas as a student's study guideAwardsNotable Lists
When Cristina García's first novel, Dreaming in Cuban, was published in 1992, The New York Times called the author "a magical new writer...completely original." The book was nominated for a National Book Award, and reviewers everywhere praised it for the richness of its prose, the vivid drama of the narrative, and the dazzling illumination it brought to bear on the intricacies of family life in general and the Cuban American family in particular. Now, with The Agüero Sisters, García gives us her widely anticipated new novel. Large, vibrant, resonant with image and emotion, it tells a mesmerizing story about the power of family myth to mask, transform, and, finally, reveal the truth. It is the story of Reina and Constancia Agüero, Cuban sisters who have been estranged for thirty years. Reina, forty-eight years old, living in Cuba in the early 1990s, was once a devoted daughter of la revolución; Constancia, an eager to assimilate naturalized American, smuggled herself off the island in 1962. Reina is tall, darkly beautiful, unmarried, and magnetically sexual, a master electrician who is known as Compañera Amazona among her countless male suitors, and who basks in the admiration she receives in her trade and in her bed. Constancia is petite, perfectly put together, pale skinned, an inspirationally successful yet modest cosmetics saleswoman, long resigned to her passionless marriage. Reina believes in only what she can grasp with her five senses; Constancia believes in miracles that "arrive every day from the succulent edge of disaster." Reina lives surrounded by their father's belongings, the tangible remains of her childhood; Constancia has inherited only a startling resemblance to their mother--the mysterious Blanca--which she wears like an unwanted mask. The sisters' stories are braided with the voice from the past of their father, Ignacio, a renowned naturalist whose chronicling of Cuba's dying species mirrored his own sad inability to prevent familial tragedy. It is in the memories of their parents--dead many years but still powerfully present--that the sisters' lives have remained inextricably bound. Tireless scientists, Ignacio and Blanca understood the perfect truth of the language of nature, but never learned to speak it in their own tongue. What they left their daughters--the picture of a dark and uncertain history sifted with half-truths and pure lies--is the burden and the gift the two women struggle with as they move unknowingly toward reunion. And during that movement, as their stories unfurl and intertwine with those of their children, their lovers and husbands, their parents, we see the expression and effect of the passions, humor, and desires that both define their differences and shape their fierce attachment to each other and to their discordant past. The Agüero Sisters is clear confirmation of Cristina García's standing in the front ranks of new American fiction. No library descriptions found. |
Current DiscussionsNonePopular covers
Google Books — Loading... GenresMelvil Decimal System (DDC)813.54Literature English (North America) American fiction 20th Century 1945-1999LC ClassificationRatingAverage:
Is this you?Become a LibraryThing Author. |
The rest of the novel follows the lives of Ignacio's adult daughters and their very different lives. Constancia Aguero Cruz lives in New York, married to a tobacco shop owner with a daughter in Oahu and a son in Morningside Heights, New York. She has been kept apart from her sister in Cuba for as long as she can remember, but she doesn't really know why. Reina was only six when her mother died. She still lives in Cuba as an electrician and mechanic and has many passions, seducing married men. She has a daughter, Dulcita, in Madrid, Spain. Interspersed between this current-day, third-person narrative is Ignacio's first person account of his life, starting with remembering his parents, Reinaldo and Soledad Aguero. Through his accounts, the history of Ignacio and his daughters becomes clearer and clearer, like sediment settling in the bottom of a glass of murky water once the agitation of stirring has stopped. ( )