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The Doctor and the Devils by Dylan Thomas
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The Doctor & The Devils

by Dylan Thomas

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136445,140 (3.65)2
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Time, Inc. (1953), Paperback

Member:MartinDavies
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Some beautiful writing in the directions. Whether or not it would translate to the screen is debatable.
  guyboss | Sep 21, 2008 |
set in the late eighteenth century Edinburgh, this play examined the theme of 'the ends justify the means'. It was based on the case of the murderers Burke and Hare. In the story a surgeon starts to pay for bodies, which he uses as cadavers for dissection. The trial also touched foundations of the whole society: "SECOND PROFESSOR: ... and if a member of the royal family is accused of a commoner's crime, then it is the whole family that is accused. An elaborate simile - but you see my point?"
  mmckay | Aug 25, 2007 |
[ another stolen book ]
the introduction says this was written, not for fascination, but because some hollywood director asked thomas to... moments of thomas's verbal soaring are limited & inconsistent with the modern ( visual ) medium of television.
overall?
incongruous. ( )
  vyode | Jun 3, 2007 |
This dramatic story is based on the grisly careers of the murderers Burke and Hare, and is in the form of a film scenario. This infamous pair came to trial in Edinburgh over a century ago, and Dylan Thomas was fascinated by their grim tale.

"Thomas Rock, a brilliant lecturer in anatomy, is disliked by his colleagues for his success and for his disregard of the medical and social conventions of his day. So popular are his lectures that his sole source of "demonstration material" - the public hangman - is totally inadequate. Thus he comes to rely on Fallon and Broom, two body-snatchers who are attracted to their vocation by its handsome rewards, though repelled by the nature and risks of their trade. Their greed however sweeps all before it, and they decide to increase their turnover by quickly suffocating the weakest and loneliest of the lodgers in the seedy lodging-house which is the front to their activities. But drunkenness and clumsiness soon put the police on their trail, and Dr. Rock, implicated as well, becomes an ogre in the popular mind, from whom the poor can never be safe. Devoted as he is to the pursuit of truth in the science of medicine, he realizes in a moment of agony that the mob, yelling for his blood, may after all be right." (jacket notes)
  tripleblessings | Nov 13, 2005 |
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Book description
An unproduced movie script, based on the true case of a 19th Century Edinburgh medical school professor who, short of corpses for classroom dissection, resorted to the assistance of a pair of serial killers.

"The horrendous story has been recounted by many writers. . . . [b]ut it remained for Dylan Thomas to metamorphose a kind of Sunday-supplement shocker into a poetic drama of life." - Introduction to the Time-Life edition

Amazon.com Product Description (ISBN 0811207285, Paperback)

Born out of the journals the playwright kept at the time, Tennessee Williams's Vieux Carré is not emotion recollected in tranquility, but emotion re-created with all the pain, compassion, and wry humor of the playwright's own 1938-39 sojourn in the New Orleans French Quarter vividly intact. The drama takes it form from the shifting scenes of memory, and Williams's surrogate self invites us to focus, in turn, on the various inhabitants or his dilapidated rooming house in the Vieux Carré: the comically desperate landlady, Mrs. Wire; Jane, a properly brought-up young woman from New York making at last grab at pleasure with Tye, the vulgar but appealing strip-joint barker; two decayed gentlewomen politely starving in the garret; and the dying painter Nightingale, who tries to teach the young writer something about love—both of the body and of the heart. This is a play about the education of the artist, and education in loneliness and despair, in giving and not giving, but most of all in seeing, hearing, feeling, and learning that "writers are shameless spies," who pay dearly for their knowledge and who cannot forget.

Building on two decades of Williams scholarship since Vieux Carré was originally published, Robert Bray, editor of The Tennessee Williams Annual Review, has provided a new introduction for this edition, giving the most authoritative account yet of its background and genesis.

(retrieved from Amazon Tue, 05 Jan 2010 16:25:43 -0500)

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