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The Road by Cormac McCarthy
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The Road (2006)

by Cormac McCarthy

Other authors: See the other authors section.

MembersReviewsPopularityAverage ratingConversations / Mentions
22,732109954 (4.09)1 / 1154
  1. 260
    Blindness by José Saramago (browner56, ateolf, lilisin)
    browner56: Two harrowing, well-written looks at what we can expect when society breaks down
  2. 293
    Oryx and Crake by Margaret Atwood (goodiegoodie)
  3. 254
    The Handmaid’s Tale by Margaret Atwood (mrstreme)
  4. 140
    The Children of Men by P. D. James (macktan894)
  5. 141
    I Am Legend by Richard Matheson (PDcastello)
    PDcastello: Same type of small and silent epic
  6. 120
    Alas, Babylon by Pat Frank (BookshelfMonstrosity)
  7. 112
    The Year of the Flood by Margaret Atwood (JD456)
  8. 102
    A Canticle for Leibowitz by Walter M. Miller Jr. (skroz, goodiegoodie)
  9. 70
    Into the Forest by Jean Hegland (owen1218)
  10. 81
    On the Beach by Nevil Shute (Navarone)
  11. 92
    No Country for Old Men by Cormac McCarthy (dmitriyk)
    dmitriyk: Written simply, with a very similar style and attitude.
  12. 83
    Earth Abides by George R. Stewart (psybre)
    psybre: Earth Abides, a classic post-apocalyptic novel published in 1949, is a bit less dark, and as an ecological fable, contains more science than The Road. When pondering to read The Road again, read this book instead.
  13. 40
    The Painted Bird by Jerzy Kosiński (Stbalbach)
    Stbalbach: Kosinski & McCarthy were born 5 weeks apart in 1933 and were ages 6-12 during WWII. Both books are dark violent fables told from a child's view.
  14. 30
    I Who Have Never Known Men by Jacqueline Harpman (Tanglewood, tottman)
    tottman: Both are dystopian novels with engaging and driven main characters. They are bleak but extraordinarily moving and compelling.
  15. 40
    Ashes, Ashes by René Barjavel (grimm)
  16. 51
    The Pesthouse by Jim Crace (llishman, MarkYoung)
  17. 41
    The Day of the Triffids by John Wyndham (hazzabamboo)
    hazzabamboo: Two post-apocalyptic masterpieces, with much of their power coming from their focus on a couple of characters and the exotic horrors that threaten them.
  18. 30
    Rivers by Michael Farris Smith (GCPLreader)
  19. 20
    Schopenhauer's Telescope by Gerard Donovan (Cecilturtle)
  20. 20
    The Reapers Are the Angels by Alden Bell (infiniteletters)

(see all 39 recommendations)

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English (1,030)  French (18)  Spanish (15)  Dutch (8)  Italian (6)  German (5)  Danish (4)  Swedish (4)  Catalan (3)  Norwegian (2)  Czech (1)  Finnish (1)  Portuguese (Portugal) (1)  Hebrew (1)  Polish (1)  All languages (1,100)
Showing 1-5 of 1030 (next | show all)
...difficile scrivere dopo aver letto di cosi' tanta distruzione.
Assonante con Cecita', di Saramago. Al suo contrario M. usa periodi brevi, secchi, semplici. Essenziali, come le parole che formano queste pagine. Dalla descrizione di luoghi bruciati, grigi, infangati emergono luminose le paure dell'uomo e del bambino, le loro tenui speranze e l'amore che li lega come unico germoglio verde in un mondo morto. L'autore toglie tutto, e lascia l'Uomo con le sue fragilità, fatte di orrori, miserie e violenza.
Se mai un giorno accadrà, M. ne ha scritto la storia. ( )
  bobparr | Dec 14, 2014 |
As I started this book, I immediately felt the sense that I was rereading The Gunslinger and that wasn't such a good thing since I did not particularly enjoy that book. As the book progressed, however, I settled into McCarthy's sparse prose. His story is simple but quite compelling and the setting is truly the protagonist of this book. The post-devastation wasteland is horrific and fundamental questions of quality of life, human existance, spirituality float in and out of the dialogue between father and son that central to the book. I had so many questions that were left unanswered like HOW? WHY? WHEN? WHO? WHERE? But then it was clear that none of this really mattered to the characters - only survival and keeping on keeping on down the road were what mattered. ( )
  kellifrobinson | Nov 25, 2014 |
Wow...

While obviously not a book that everyone will enjoy, it's one that must be read.

The writing is sparse and bleak, perfectly matched to the gray and hopeless remnants of the dystopian world within the novel. It's monotonous in its execution, but rater than bothersome it serves to illustrate the endless monotony of a hopeless exodus.

It's brutal and raw and genius - the perfect recipe for a work of modern literature ( )
  zephyrsky | Sep 30, 2014 |
This book is set in a future in which most people on Earth have apparently died, so it's hard for it not to be a little depressing in that way. However, unlike other books I've read with a similar theme, this one focuses on how a man tries to keep his son alive in very hard circumstances, so it was pretty good. ( )
  piersanti | Sep 28, 2014 |
The Road by Cormac McCarthy

It was bleak and sad but I think it captured a frighteningly real scenario if we were faced with some apocalyptic event. It isn’t living anymore, it’s just surviving, but the Man can’t bring himself to end it. I think it’s because of The Boy who is his son. The Boy seems to have been brought up in this dying world and his father keeps moving on, trying to find food and shelter for his son.

They head for the coast because they can’t survive another winter in the north. It’s harsh, it’s depressing and yet I couldn’t stop reading it. If you have ever seen the movie starring Viggo Mortensen it’s an excellent portrayal of the book.

What sort of meal would one be inspired to make from this book – that is a true toughie. For The Man, he has memories of what life was like before, when trees were green, when you could shop at a market and breathe fresh air. The Boy grew up never knowing this world. Always on the run, gray skies and little food was what he was used to.

I think I would miss a very basic meal, such as wings and vegetables. Something so simple yet it would be a feast for The Man and The Boy.

(Photo at www.novelmeals.wordpress.com )

Sad book yet it kept my attention to the end. Well done Cormac McCarthey. ( )
  SquirrelHead | Sep 26, 2014 |
Showing 1-5 of 1030 (next | show all)
But McCarthy’s latest effort, The Road, is a missed opportunity.
 
Like Steinbeck, McCarthy shepherds his protagonists from an apocalypse of man's making into a hell where man himself is the scourge. Like Steinbeck, McCarthy never holds more than a fistful of scavenged victuals between his heroes and death. And like Steinbeck, McCarthy conjures from this pitiless flight the miracle of unswerving humanity. Astonishingly, this is a book about grace.
added by eereed | editThe Telegraph, Chris Cleave (Nov 12, 2006)
 
With only the corpse of a natural world to grapple with, McCarthy's father and son exist in a realm rarely seen in the ur-masculine literary tradition: the domestic. And from this unlikely vantage McCarthy makes a big, shockingly successful grab at the universal.
added by eereed | editSlate, Jennifer Egan (Oct 10, 2006)
 
“The Road” is a dynamic tale, offered in the often exalted prose that is McCarthy’s signature, but this time in restrained doses — short, vivid sentences, episodes only a few paragraphs or a few lines long, which is yet another departure for him.
 
Post-apocalyptic fiction isn't automatically better when written by Cormac McCarthy, but he does have a way of investing genre clichés with fine gray tones and morose poetry.
added by eereed | editA.V. Club, Noel Murray (Oct 5, 2006)
 

» Add other authors (18 possible)

Author nameRoleType of authorWork?Status
McCarthy, Cormacprimary authorall editionsconfirmed
Stechschulte, TomReadersecondary authorsome editionsconfirmed
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Epigraph
Dedication
This book is dedicated to John Francis McCarthy
First words
When he woke in the woods in the dark and the cold of the night he'd reach out to touch the child sleeping beside him.
Quotations
He'd not have thought the value of the smallest thing predicated on a world to come. It surprised him. That the space which these things occupied was itself an expectation (149).
From daydreams on the road there was no waking. He plodded on. He could remember everything of her save her scent. Seated in a theatre with her beside him leaning forward listening to the music. Gold scrollwork and sconces and the tall columnar folds of the drapes at either side of the stage. She held his hand in her lap and he could feel the tops of her stockings through the thin stuff of her summer dress. Freeze this frame. Now call down your dark and your cold and be damned.
He pulled the boy closer. Just remember that the things you put into your head are there forever, he said. You might want to think about that.

You forget some things, don't you?

Yes. You forget what you want to remember and you remember what you want to forget.
It took two days to cross that ashen scabland. The road beyond fell away on every side. It's snowing, the boy said. He looked at the sky. A single gray flake sifting down. He caught it in his hand and watched it expire there like the last host of christendom.
He thought if he lived long enough the world at last would be lost. Like the dying world the newly blind inhabit, all of it slowly fading from memory.
Last words
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Wikipedia in English (2)

Book description
The Road follows a man and a boy, father and son, journeying together for many months across a desolate, post-apocalyptic landscape, some years – the period of time almost the same as the age of the boy – after a great, unexplained cataclysm.
Haiku summary
His world burned away,
A man walks seaward;
Tries to save the son.
(miken32)

No descriptions found.

(see all 2 descriptions)

In a novel set in an indefinite, futuristic, post-apocalyptic world, a father and his young son make their way through the ruins of a devastated American landscape, struggling to survive and preserve the last remnants of their own humanity.

» see all 14 descriptions

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Average: (4.09)
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